Guy is a bank teller who discovers he is actually a background player in an open-world video game, and he decides to become the hero of his own story… one he rewrites himself.

Now in a world where there are no limits, he is determined to be the guy who saves his world his way… before it is too late.

Academy Award nominee:
- Best Visual Effects

When Rael Levitt stepped onto the podium at Quoin Rock Wine Estate in December 2011, he was CEO of the industry-pioneering Auction Alliance and at the pinnacle of a glittering 20-year career. But then disaster struck. After being accused by a powerful billionaire of using a ghost bidder to inflate the bid price, Levitt’s reputation was obliterated.

In an echo of the Boxing Day tsunami that he survived in 2004, the self-made entrepreneur was overwhelmed by a media-driven scandal that came at him like a train of killer waves. Once the face of South African auctions, he seemingly sank without a trace. But he was not beaten.

A decade later Levitt has a thrilling rise-and-fall-and-rise-again story to tell. The lessons he learnt from suffering catastrophe and finding the tenacity to survive have laid the foundations for new success. At once candid and controversial, Levitt’s story is ultimately an uplifting one, revealing that the greater the tsunami, the greater the lesson.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Futuristic action thriller prequel starring Luke Goss as a convict determined to gain his freedom no matter what it takes. In the near future, as the US economy begins to falter and crime increases, new prisons run for profit begin to appear. Terminal Island is one such penitentiary where a regime of brutal oppression reigns. Beginning his life sentence after killing a policeman, Carl Lucas (Goss) soon realises his only chance for freedom lies in entering and winning the latest TV show devised by unscrupulous producer September Jones (Lauren Cohan). In the last-man-standing 'death race', Lucas must battle it out against his fellow inmates in heavily modified vehicles designed to destroy anything that gets in their way.

After decades of controversy, there is now a growing consensus that Greek warfare was not singular and simple, but complex and multiform. In this volume, emerging and established scholars build on this consensus to explore Greek warfare beyond its traditional focus on hoplites and the phalanx. We expand the chronological limits back into the Iron Age, the geographical limits to the central and eastern Mediterranean, and the operational limits to include cavalry, light-armed troops, and sieges. We also look beyond the battlefield at integral aspects of warfare including religion, the experiences of women, and the recovery of the war dead.

The sudden appearance of portolan charts, realistic nautical charts of the Mediterranean and Black Sea, at the end of the thirteenth century is one of the most significant occurrences in the history of cartography. Using geodetic and statistical analysis techniques these charts are shown to be mosaics of partial charts that are considerably more accurate than has been assumed. Their accuracy exceeds medieval mapping capabilities. These sub-charts show a remarkably good agreement with the Mercator map projection. It is demonstrated that this map projection can only have been an intentional feature of the charts' construction. Through geodetic analysis the author eliminates the possibility that the charts are original products of a medieval Mediterranean nautical culture, which until now they have been widely believed to be.

Why did it take so long to end slavery in the United States, and what did it mean that the nation existed eighty-eight years as a "house divided against itself," as Abraham Lincoln put it? The decline of slavery throughout the Atlantic world was a protracted affair, says Patrick Rael, but no other nation endured anything like the United States. Here the process took from 1777, when Vermont wrote slavery out of its state constitution, to 1865, when the Thirteenth Amendment abolished slavery nationwide. Rael immerses readers in the mix of social, geographic, economic, and political factors that shaped this unique American experience. He not only takes a far longer view of slavery's demise than do those who date it to the rise of abolitionism in 1831, he also places it in a broader Atlantic context. We see how slavery ended variously by consent or force across time and place and how views on slavery evolved differently between the centers of European power and their colonial peripheries-some of which would become power centers themselves. Rael shows how African Americans played the central role in ending slavery in the United States. Fuelled by new Revolutionary ideals of self-rule and universal equality-and on their own or alongside abolitionists-both slaves and free blacks slowly turned American opinion against the slave interests in the South. Secession followed, and then began the national bloodbath that would demand slavery's complete destruction.

In this study of antebellum African American print culture in transnational perspective, Erica L. Ball explores the relationship between antislavery discourse and the emergence of the northern black middle class.
Through innovative readings of slave narratives, sermons, fiction, convention proceedings, and the advice literature printed in forums like "Freedom's Journal," the "North Star," and the "Anglo-African Magazine," Ball demonstrates that black figures such as Susan Paul, Frederick Douglass, and Martin Delany consistently urged readers to internalize their political principles and to interpret all their personal ambitions, private familial roles, and domestic responsibilities in light of the freedom struggle. Ultimately, they were admonished to embody the abolitionist agenda by living what the fugitive Samuel Ringgold Ward called an "antislavery life."
Far more than calls for northern free blacks to engage in what scholars call "the politics of respectability," African American writers characterized true antislavery living as an oppositional stance rife with radical possibilities, a deeply personal politics that required free blacks to transform themselves into model husbands and wives, mothers and fathers, self-made men, and transnational freedom fighters in the mold of revolutionary figures from Haiti to Hungary. In the process, Ball argues, antebellum black writers crafted a set of ideals--simultaneously respectable and subversive--for their elite and aspiring African American readers to embrace in the decades before the Civil War.
Published in association with the Library Company of Philadelphia's Program in African American History. A Sarah Mills Hodge Fund Publication.

This introductory book enables researchers and students of all backgrounds to compute interrater agreements for nominal data. It presents an overview of available indices, requirements, and steps to be taken in a research project with regard to reliability, preceded by agreement. The book explains the importance of computing the interrater agreement and how to calculate the corresponding indices. Furthermore, it discusses current views on chance expected agreement and problems related to different research situations, so as to help the reader consider what must be taken into account in order to achieve a proper use of the indices. The book offers a practical guide for researchers, Ph.D. and master students, including those without any previous training in statistics (such as in sociology, psychology or medicine), as well as policymakers who have to make decisions based on research outcomes in which these types of indices are used.

Cooperation and clusters have become the guiding paradigms for explaining and promoting regional competitiveness, but the cooperation process between firms and universities and the transfer of knowledge in guiding and nurturing regional competitiveness has received relatively little attention. This book strives to fill this gap in highlighting the connection between inter-firm cooperation in regional clusters, innovation and regional networks, and the role of universities in them . It goes beyond the traditional economic approach of clusters and includes 'soft factors' in the explanation of regional competitiveness, and connects the literature on clusters to the literature of learning and knowledge creation as sources of regional competitiveness. It aims to foster an international and interdisciplinary exchange of perspectives by presenting current developments, case studies, best practices as well as new integrated theoretical approaches and applications.

Increasing doubts over the narratives that traditionally served to legitimize the tasks and possibilities of societal institutions - such as science - have also called into question the significance of philosophy to educational thinking. Related debates largely concern epistemological issues, i.e. issues regarding the nature and status of (scientific) knowledge. This dissertation takes as its starting point the nowadays hardly controversial idea that all knowledge is to a certain extent 'uncertain'. The questions addressed are how this 'epistemic uncertainty'may be intelligibly understood, and what consequences can be drawn from such an understanding for the tasks and possibilities of philosophy of education as an academic discipline. In response to antifoundationalist as well as fallibilist authors, the author develops a discursive contextualist approach to epistemology that gives way to a philosophy of education that has both critical-reflective and theoretical-constructive potential, as is illustrated in relation to the educational issue of dealing with 'students at risk'.

Why does oppression by censorship affect the film industry far more frequently than any other mass media? Silencing Cinema brings together the key issues and authors to examine instances of film censorship throughout the world. Including essays by some of today's leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries, including the United States, the United Kingdom, Russia/Soviet Union, India, China, and Nigeria, among others. The contributors explore such innovative themes and topics as film censorship and authorship, genre, language, religion, audiences, political economy, international policy, and colonialism. This exciting collection is thoroughly unique in its broad geographical scope and its comprehensive look at film censorship.