These folk tales reflect the wild and secret character of between two countries and two worlds. The book other magical characters such as the Netherwitton worm who guards a secret well and the Hedley Kow that plays audacious tricks on humans. Accompanying these, there is the sound of human feet; saints seek refuge, ancient kings fight for land and salvation, and border folk pit themselves against one another with both wit and sword. Illustrated with thirty beautiful and evocative drawings by Rachel Edwards, this panoply of characters, together with ghosts, witches and the land itself, is brought to life by professional storyteller Malcolm Green.

'I devoured it.' Erin Kelly 'An exhilarating voice' Adele Parks 'Unbelievably tense and twisty.' Laura Marshall Lucky Rachel Edwards The more she wins, the more she loses... 'Absorbing, unsettling, unflinching. I've been thinking about it for days and I'll be recommending it to everyone.' Caz Frear, author of Sweet Little Lies Someone is watching Etta. Footsteps in the night, the security light coming on at strange hours ... is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid? Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend Ola that they can afford to get married. And she was so good at it ... until she wasn't. Luckily, she's made a friend who hit the jackpot and if she plays her cards right, he could lend her the money to win everything back. Easy. So why does she feel so afraid?

France's 'murder of the century' remains also the most violent non-war crime by women against women on record. The Papin sisters' killing and mutilation of their mistresses in 1933 has provoked reproduction and speculation ever since, by such prominent cultural figures as Simone de Beauvoir, Jacques Lacan, and Claude Chabrol. This book offers an overview of these reproductions and draws some provocative conclusions from them.

France's 'murder of the century' remains also the most violent non-war crime by women against women on record. The Papin sisters' killing and mutilation of their mistresses in 1933 has provoked reproduction and speculation ever since, by such prominent cultural figures as Simone de Beauvoir, Jacques Lacan, and Claude Chabrol. This book offers an overview of these reproductions and draws some provocative conclusions from them.

'I devoured it.' Erin Kelly 'An exhilarating voice' Adele Parks 'Unbelievably tense and twisty.' Laura Marshall Lucky Rachel Edwards The more she wins, the more she loses... 'Absorbing, unsettling, unflinching. I've been thinking about it for days and I'll be recommending it to everyone.' Caz Frear, author of Sweet Little Lies Someone is watching Etta. Footsteps in the night, the security light coming on at strange hours ... is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid? Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend Ola that they can afford to get married. And she was so good at it ... until she wasn't. Luckily, she's made a friend who hit the jackpot and if she plays her cards right, he could lend her the money to win everything back. Easy. So why does she feel so afraid?

‘I devoured it.’ Erin Kelly ‘An exhilarating voice’ Adele Parks ‘Unbelievably tense and twisty.’ Laura Marshall Lucky Rachel Edwards The more she wins, the more she loses… ‘Absorbing, unsettling, unflinching. I’ve been thinking about it for days and I’ll be recommending it to everyone.’ Caz Frear, author of Sweet Little Lies Someone is watching Etta. Footsteps in the night, the security light coming on at strange hours … is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid? Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend Ola that they can afford to get married. And she was so good at it … until she wasn’t. Luckily, she’s made a friend who hit the jackpot and if she plays her cards right, he could lend her the money to win everything back. Easy. So why does she feel so afraid?

New discoveries and a fresh perspective, with unprecedented access to Richey's personal archive On 1 February 1995, Richey Edwards, guitarist of the Manic Street Preachers, went missing at the age of 27. On the eve of a promotional trip to America, he vanished from his London hotel room, his car later discovered near the Severn Bridge, a notorious suicide spot. Over two decades later, Richey's disappearance remains one of the most moving, mysterious and unresolved episodes in recent pop culture history. For those with a basic grasp of the facts, Richey's suicide seems obvious and undeniable. However, a closer investigation of his actions in the weeks and months before his disappearance just don't add up, and until now few have dared to ask the important questions. Withdrawn Traces is the first book written with the co-operation of the Edwards family, testimony from Richey's closest friends and unprecedented and exclusive access to Richey's personal archive. In a compelling real-time narrative, the authors examine fresh evidence, uncover overlooked details, profile Richey's state of mind, and brings us closer than ever before to the truth.

A teenage girl clashes with her new stepmother in this debut thriller with an unforgettable twist 'A pile-up of devastating plot twists' Bernardine Evaristo, author of Booker-winning Girl, Woman, Other 'Dark, deep, thought-provoking. Go and read it!' Adele Parks 'Similar in spirit to We Need to Talk About Kevin' Sunday Times 'Genuinely unputdownable' Clare Fisher, author of All the Good Things 'Sure to be a reading group favourite' Metro 'Stunning' Laura Marshall, author of Friend Request 'The twists and turns left me reeling' Eleanor Wasserberg, author of Foxlowe I knew she was trouble from the moment I saw her. I felt it as she stood in the doorway that day: disaster. Not just because she was so different, that skin and that hair, as different from me as it's possible to be. There was something wrong about her. Wrong for us. It was never going to work. Now she is dead and only I am left to love him. She is dead, and it's all my fault.