This book offers a coherant theoretical introduction to urban sociology. Based on the urban theory of Louis Wirth, it systematically examines Wirth's principal ideas in the contexts of pre-industrial cities, industrial cities and bureaucracies. Morris discusses conditions for the emergence of cities and for industrialization. He relates organisational and ecological accounts of the city and considers the contributions of each. Bureaucracy appears as a peculiarly urban form of organisation: its ecological and social characteristics are examined in an original manner and with considerable insight so as to illustrate and modify the propositions derived from Wirth's theory. The book concludes with a comprehensive evaluation of Wirth and his critics. This book was first published in 1968.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

This book offers a coherant theoretical introduction to urban sociology. Based on the urban theory of Louis Wirth, it systematically examines Wirth's principal ideas in the contexts of pre-industrial cities, industrial cities and bureaucracies. Morris discusses conditions for the emergence of cities and for industrialization. He relates organisational and ecological accounts of the city and considers the contributions of each. Bureaucracy appears as a peculiarly urban form of organisation: its ecological and social characteristics are examined in an original manner and with considerable insight so as to illustrate and modify the propositions derived from Wirth's theory. The book concludes with a comprehensive evaluation of Wirth and his critics. This book was first published in 1968.

June, 1914. Following three, seemingly unrelated suicides, DI Silas Quinn knows he must uncover the link between the three men if he is to discover what caused them to take their own lives. The one clue is a card each victim was carrying, depicting a crudely-drawn red hand. To find out what it means, Quinn must revisit his own dark past.

A city, gripped in the fear of terrifying crimes, will be pushed to breaking point.London, 1914. A killer is at liberty in the dark alleys of the city. His victims have one thing in common: all the blood has been drained from their bodies. Who could do such a thing - and why would he want his victims' blood? As the killer's reign of terror continues, Detective Inspector Silas Quinn of Scotland Yard's Special Crimes department realises that, in order to catch his prey, he must learn to think like the killer himself. His search will take him through London's squalid back streets, seedy Soho haunts and louche aristocratic watering holes, all in pursuit of a truly twisted individual. First in an absolutely gripping historical mystery series, perfect for fans of Abir Mukherjee, S. G. MacLean and Rory Clements. Praise for R. N. Morris'Morris launches a new series with this superior whodunnit' Publishers Weekly 'A challenging, utterly fascinating read' Booklist 'Quinn's passion for justice makes for an engrossing and disquieting Sherlockian entry' Library Journal

Detective Inspector Silas Quinn investigates one of the strangest cases of his career...London, 1914. Called out to investigate the murder of an employee of the House of Brackley, an upmarket Kensington department store, Silas finds himself investigating one of the most bizarre cases of his career. For the chief murder suspect is a monkey. One of the store's fashion models has been found dead on her bed, strangled with a red silk scarf. The room is locked from the inside, the only other occupant being a monkey in a red fez hat. While he is sceptical of the theory that the monkey is the killer, Quinn suspects it holds the key to the mystery. But where has it disappeared to? And how will he ever get to the truth when faced with the maelstrom of resentment and thwarted passion that is the mannequin house? A thrill-a-minute historical mystery full of intrigue, perfect for fans of C. J. Sansom, S. G. MacLean and Abir Mukherjee. Praise for R. N. Morris'A classic whodunnit plot with emotion and psychological depth' Publishers Weekly 'A challenging, utterly fascinating read' Booklist 'His sense of the historical moment is strong' Kirkus Reviews

June, 1914. Following three, seemingly unrelated suicides, DI Silas Quinn knows he must uncover the link between the three men if he is to discover what caused them to take their own lives. The one clue is a card each victim was carrying, depicting a crudely-drawn red hand. To find out what it means, Quinn must revisit his own dark past.

War has been declared, and Detective Inspector Silas Quinn finds himself drawn into a disturbing murder case where the only clue is a mysterious white feather. London, 1914. The declaration of war with Germany has made the capital a dark, uncertain place, rife with fear and suspicion. As the pressure on young men to enlist grows stronger, Pastor Cardew holds a rally at his church. Unfortunately, it ends in humiliation for Felix Simpkins when he receives a dreaded white feather - the ultimate sign of cowardice. Meanwhile, DI Silas Quinn returns to New Scotland Yard after his recent sick leave to find the Special Crimes Department has been closed and his team absorbed into CID. But when a body is discovered in Wormwood Scrubs the day after Cardew's rally, a white feather placed in its mouth, Quinn finds himself unable to take a back seat in the investigation. Was the murderer really a foreign spy . . . or someone closer to home?

Could a mysterious music box hold the key to unlocking the puzzle behind a gruesome murder for Detective Inspector Silas Quinn? London, 1914. Despite a number of setbacks, rehearsals for The Hampstead Voices' Christmas concert are continuing apace. The sold-out event is raising funds for war refugees, and both Winston Churchill and Edward Elgar are expected to attend. But the most disturbing setback of all occurs when the choirmaster, Sir Aidan Fonthill, is discovered dead at a piano, a tuning fork protruding from his ear. Detective Chief Inspector Silas Quinn and his team from the Special Crimes Department at New Scotland Yard soon discover that Sir Aidan had a number of enemies, but who hated him enough to carry out such a heinous crime? Could the answer be linked to a mysterious music box delivered to Sir Aidan's house shortly before the murder, and can Silas solve the puzzle of the music box enigma and catch the killer before the concert takes place?