In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials. The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975-a perspective still largely missing from American narratives.

Of the twelve short stories appearing in Hà Nội at Midnight, ten are appearing in English for the first time. Bringing to life the full range of Bảo Ninh's inventive and poetic language, Quan Manh Ha and Cab Tran are granting to English readers Bảo Ninh's first book-length work since The Sorrow of War. Hà Nội and Midnight delineates the complex outpourings of war and the way it remakes our relation to each other. Bảo Ninh's stories accentuate the gamut of human emotions: nostalgia, anguish, desolation, melancholy, poignancy, and hope. His stories wistfully render pre-war Hà Nội, its peaceful alleys and streets, its courteous residents, and the cozy atmosphere when family members, neighbors, and friends gather around a fire or converse in a coffee shop, as in "Hà Nội at Midnight" and in "Reminiscences." Juxtaposed with this tranquility and geniality are the abandoned areas and defoliated forests occasioned by American bombardment and the American use of Agent Orange, as in "An Unnamed Star" and "A Farewell to a Soldier's Life." Images of polluted rivers and streams, the war-torn sky, the pungent air filled with the stench of decomposing human corpses, and the deafening roar of helicopters and bombers hovering in the gloomy sky dominate the settings of Bảo Ninh's stories. Intertwined with these horrific images are human tears shed during farewell ceremonies, when recruits are separated from their loved ones, when parents live in anxiety and hope at home while their children are fighting in a war in remote regions, and when soldiers bury their comrades and burden themselves with their fallen comrades' unfulfilled wishes.