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Showing 1 - 25 of 32 matches in All Departments
Health and social care reforms and cuts in services and finances are part of the everyday fabric of the social work landscape. This book takes a critical approach to the transformation agenda and the implications for adult health and social care. Fully informed by theory, research, policy and legislation the book uses a problem-based learning approach through the application of case studies to explain and explore the overlapping roles of social care and social policy. The book argues for the continued significance and importance of social work within the context of adult social care. It shows that social work can make a difference in the lives and experiences of many of the people who are perceived as being the most vulnerable people in society. This text is essential reading for students of social work and social policy, health and social care courses and other professional disciplines, social work educators and practitioners, and managers working in social care.
Health and social care reforms and cuts in services and finances are part of the everyday fabric of the social work landscape. This book takes a critical approach to the transformation agenda and the implications for adult health and social care. Fully informed by theory, research, policy and legislation the book uses a problem-based learning approach through the application of case studies to explain and explore the overlapping roles of social care and social policy. The book argues for the continued significance and importance of social work within the context of adult social care. It shows that social work can make a difference in the lives and experiences of many of the people who are perceived as being the most vulnerable people in society. This text is essential reading for students of social work and social policy, health and social care courses and other professional disciplines, social work educators and practitioners, and managers working in social care.
George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 30 years and brings together 80 paintings, drawings and publications from the National Gallery's Whistlejacket to pieces never previously seen in public. Stubbs produced exceptional images of animals and people throughout his career. These were a product of his keen scientific eye and uncommon sense of compassion. Rather than trust to history and the untested example of his precursors, he championed doing as a way of thinking and deployed picture-making in pursuit of reality. On the title page of The Anatomy of the Horse, his groundbreaking publication that rewrote our understanding of equine biology, Stubbs confirmed that everything that followed was 'all done from Nature' - meaning that it all derived from his own painstaking analysis of the subject in front of him. George Stubbs: 'all done from Nature' accompanies the major exhibition at MK Gallery in Milton Keynes and the Mauritshuis in The Hague and includes new writing on the artist by Nicholas Clee, Martin Myrone, Martin Postle, Roger Robinson, Jenny Uglow and Alison E. Wright.
There is widespread agreement that care and support services must change radically if they are to meet the rights and needs of the rapidly growing number of people who require them. For the first time, Supporting people explores with service users, practitioners, carers and managers what person-centred support means to them, what barriers stand in its way and how these can be overcome. It provides a unique roadmap for the future, offering theoretical insights, practical guidance and highlighting the importance of a participatory approach. Based on the largest independent UK study of person-centred support and written by an experienced team that includes service users, practitioners and researchers, it demonstrates how change can be made now, and what strategic changes will be needed for person-centred support to have a sustainable future.
Children have always fascinated artists and Painting Childhood will explore some of the most iconic paintings of children produced over the past 500 years. Featuring stunning portraits, amusing genre scenes and touching 'fancy pictures', the book will examine both the creative process and the specifi c challenges posed by painting children: from how to capture the fleeting moments of youth to how to encourage young subjects to sit still. Accompanying the exhibitions Painting Childhood: From Holbein to Freud and Childhood Now, the book will discuss a wealth of masterpieces from British collections by artists including Hans Holbein the Younger, Anthony van Dyck, Jan Steen, Bartolome Esteban Murillo, William Hogarth, Joshua Reynolds, Thomas Gainsborough, Johan Zoff any and John Everett Millais. These iconic paintings will be considered alongside the preparatory sketches that were made for them and the works that were made after them in an exploration of the creative process and the artistic 'conversations' that occurred throughout the centuries. Painting Childhood will also explore 'intimate portraits' - artist's portrayals of their own children. Paintings, sketches and sculptures by Stanley Spencer, Louise Bourgeois, Jacob Epstein and Lucian Freud, among others, present highly personal insights into the place of family within an artist's life, and the ongoing dialogue between biography and creativity. This theme extends to the present day, and the work of three contemporary figurative painters - Chantal Joffe, Mark Fairnington and Matthew Krishanu. Drawn to children as subjects, each of these London-based artists depict childhood in very diff erent ways. Together, they provide fresh perspectives on what constitutes childhood today and reaffirm the place of painting as a diverse and powerful artistic practice.
Essentials of Cognitive Neuroscience introduces and explicates key principles and concepts in cognitive neuroscience in such a way that the reader will be equipped to critically evaluate the ever-growing body of findings that the field is generating. For some students this knowledge will be needed for subsequent formal study, and for all readers it will be needed to evaluate and interpret reports about cognitive neuroscience research that make their way daily into the news media and popular culture. The book seeks to do so in a style that will give the student a sense of what it's like to be a cognitive neuroscientist: when confronted with a problem, how does one proceed? How does one read and interpret research that's outside of one's sub-area of specialization? How do two scientists advancing mutually incompatible models interrelate? Most importantly, what does it feel like to partake in the wonder and excitement of this most dynamic and fundamental of sciences?
Studies on the cultural, social, political and economic history of the age. This collection presents new and original research on the long thirteenth century, from c.1180-c.1330, including England's relations with Wales and Ireland. The range of topics embraces royal authority and its assertion and limitation, the great royal inquests and judicial reform of the reign of Edward I, royal manipulation of noble families, weakening royal administration at the end of the century, sex and love in the upper levels of society, monastic/layrelations, and the administration of building projects. Contributors: RUTH BLAKELY, NICOLA COLDSTREAM, BETH HARTLAND, CHARLES INSLEY, ANDY KING, SAMANTHA LETTERS, JOHN MADDICOTT, MARC MORRIS, ANTHONY MUSSON, DAVIDA. POSTLES, MICHAEL PRESTWICH, SANDRA G. RABAN, BJORN WEILER, JOCELYN WOGAN-BROWNE, ROBERT WRIGHT. THE EDITORS are all in the Department of History, University of Durham.
This volume contains collected papers on medieval England's "names and naming patterns - mostly forenames or Christian names, but with some attention to family names." According to Rosenthal, there are "three lines of assault upon the culture and practice by way of analysis of names and naming" - "micro-social or family dynamic, village life, and limited name stock that confronts us when we tally the range of names that served the bulk of the population."-from the Introduction
The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist over the course of his long career. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary (including subtle allusions to illicit relationships)-all achieved while presenting his subjects as delightful and sophisticated members of polite society. A skilled networker, Zoffany established himself at the court of George III and Queen Charlotte soon after his arrival in England from his native Germany. At the same time, he befriended the leading actor David Garrick and through him became the foremost portrayer of Georgian theater. His brilliant effects and deft style were well suited to theatricality of all sorts, enabling him to secure patronage in England and on the continent. Following a prolonged visit to Italy he travelled to India, where he quickly became a popular and established member within the circle of Warren Hastings, the governor-general. Zoffany's Indian paintings are among his most spectacular and allowed him to return to England enriched and warmly welcomed. This volume provides a sparkling overview of his finest works. Published for the Yale Center for British Art and the Royal Academy Exhibition Schedule: Yale Center for British Art (10/27/11-02/12/12) Royal Academy (03/10/12-06/10/12)
Marking the 50th anniversary of the acclaimed Sarah Campbell Blaffer Foundation, this commemorative book presents masterpieces from the foundation's collection. The works span more than 400 years, from the 16th through the early 20th century, and feature a range of media including paintings, prints, and printed books. After a comprehensive introduction to the foundation and its collection, essays by eight scholars present new scholarship on key works. The featured objects include an image of the Madonna and Child by the Florentine painter Giuliano Bugiardini; Richard Wilson's iconic 18th-century composition The White Monk; printed materials in Venice that bridged Jewish and Christian cultures; and portraits by Paolo Veronese, Simon Vouet, and others. With more than 200 illustrations, this beautiful publication is a rich survey as well as a timely celebration of this exceptional collection. Distributed for the Sarah Campbell Blaffer Foundation and the Museum of Fine Arts, Houston
This is a new release of the original 1941 edition.
This valuable caregivers' guide is written for anyone with an
Alzheimer's sufferer in the family, whether they are in their own
home or a care home. It will also be useful for nurses and
professional carers.
People of all ages, genders and backgrounds can suddenly feel all alone, isolated and secluded from the world around them. Whether it is because we live our lives on our own or it's simply because we feel we don't fit in with our surroundings. Loneliness can feel like a disease to others and nobody will talk about it because they may get 'inffected' by us. Alone Among Many is written for those who have felt such remoteness, not as a self-help book but as a way of saying "we, we many, we feel as you do... We are lonely..." As a contemporary poet Spargo Postle recognises the loneliness and isolation we can all sometimes feel, even when we are seemingly among many others. His poetry expresses what we all feel but are unable to speak of, out loud. This selection of poetry was made by Spargo Postle himself and includes some of his best known works including We Are Lonely, A Man Of Few Words and I'm Scared of the Darkness...
Although there have been some recent overviews of religious houses and the relationship between the religious and the laity in the late eleventh to early fourteenth centuries, none has contained a really coherent theme. This volume offers an overarching theme which gives cohesion to the collection of essays: missed opportunities and disappointment. The efflorescence of foundations of religious houses in the twelfth and thirteenth centuries in England offered the prospect of religious revitalization. Those opportunities are recounted and examined in detail. Ultimately, however, it all ended in disappointment as the religious failed to fulfill both their obligations and the expectations of them, so that the affective relation between the enclosed religious and the laity was eclipsed by the early fourteenth century.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
The City comedies in early-modern England repeated social tropes and paradigms from which we can deduce much about social attitudes. Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early Seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. Although the dramatists had slightly differing allegiances, their commentaries all illuminate 'middling' society in the City of London. "This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community." -Bernard Capp, FBA, Dept of History, University of Warwick "David Postles is one of the most innovative social historians writing today." -Nigel Goose, Professor of Social and Economic History, University of Hertfordshire "This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future." - Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh,
This book combines theater and life in an attempt to consider how people inter- acted in face-to-face situations in early-modern England, and to examine the wider implications of those relationships for social organization. The research behind the text is interdisciplinary: it draws on mid-Tudor comedies, the City comedies, and early-Stuart plays, illustrating how the dramatic realism of those playwrights interrelates to the real social world. "The idea of this book to recreate the social structure from the way persons addressed one another and the variety of social descriptors employed is long overdue." - Richard Smith, FBA Professor of Historical Demography, Cambridge University. "It's a novel study of an intrinsically interesting subject, drawn from sources never before systematically explored by social historians. It will prove a useful contribution to early modern English social & cultural history, opening another window on the lives, social networks, and language of ordinary folk." - Margo Todd, Walter H. Annenberg Professor of History, University of Pennsylvania. "David Postles was able to successfully combine research across the disciplinary boundaries between social history and literary and sociological analysis.... The result is a subtle and multivalent study of human conduct, social position, and the ways in which early-modern subjects sought to fashioning their own identities-and were in turn fashioned by others- through the language of social exchange." -- Greg Walker, Professor of Early-Modern Literature and Culture, University of Leicester. "This book promises to be simultaneously a significant con- tribution to interdisciplinary scholarship-across the fields of history, literature, and the social sciences-and a work of abiding human interest." - Charles Phythian-Adams, Professor Emeritus of English Local History, University of Leicester.
An attempt is made to understand the relationships between social groups and the spaces and places which they inhabited. There have been for some time historians who have been concerned about the relationship between society and space/place (more so the latter). Some have chosen to approach the rhetoric of representations of space and place, in the cultural vein; others have focused on the experience of space and place, the social and the political. The two were not, of course, separable, and all historians have been sensitive to the interdependencies. In this book, an attempt is made to begin to understand the relationships between different social groups and social categories with the spaces and places which they inhabited and moved through and whether or not in their life-courses they were able to make an attachment to place. The book engages with different social groups, different times, and different spaces and places-with that emphasis on the importance of difference. Its concern is with times before the beginnings of modernity. |
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