This multidisciplinary collection of readings offers new interpretations of Richard Wagner's ideological position in German history. The issues discussed range from the biographical - the reasons for Wagner's travels, his political life - to the aesthetic and ideological, regarding his re-creation of medieval Nuremberg, his representations of gender and nationality, his vocal iconography, his anti-Semitism, his vegetarian and Christian arguments, and, finally, his musical heirs. The essays avoid journalistic or iconoclastic approaches to Wagner, and depart from the usual uncritical admiration of earlier scholars in an attempt to develop a stimulating and ultimately cohesive collection of new perspectives.

Long in preparation and in considerable demand, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.

This collection features a cogent introduction and includes representative poems by some 60 modern poets, including Ingeborg Bachmann, Gottfried Benn, Berthold Brecht, Paul Celan, Gnnter Eich, Gnnter Grass, Georg Heym, Hugo von Hofmannsthal, Franz Kafka, Gnnter Kunert, Gertrud Kolmar, Friederike Mayrcker, Rainer Maria Rilke, Nelly Sachs, and many others.>

Philosophical Writings, part of the German Library Series contains essential portions of the theses that make Nietzsche the most controversial of philosophers. It includes: The Birth of Tragedy, Beyond Good and Evil, The Gay Science, Untimely Meditations, Human, All too Human, and other works. Included are Preface to Richard Wagner, On Truth and Falsity in their Extramortal Sense, The History of an Error, We Antipodes, Geneaology of Morals: A Polemic, and On the Pathos of Truth. Although his reputation has bordered on notoriety, Nietzsche's influence has unquestionably not diminished with time, and our fascination with him will be further fed by the publication of this volume.

Gerhart Hauptmann (1862-1946) is generally considered a pioneer of modern drama. He was praised by Rilke, Thomas Mann, and James Joyce among his contemporaries for his versatility, innovativeness, and realism. This Nobel Prize-winning author is here represented by three of his best-loved plays.