The Illustrated Man is classic Bradbury - a collection of tales that breathe and move, animated by sharp, intaken breath and flexing muscle. Here are eighteen startling visions of humankind's destiny, unfolding across a canvas of decorated skin - visions as keen as the tattooist's needle and as colorful as the inks that indelibly stain the body. The images, ideas, sounds and scents that abound in this phantasmagoric sideshow are provocative and powerful: the mournful cries of celestial travelers cast out cruelly into a vast, empty space of stars and blackness...the sight of gray dust selling over a forgotten outpost on a road that leads nowhere...the pungent odor of Jupiter on a returning father's clothing. Here living cities take their vengeance, technology awakens the most primal natural instincts, Martian invasions are foiled by the good life and the glad hand, and dreams are carried aloft in junkyard rockets. Ray Bradbury's The Illustrated Man is a kaleidoscopic blending of magic, imagination, and truth, widely believed to be one of the Grandmaster's premier accomplishments: as exhilarating as interplanetary travel, as maddening as a walk in a million-year rain, and as comforting as simple, familiar rituals on the last night of the world.

With his disarmingly simple style and complex imagination, Ray Bradbury has seized the minds of American readers for decades.This collection showcases thirty-two of Bradbury's most famous tales in which he lays bare the depths of the human soul. The thrilling title story, "A Sound of Thunder," tells of a hunter sent on safari -- sixty million years in the past. But all it takes is one wrong step in the prehistoric jungle to stamp out the life of a delicate and harmless butterfly -- and possibly something else much closer to home ...

Mars was a distant shore, and the men spread upon it in waves. Each wave different, and each wave stronger.

Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. The Mars he imagines in these masterful chronicles is a place of hope, dreams, and metaphor--of crystal pillars and fossil seas--where a fine dust settles on the great, empty cities of a silently destroyed civilization. Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grand master once again enthralls, delights, and challenges us with his vision and heart--starkly exposing in brilliant spacelight our strength, weakness, folly, and poignant humanity in a strange and breathtaking world where humanity does not belong.

Ray Bradbury's internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future.
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.
Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family." But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn't live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.
When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.

""Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes."" For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, "Ray Bradbury's Fahrenheit 451" is an exceptional, haunting work of graphic literature. Tim Hamilton has produced art for "The New York Times Book Review," "Cicada "magazine, King Features, BOOM Studios, "Mad Magazine," and ACT-I-VATE. He also adapted Robert Louis Stevenson's "Treasure Island "into a graphic novel.
Ray Bradbury is a multiple-award-winning novelist, short-story writer, essayist, playwright, screenwriter, and poet. An American Library Association "Great Graphic Novel for Teens" Nominee
"Monday burn Millay, Wednesday Whitman, Friday Faulkner . . . Burn'em to ashes, then burn the ashes."" "For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic masterwork, "Ray Bradbury's Fahrenheit 451" is a haunting work of graphic literature. "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme."--Julia Keller, "Chicago"" Tribune" "As evidenced by Tim Hamilton's authorized graphic novel, time has not dulled its tart, terrifying resonance. Vibrant and vital, Hamilton's take on "Fahrenheit 451" is far more than an illustrated version of Bradbury's 1953 classic. While its text belongs to Bradbury, Hamilton, a founding member of the online comics collaborative www.activatecomix.com, saturates the story with his own evocative energy and vision. He doesn't use all of Bradbury's words, instead allowing the story's inherent visual propulsion to add even more depth and texture to an already-indelible tale. Given this novel's graphic heft, it's strange that there has been only one film production, a 1966 adaptation written and directed by Francois Truffaut. Then again, perhaps that's because this is a work that, despite its many images of immolation, is more about provocative ideas than things blowing up. And here, Hamilton never compromises the cerebral for the visceral as he lures readers into a world careening into madness . . . Hamilton's arousing adaptation doesn't just update Bradbury's novel. It primes "Fahrenheit 451," long a staple of high school and college reading lists, for rediscovery. Like the greatest works of art, its rugged heart and soul are evergreen; that it is, perhaps, even more relevant today, imbues the book with an unsettling prescience that even Bradbury may never have predicted."--Renee Graham, "The Boston Globe " "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't. Believe me, I often question my affection for graphic novels. I loved Superman as a kid, but when it comes to comics, we're not in Kansas anymore. Graphic novels have become terrifically popular, thanks to fiercely imaginative practitioners like Neil Gaiman, as well as to a growing body of sophisticated theoretical work on the genre by astute writers such as Scott McCloud and Douglas Wolk . . . The new graphic version of "Fahrenheit 451" has helped sort out the contents of my soul. And I'm happy to report that I'm in the clear. I am quite certain that I'd be trumpeting the virtues of this work even if graphic novels weren't on everybody's hot list . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme . . . Some of my anti-comics correspondents claim that reading a graphic novel is not really 'reading' at all. They're right. It's something else again. In the case of "Fahrenheit 451," it's more like a life-changing immersion in ideas, words, echoes, symbols, characters, lines, colors, nightmares--and finally, daybreak."--Julia Keller, "Chicago"" Tribune"
"[Hamilton] boasts the tools--and chops--to take on a Bradbury classic that's already tripped up the greats (like Francois Truffaut). He turns in a vivid and relevant meditation that will surely become a resurgent favorite of nervous librarians everywhere."--"The Miami Herald"

"This searing cautionary tale, in which 'firemen' destroy all printed material except magazines and comics, remains one of science fiction's best-known works. And it is now, perhaps, one of the best graphic novels of 2009 . . . Where the novel felt scalding, the graphic novel feels necessary. It makes this cautionary tale hip to the present generation and updates it by transporting it to a newly vibrant medium. It's slightly frightening that after more than 55 years, the retelling seems so pertinent."--Laurel Maury, NP

Ray Bradbury brings wonders alive. For this peerless American storyteller, the most bewitching force in the universe is human nature. In these eighteen startling tales unfolding across a canvas of tattooed skin, living cities take their vengeance, technology awakens the most primal natural instincts, and dreams are carried aloft in junkyard rockets. Provocative and powerful, "The Illustrated Man "is a kaleidoscopic blending of magic, imagination, and truth--as exhilarating as interplanetary travel, as maddening as a walk in a million-year rain, and as comforting as simple, familiar rituals on the last night of the world.

He is an American treasure, a clear-eyed fantasist without peer, and a literary icon who has created wonder for the better part of seven decades. On subjects as diverse as fiction, the future, film, famous personalities, and more, Ray Bradbury has much to say, as only he can say it.

Collected between these covers are memories, ruminations, opinions, prophecies, and philosophies from one of the most influential and admired writers of our time. As unique, unabashed, and irrepressible as the artist himself, here is an intimate portrait, painted with the master's own words, of the one and only Ray Bradbury&#8212far more revealing than any mere memoir, for it opens windows not only into his life and work but also into his mind and heart.

For more than sixty years, the imagination of Ray Bradbury has opened doors into remarkable places, ushering us across unexplored territories of the heart and mind while leading us inexorably toward a profound understanding of ourselves and the universe we inhabit. In this landmark volume, America's preeminent storyteller offers us one hundred treasures from a lifetime of words and ideas. The stories within these pages were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining.

Halloween Night, 1954.  A young, film-obsessed scriptwriter has just been hired at one of the great studios.  An anonymous investigation leads from the giant Maximus Films backlot to an eerie graveyard separated from the studio by a single wall.  There he makes a terrifying discovery that thrusts him into a maelstrom of intrigue and mystery -- and into the dizzy exhilaration of the movie industry at the height of its glittering power.

Ray Bradbury's novel Fahrenheit 451 is an enduring masterwork of twentieth-century American literature--a chilling vision of a dystopian future built on the foundations of ignorance, censorship, and brutal repression. The origins and evolution of Bradbury's darkly magnificent tale are explored in A Pleasure to Burn, a collection of sixteen selected shorter works that prefigure the grand master's landmark novel. Classic, thematically interrelated stories alongside many crucial lesser-known ones--including, at the collection's heart, the novellas "Long After Midnight" and "The Fireman"--A Pleasure to Burn is an indispensable companion to the most powerful work of America's preeminent storyteller, a wondrous confirmation of the inimitable Bradbury's brilliance, magic . . . and fire.

Ray Bradbury, America's most beloved storyteller, has spent a lifetime carrying readers to exhilarating and dangerous places, from dark street comers in unfamiliar cities and towns to the edge of the universe. Now, in an extraordinary flight of the imagination a half-century in the making, he takes us to a most wondrous destination: into the heart of an Eternal Family.

They have lived for centuries in a house of legend and mystery in upper Illinois -- and they are not like other midwesterners. Rarely encountered in daylight hours, their children are curious and wild; their old ones have survived since before the Sphinx first sank its paws deep in Egyptian sands. And some sleep in beds with lids.

Now the house is being readied in anticipation of the gala homecoming that will gather together the farflung branches of this odd and remarkable family. In the past-midnight stillness can be detected the soft fluttering of Uncle Einars wings. From her realm of sleep, Cecy, the fairest and most special daughter, can feel the approach of many a welcome being -- shapeshifter, telepath, somnambulist, vampire -- as she flies high in the consciousness of bird and bat.

But in the midst of eager anticipation, a sense of doom pervades. For the world is changing. And death, no stranger, will always shadow this most singular family: Father, arisen from the Earth; Mother, who never sleeps but dreams; A Thousand Times Great Grandmére; Grandfather, who keeps the wildness of youth between his ears.

And the boy who, more than anyone, carries the burden of time on his shoulders: Timothy, the sad and different foundling son who must share it all, remember, and tell...and who, alone out of all of them, must one day age and wither and die.

By turns lyrical, wistful, poignant, and chilling, From the Dust Returned is the long-awaited new novel by the peerless Ray Bradbury -- a book that will surely be numbered among his most enduring masterworks.