In Signs, Language and Communication readers familiar with the arguments of Professor Harris' previous work, including Signs of Writing, will find those ideas developed here to cover not just writing, but aspects of art, design and manufacture.
Roy Harris proposes a new theory of communication. He begins with the premise that the mental life of an individual should be conceived as a continuous attempt to integrate the present with the past and future. He concludes by arguing that communication should be viewed as both a product and a resource of this constant act of integration.

In Signs of Writing Roy Harris re-examines basic questions about writing that have long been obscured by the traditional assumption that writing is merely a visual substitute for speech.
By treating writing as an independent mode of communication, based on the use of spatial relations to connect events separated in time, the author shows how musical, mathematical and other forms of writing obey the same principles as verbal writing. These principles, he argues, apply to texts of all kinds: a sonnet, a symphonic score, a signature on a cheque and a supermarket label. Moreover, they apply throughout the history of writing, from hieroglyphics to hypertext.
This is the first book to provide a new general theory of writing in over forty years. Signs of Writing will be essential reading for anyone interested in language and communication.

Saussure as a linguist and Wittgenstein as a philosopher of language are arguably the two most important figures in the development of twentieth-century linguistic thought. By pointing out what their ideas have in common, in spite of emanating from very different intellectual sources, this study breaks new ground.

Series Information:
History of Linguistic Thought

eBook available with sample pages: HB:0415153611

Saussure as a linguist and Wittgenstein as a philosopher of language are arguably the two most important figures in the development of twentieth-century linguistic thought. By pointing out what their ideas have in common, in spite of emanating from very different intellectual sources, this study breaks new ground.

In Signs of Writing Roy Harris re-examines basic questions about writing that have long been obscured by the traditional assumption that writing is merely a visual substitute for speech. By treating writing as an independent mode of communication, based on the use of spatial relations to connect events separated in time, the author shows how musical, mathematical and other forms of writing obey the same principles as verbal writing. These principles, he argues, apply to texts of all kinds: a sonnet, a symphonic score, a signature on a cheque and a supermarket label. Moreover, they apply throughout the history of writing, from hieroglyphics to hypertext. This is the first book to provide a new general theory of writing in over forty years. Signs of Writing will be essential reading for anyone interested in language and communication.

In Signs, Language and Communication readers familiar with the arguments of Professor Harris' previous work, including Signs of Writing, will find those ideas developed here to cover not just writing, but aspects of art, design and manufacture. Roy Harris proposes a new theory of communication. He begins with the premise that the mental life of an individual should be conceived as a continuous attempt to integrate the present with the past and future. He concludes by arguing that communication should be viewed as both a product and a resource of this constant act of integration.