English history has usually been written from the perspective of the south, from the viewpoint of London or Canterbury, Oxford or Cambridge. Yet throughout the middle ages life in the north of England differed in many ways from that south of the Humber. In ecclesiastical terms, the province of York, comprising the dioceses of Carlisle, Durham and York, maintained its own identity, jealously guarding its prerogatives from southern encroachment. In their turn, the bishops and cathedral chapters of Carlisle and Durham did much to prevent any increase in the powers of York itself. Barrie Dobson is the leading authority on the history of religion in the north of England during the later middle ages. In this collection of essays he discusses aspects of church life in each of the three dioceses, identifying the main features of religion in the north and placing contemporary religious attitudes in both a social and a local context. He also examines, among other issues, the careers of individual prelates, including Alexander Neville, archbishop of York (137X88) and Richard Bell, bishop of Carlisle (1478-95); the foundation of chantries in York; and the writing of history at York and Durham in the later middle ages.

'An excellent selection of sources for the rebellion.' Bibliographies Handbook One of the most famous and dramatic episodes in English history, the great revolt of 1381 is still a largely unsolved mystery. The new edition of this lengthy and detailed collection of original documents provides a basic handbook to the story, significance and problems of the English Peasants' Revolt of 1381.

Aspects of medieval theatre examined for reflection of contemporary life. The essays in this volume explore ways in which plays and public spectacles mirrored the beliefs and values of the late medieval world. Topics covered include seasonal festivals, trade gilds, stagecraft, and the role played by themunicipal governments in fostering and controlling dramatic productions. The geographic range takes in all western Europe, with particular consideration of the connections between the various medieval European dramatic traditions. Inter-disciplinary in approach, perspectives range from the history of theatre to cultural and political history and literary criticism. There is particular emphasis on the real advances that can be made in expanding knowledge of medieval theatre through research in local and regional archives. ALAN E. KNIGHT is professor emeritus of French at the Pennsylvania State University. Contributors: ALEXANDRA F. JOHNSTON, LYNETTE R. MUIR, PAMELA SHEINGORN, R.B. DOBSON, GERARD NIJSTEN, CLIFFORD DAVIDSON, WIM HUESKEN, STEPHEN SPECTOR, ALAN E. KNIGHT

In the course of this work, Dr Dobson is able to throw new light on the universal aspirations and pre occupations of medieval monasticism. He reconstructs life in Durham in the century before its final dissolution and concludes that it was an example of 'comparatively successful conservatism' during a period in English history characterized by institutional resistance to social and intellectual change.