Offers a European view of racial attitudes in the US during the era of the Harlem Renaissance and Jim Crow, with relevance to today's Black Lives Matter and #MeToo movements. Marylin, a novel by the Austrian writer Arthur Rundt about a mixed-race woman passing as white, moves from Chicago to New York City and concludes tragically on a Caribbean island. First published in 1928 and now translated into English, it offers a European view of racial attitudes in the US during the era of the Harlem Renaissance and Jim Crow. Rundt's short but powerful novel touches several vital issues in society today, engaging each in a way that prompts further examination and cross-fertilization. First, it sheds historical light on what has become painfully obvious in the Black Lives Matter era (if it wasn't before): the continued injustice experienced by Blacks in America as an effect of structural racism. Second, it confronts issues of migration and hybrid identities. Third, it has relevance for Women's Studies through the title character's interaction with the patriarchy. Through these connections, it responds to a growing current in German Studies concerned with diversity and inclusion and integrating the discipline into the broader humanities. An introduction and an afterword, both of them extensive and scholarly, contextualize the novel in its time and as it relates to ours.

'I have more privilege than any person in my family. And I'm still screwed.' A young woman attends a play about the Berlin Wall coming down, and is the only Black person in the audience. She is sitting with her boyfriend by a bathing lake, and four neo-Nazis show up. She is having sex with a stranger in New York, and Donald Trump wins the US presidential election. Engaging in a witty question and answer with herself, she takes stock of our rapidly changing times, sometimes angry, sometimes amused, sometimes afraid, and always passionate. And she tells the story of her family: Her mother, a punk in former East Germany who never had the freedom she dreamed of. Her Angolan father, who returned to his home country before she was born to start a second family. Her grandmother, whose life of obedience to party principles brought her prosperity and security but not happiness. And her twin brother, who took his own life at the age of nineteen. Heart-rending, opinionated, and wry, Olivia Wenzel's remarkable debut novel is a clear-sighted investigation into origins and belonging, the roles society wants to force us into and why we need to resist them, and the freedoms and fears that being the odd one out brings. 'So exuberant, inventive, brainy, sensitive and hilarious that it's like a pyrotechnic flare illuminating the whole woman, past and present, radiant, unique, a voice and a novel to take with us into the future.' FRANCISCO GOLDMAN, author of Monkey Boy 'Bold and exceptional . . . Her impressive writing, born of a brilliant mind, surprises - stylistically, and by its frankness and associations . . . I rode in the passenger seat, beside the beauty and strangeness of 1000 Coils of Fear.' LYNNE TILLMAN, author of Men and Apparitions and Mothercare 'An audacious and disturbing novel.' MICHELLE DE KRETSER, author of Scary Monsters 'An exciting, confident debut.' Publishers Weekly 'Impressive, relentless, tender.' Faz

'I have more privilege than any person in my family. And I'm still screwed.' From award-winning author Olivia Wenzel comes a captivating and unsettling literary debut about race, politics, feminism, motherhood, nationality and enduring love. A young woman attends a play about the Berlin Wall coming down and is the only Black person in the audience. She is sitting with her boyfriend by a bathing lake and four neo-Nazis show up. In New York, she witnesses Trump's election victory in a strange hotel room and later awakes to panicked messages from friends. Engaging in a witty question and answer with herself, the narrator looks at our rapidly changing times and tells the story of her family: her mother, who was a punk in East Germany and never had the freedom she dreamed of and her absent Angolan father. But in the background of everything is the memory of her twin brother, who died when they were nineteen. Emotional and funny, Olivia Wenzel writes about loneliness and finding joy in life within the roles that society assigns you. 1000 Coils of Fear is a highly original novel both powerfully poetic and full of surprises. 'So exuberant, inventive, brainy, sensitive and hilarious that it's like a pyrotechnic flare illuminating the whole woman, past and present, radiant, unique, a voice and a novel to take with us into the future.' FRANCISCO GOLDMAN, author of Monkey Boy 'Bold and exceptional . . . Her impressive writing, born of a brilliant mind, surprises - stylistically, and by its frankness and associations . . . I rode in the passenger seat, beside the beauty and strangeness of 1000 Coils of Fear.' LYNNE TILLMAN, author of Men and Apparitions and Mothercare 'An audacious and disturbing novel.' MICHELLE DE KRETSER, author of Scary Monsters 'An exciting, confident debut.' Publishers Weekly 'Impressive, relentless, tender.' Faz

While German unification promised a new historical beginning, it also stirred discussions about contemporary Germany's Nazi past and ideas of citizenship and belonging in a changing Europe. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German, and German Jewish experiences, with reflections on the evolving academic paradigms with which these are studied. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourse on memory, racism, citizenship, immigration, and history.

'I have more privilege than any person in my family. And I'm still screwed.' From award-winning author Olivia Wenzel comes a captivating and unsettling literary debut about race, politics, feminism, motherhood, nationality and enduring love. A young woman attends a play about the Berlin Wall coming down and is the only Black person in the audience. She is sitting with her boyfriend by a bathing lake and four neo-Nazis show up. In New York, she witnesses Trump's election victory in a strange hotel room and later awakes to panicked messages from friends. Engaging in a witty question and answer with herself, the narrator looks at our rapidly changing times and tells the story of her family: her mother, who was a punk in East Germany and never had the freedom she dreamed of and her absent Angolan father. But in the background of everything is the memory of her twin brother, who died when they were nineteen. Emotional and funny, Olivia Wenzel writes about loneliness and finding joy in life within the roles that society assigns you. 1000 Coils of Fear is a highly original novel both powerfully poetic and full of surprises. 'So exuberant, inventive, brainy, sensitive and hilarious that it's like a pyrotechnic flare illuminating the whole woman, past and present, radiant, unique, a voice and a novel to take with us into the future.' FRANCISCO GOLDMAN, author of Monkey Boy 'Bold and exceptional . . . Her impressive writing, born of a brilliant mind, surprises - stylistically, and by its frankness and associations . . . I rode in the passenger seat, beside the beauty and strangeness of 1000 Coils of Fear.' LYNNE TILLMAN, author of Men and Apparitions and Mothercare 'An audacious and disturbing novel.' MICHELLE DE KRETSER, author of Scary Monsters 'An exciting, confident debut.' Publishers Weekly 'Impressive, relentless, tender.' Faz