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In this edited volume, contributors explore an essential element of
the influential television series Twin Peaks: the role of music and
sound. From its debut in 1990 to its return to television in 2017,
Twin Peaks has amassed a cult following, and inspired myriad
scholarly studies. This collection considers how the music and
sound design not only create the ambience of this ground-breaking
series, but function in the narrative, encouraging multiple
interpretations. With chapters that consider how music shapes the
relationship of audiences and fans to the story, the importance of
sound design, and the symbolism embedded in the score, this book
provides a range of perspectives for scholars of music and film
studies, while giving fans new insight into an iconic television
show.
In this edited volume, contributors explore an essential element of
the influential television series Twin Peaks: the role of music and
sound. From its debut in 1990 to its return to television in 2017,
Twin Peaks has amassed a cult following, and inspired myriad
scholarly studies. This collection considers how the music and
sound design not only create the ambience of this ground-breaking
series, but function in the narrative, encouraging multiple
interpretations. With chapters that consider how music shapes the
relationship of audiences and fans to the story, the importance of
sound design, and the symbolism embedded in the score, this book
provides a range of perspectives for scholars of music and film
studies, while giving fans new insight into an iconic television
show.
During the 1950s and 1960s, the Cold War and the potential for
nuclear attack were on everyone's mind. It should therefore come as
no surprise that despite an initial reluctance, several television
shows that aired during this period focused on the atomic and
hydrogen bombs ("the Bomb") and their potential for destruction.
Music and the Atomic Bomb on American Television, 1950-1969 is the
first book to consider the important role that music and sound play
in the destruction narratives about the Bomb on Cold War-era
television. This book not only examines the television shows that
deal with the nuclear weapons in various forms and genres, but also
contextualizes these shows through an analysis of primary source
documents such as government pamphlets and documents, newspaper and
periodical reports, presidential records, composer and television
production records, and informational trade paperbacks.
During the 1950s and 1960s, the Cold War and the potential for
nuclear attack were on everyone's mind. It should therefore come as
no surprise that despite an initial reluctance, several television
shows that aired during this period focused on the atomic and
hydrogen bombs ("the Bomb") and their potential for destruction.
Music and the Atomic Bomb on American Television, 1950-1969 is the
first book to consider the important role that music and sound play
in the destruction narratives about the Bomb on Cold War-era
television. This book not only examines the television shows that
deal with the nuclear weapons in various forms and genres, but also
contextualizes these shows through an analysis of primary source
documents such as government pamphlets and documents, newspaper and
periodical reports, presidential records, composer and television
production records, and informational trade paperbacks.
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