Alice Lightfoot is far too young to be a widow and a grandmother. Perhaps she'd been too young to be a wife, although she was happy enough at the time. Now, nearly three years after her husband's death, the world suddenly seems to be changing.;Her daughter expects Alice's life to revolve around her grandchild, Lily, and everyone else seems to think that Alice must be looking for a new husband - after all, she's such a WIFE. There doesn't seem to be space to decide what Alice wants for herself: does she want a man around, or would independence give her the full life she craves?;Alice is a woman at a turning-point, coming out from the protection of a long marriage into the hurly-burly of the wider world. She has far-reaching choices to make and the seriously unexpected to face...

Making Conversation (1931) by Christine Longford (1900-80) was first reprinted in 1970 after the novelist Pamela Hansford Johnson reassessed it in the Times Literary Supplement. She wrote: 'This ought to be regarded as an English comic classic, which I suppose, unlike the ravishing Cold Comfort Farm, it is not. I hope time will redress the neglect.' The heroine, Martha, is plain, with curly hair, small eyes which she tries to enlarge in a soulful manner by stretching them in front of the looking glass, and very little chin. She is extremely clever and totally innocent. Her besetting trouble is that she either talks too much, or too little: she can never get right the balance of conversation. 'The genteel school Martha goes to is run by Miss Spencer and Miss Grossmith. Martha doesn't mind them. Indeed, she doesn't really mind anything; she is a most detached girl, letting even their idiotic sarcasms slide off her back. Now Martha,A" said Miss Spencer, what is adultery?A" Martha had not the faintest idea. It is a sin,A" she said, committed by adults,A" putting the accent on the second syllable. That is a parrot's answer. You think you are very clever, Martha, attempting to conceal your ignorance and your lack of thought. The attempt at concealment is not better than a lie. Adultery is self-indulgence. It is the extra lump of sugar in your tea. It is the extra ten minutes in bed in the morning. It is the extra five minutes a girl wastes by dawdling up the High Street and gaping at the shop windows - A" Martha accepts this Chadbandery in the same way as she accepts the constant nagging that she should be keen on netball, and the gossip she hears around her concerning her preceptors. 'This witty book, crisp and dry as a fresh biscuit, is a novel of astonishing subtlety and of a subtlety that is not at all worked outA". It is native and assured. It is this subtlety that saves Making Conversation from the imputation of triviality, of being just a funny novelA". It is about a real girl, for whom we ought to be sorry, but for whom, because of her strength of nature, we are not sorry in the least. She would raise her eyebrows at us if we were.' The new Persephone Preface to Making Conversation is by Rachel Billington, who is Christine Longford's niece by marriage. She eloquently describes the menage at Tullynally Castle where the Longfords lived and describes why, despite the wonderful reviews Christine received for the book, she gave up writing. Rachel Billington concludes: 'I laughed out loud more during my third reading of Making Conversation than I have reading any comic novel written over the last thirty years.'

Occasionally panoramic, more often intimate, in Clouds of Love and War author Rachel Billington balances a detailed and highly researched picture of the life of a Second World War Spitfire pilot with the travails and ambitions of a young woman too often on her own. The result is both a gripping story of war and a sensitive story of love, a love that struggles to survive. Eddie and Eva meet on the eve of the Second World War. Eddie only wants to be a flyer, to find escape in the clouds from his own complicated family. However, the Battle of Britain makes a pilot's life a dangerous way to flee reality. Eva has her own passionate longing: to become a painter. When Eva's Jewish mother disappears to Germany, she is left alone with her elderly father. Both Eddie and Eva come of age at a time that teaches them that happiness is always fleeting, but there are things worth living - or dying - for. Through the connecting stories of these young people and their wider families, and against a background of southern county airfields, London, Oxford, Dorset and France, Rachel Billington brings the world of war time England, now eighty years in the past, back to life.

A poignant and compelling story of three lives torn apart by the Battle of Gallipoli. Arthur Tarrant, an Oxford graduate headed for his uncle's law firm, changes path leaving behind his fiancee Sylvia and joins the army, destined for Gallipoli. There, his life becomes entwined with that of Fred Chaffey, a country boy from Dorset. Glory tells of the fatal errors made by the leaders of the army, the heroism of the men, and the struggles to understand the situation while nurturing relationships in the most strange and difficult of circumstances.

A sweeping historical drama, based on the true and enduring love of Thomas Cochrane and Maria Graham. Chile, June 1822. Maria Graham, a young British widow, watches as her compatriot Admiral Lord Cochrane sails triumphantly into the Valparaiso Bay, fresh from leading the Chilean fleet to victory over the country's Spanish rulers. Cochrane, a popular yet outspoken hero of the Napoleonic wars, is drawn to Maria, a woman whose intelligence and spirit of adventure rival his own. Yet their intense and extraordinary relationship must contend with a climate of uncertainty, political turmoil and civil war. Inspired by Maria Graham's own journals, MARIA AND THE ADMIRAL vividly brings to life the story of one woman who tested the limits of society, and of her enduring love for one of the most colourful figures of her age.

A poignant and compelling story of three lives torn apart by the Battle of Gallipoli. 'I wonder who chose the word 'glory',' murmured Arthur. 'You mean there's nothing very glorious about war.' The Major smiled. 'People expect words like glory. I do myself.' 'Oh, I'm not against it. There were glorious deeds performed.' The fields and gulleys of Gallipoli are thickly scattered with bullets, shrapnel and the bones of the fallen. Arthur Lamb stands alone, overlooking the bay. Fed on dreams of glory, he volunteered to fight for his country and found himself far away on Turkish soil. Arthur's fiancee, Sylvia, began the war comfortably at home in England but, restless for change, became a nurse travelling to Malta and Egypt where her father, a Brigadier-General, waits in reserve with his yeomanry. Fred Chaffey, a rebellious country boy, joins the army in the hope that war will bring him the excitement he craves. Three lives torn apart by the strangest campaign of WWI. Three people finding a way through this war of devastating proportions. Three people testing the strength of relationships forged in wartime. Glory is the story of the men and women of Gallipoli and the tragic events of 1915. Of the determination to survive, the love stories enduring across the war-torn miles, the decisions cast, the errors made and the dark reality of the heroic dream. In a narrative both gripping and moving, Rachel Billington uses detailed research to bring alive the twists and turns of the Gallipoli campaign. It is the story of futures changed forever, as the echoes of the Great War ring loud through the years.

A woman lies unconscious on the carpet of a smart Westminster apartment, one red high-heeled shoe has fallen off... A younger woman lies with her eyes closed, half-hidden under a drinks cabinet... Her fingers clutch an empty bottle... What happens when a mother withholds her love? When she has no love to withhold? When she sees her three daughters as obstacles to her own formidable career? This is the story of three sisters, Millie, Di and Cleo. They are the war babies. Growing up in a world still in turmoil, hungover from war, the sisters struggle to leave behind their mother and build their own lives. Each sister is lost in her own world where extreme need leads to extreme behaviour. Then a tragic event forces Cleo, the youngest and wildest, to become the catalyst to smash the pattern. Who will adapt and survive in this new world? Who will find peace? From London to New York and to Vietnam, the focus shifts from one sister to the next, putting human nature, its flaws and its virtues, under the spotlight. With elements of a psychological thriller, Rachel Billington observes her characters with clinical detachment, but also with wit and understanding. Yet there is hope at the heart of this story which will leave the reader wondering long after the final twist is revealed.

Three women, born at the outbreak of World War II, who've grown up in widely differing circumstances, form an improbable friendship that sustains them through forty years. Connie is the youngest member of a large Irish family and Ireland's too small to contain her. She is beautiful and impulsive. Men love her, while she roars through life, never looking before she leaps - sometimes onto rocks. Nina is English and middle-class, the shy, thoughtful, daughter of an army officer. She marries her boyhood love and has two children before realising how unfulfilled she is, and that painting is her true passion. Fay is American and Jewish, the granddaughter of a holocaust survivor. She's the ambitious one, who fulfils her dream of becoming a doctor before admitting a darker, more complex side to her nature. Through love, marriage, children, work, divorce and tragedy, this is a beautifully written and compelling novel of friendship.