This unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer’s personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.

This new fascinating collaboration between eminent Scots astronomer John C. Brown and renowned Scots poet Rab Wilson combines a beginner's introduction to the scientific workings of the universe together with inspired poems and haikus, and superb imagery from astro-photographers and artists.

"Life Sentence" follows on from Rab Wilson's ground-breaking collection of poems "Accent of the Mind." In this new collection Rab investigates Scottish ancient legends, conflicts throughout history, and contemporary political issues; is inspired by a cultural exchange visit to Ireland; and, presents a powerful sequence containing nine sonnets entitled "Quake," based on the themes and ideas suggested to him by earthquakes. This impressive new collection is written in traditional south-west Scots, in standard English and, in Burns tradition, often a combination of the two. This is some of the finest and most innovative contemporary Scottish poetry, above all because it is inspired by life, as Rab Wilson highlights in the title poem, "Fir life is whit we are sentenced to."

Ceci n'est pas Stonehenge', this is the cosmos, distilled to elemental rock and stone, depicting that interstellar collision, four billion years away, a chaos of realignment unimaginable, when all the worlds we knew or didn't know osmotically pass through each other like ghosts, to form new galaxies intangible. Written mostly in Scots, Rab Wilson's new collection is a timely comment on our climate of zero hours contracts and benefits sanctions. From social issues to politics, from the sublime to the absurd, Wilson homes in on the unique aspects of life in Scotland and sets out his poetic manifesto for our country's future. Rab Wilson is a widely published Scots poet, and has performed his work to all kinds of audiences throughout Scotland.

Scotland has built great literature out of its richly textured language. Like the stones bound together in a wall, the poets linkied here by location and shared language embody the beauty of their country and the passion 'pulsin through its heirt'. These Dumfries and Galloway poets, free in their own inimitable styles and approaches, are bound together by the unique culture of Scotland. Their poems help to raise the wall of that culture in the modern world.

This unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer's personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.

Written mostly in Scots, Rab Wilson's A Map for the Blind deals with topics ranging from satirical social commentary to sublime shots of everyday life with his characteristic wit and insight. From a poignant reflection into the 'black hairt' of the coal industry, to a nostalgic and spirited look at classic bicycles, to wondering if anyone was listening to 'Holy Gordon's Prayer', Rab Wilson delivers a vibrant picture of Scotland which we can't fail to recognise.