The first of its kind, this collection brings together writers from diverse academic and nonacademic worlds to explore how Austen's readers experience and process her novels' erotic power. Are Jane Austen's novels sexy? For many Austen lovers, the answer is a resounding "Yes!" From the moment Colin Firth stripped down to his breeches and shirt in the 1995 BBC Pride and Prejudice, screen adaptations inspired by Austen's novels have banked on their ability to depict sexual tension and romantic desire. Meanwhile, the success of spin-offs, sequels, and elaborations confirms that Austen's novels have become a potent aphrodisiac for everyday readers. Clearly, the fourteen million viewers who watched Firth's unveiling were onto something: Austen's novels turn people on. Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond brings together a range of voices-from literary scholars to video game designers-to explore how different types of readers experience the realm of desire and the erotic in all things Austen. In this timely collection, writers, critics, journalists, and authors of internet content weigh in on sex and romance in Austen's works and in the conversations and creations the novels inspire-from sequels to critical analyses to online role-playing games. Contributors examine what is at stake for each set of Austen enthusiasts when Eros is added to the equation, in so doing building on the long tradition of Austen criticism and enriching our appreciation of the novels.

An incisive memoir of Rachel M. Brownstein's seemingly quintessential Jewish mother, a resilient and courageous immigrant in New York. When she arrived alone in New York in 1924, eighteen-year-old Reisel Thaler resembled the other Yiddish-speaking immigrants from Eastern Europe who accompanied her. Yet she already had an American passport tucked in her scant luggage. Reisel had drawn her first breath on the Lower East Side of Manhattan in 1905, then was taken back to Galicia (in what is now Poland) by her father before she turned two. She was, as she would boast to the end of her days, "American born." The distinguished biographer and critic Rachel M. Brownstein began writing about her mother Reisel during the Trump years, dwelling on the tales she told about her life and the questions they raised about nationalism, immigration, and storytelling. For most of the twentieth century, Brownstein's mother gracefully balanced her identities as an American and a Jew. Her values, her language, and her sense of timing inform the imagination of the daughter who recalls her in her own old age. The memorializing daughter interrupts, interprets, and glosses, sifting through alternate versions of the same stories using scenes, songs, and books from their time together. But the central character of this book is Reisel, who eventually becomes Grandma Rose-always watching and judging, singing, baking, and bustling. Living life as the heroine of her own story, she reminds us how to laugh despite tragedy, find our courage, and be our most unapologetically authentic selves.