Over the last few decades, vibrant debates regarding post-secularism have found inspiration and provocation in the works of Sigmund Freud. A new interest in psychoanalysis's relation to society has emerged, allowing Freud’s account of the interdependence of religion, ethics, and violence to gain currency in recent debates on modernity. In that context, the pivotal role of Freud’s masterpiece, Moses and Monotheism, is widely recognized. Freud and Monotheism critically examines a range of discourses surrounding Freud and Moses, taking as its entry point Freud’s relations to Judaism, his conception of tradition and history, his theory of the mind, and his model of transgenerational inheritance. Highlighting the broad impact of Moses and Monotheism across the humanities, contributors from philosophy, comparative literature, cultural studies, Jewish studies, psychoanalysis, and Egyptology come together to illuminate Freud’s book and the modern world with which it grapples.

A rich and seductive narrative of the powerful erotic pull the East has always had for the West--a pervasive yet often ignored aspect of their long historical relationship--and a deep exploration of the intimate connection between sex and power.
Richard Bernstein defines the East widely--northern Africa, the Middle East, Asia, the Pacific Islands--and frames it as a place where sexual pleasure was not commonly associated with sin, as it was in the West, and where a different sexual culture offered the Western men who came as conquerers and traders thrilling but morally ambiguous opportunities that were mostly unavailable at home. Bernstein maps this erotic history through a chronology of notable personalities. Here are some of Europe's greatest literary personalities and explorers: Marco Polo, writing on the harem of Kublai Khan; Gustave Flaubert, describing his dalliances with Egyptian prostitutes (and the diseases he picked up along the way); and Richard Francis Burton, adventurer, lothario, anthropologist--and translator of "The Arabian Nights."
Here also are those figures less well-known but with stories no less captivating or surprising: " "Europeans whose "temporary marriages" to Japanese women might have inspired Puccini's "Madama Butterfly"; rare visitors to the boudoirs of Chinese emperors in the Forbidden City; American G.I.s and journalists in Vietnam discovering the sexual emoluments of postcolonial power; men attracted to the sex bazaars of yesterday's North Africa and the Thailand of today. And throughout, Bernstein explores the lives of those women who suffered for or profited from the fantasies of Western men.
A remarkable work of history: as unexpected as it is lucid, and as provocative as it is brilliantly illuminating.

"From the Hardcover edition."

In 629, the revered Buddhist monk Hsuan Tsang set out across Asia in search of the Ultimate Truth, and to settle what he called “the perplexities of my mind.” From the Tang dynasty capital at Xian through ancient Silk Road oases, over forbidding mountain passes to Tashkent, Samarkand, and the Amu-Darya River, across Pakistan to the holiest cities of India–and back again–his sixteen-year journey was beset with every hardship imaginable. Pilgrimage complete, Hsuan Tsang wrote an account of his trek that is still considered one of the classics of Chinese literature.

In 1998, Richard Bernstein, venerated journalist and Time magazine’s first Beijing bureau chief, retraced the steps of Hsuan Tsang’s long and sinuous route, comparing present and past. Aided by modern technology but hampered by language barriers, harried border crossings, hostile Islamic regimes, and the accidental U.S. bombing of the Chinese embassy in Belgrade, Bernstein follows the monk’s path not only in physical but in contemplative ways. Juxtaposing his own experiences with those of Hsuan Tsang, Bernstein has crafted a vivid account of two stirring adventures in pursuit of illumination. Inspiring and profoundly felt, Ultimate Journey is a marvelous amalgamation of travelogue and history, cultural critique and spiritual meditation.

In 1977, when Zhongmei Lei was 11 years old, she learned that the prestigious Beijing Dance Academy was having open auditions. She'd already taken dance lessons, but everyone said a poor country girl would never get into the academy, especially without any connections in the Communist Party of the 1970s. But Zhongmei, whose name means Faithful Plum, persisted, traveled for three days and two nights to get to Beijing and eventually beat out 60,000 other girls. But getting in was easy compared to staying in, as Zhongmei soon learned. Without those all-important connections, she was just a little girl on her own, far away from family. But her determination, talent, and sheer force of will were not something the teachers or other students expected, and soon it was apparent that Zhongmei was not to be underestimated.
Zhongmei became a famous dancer, and founded her own dance company, which made its New York debut when she was in just her late 20s. In "A Girl Named Faithful Plum, " her husband and renowned journalist, Richard Bernstein, has written a fascinating account of one girl's struggle to go from the remote farmlands of China to the world's stages, and the lengths she went to in order to follow her dream.

"Bernstein’s narrative is exceptional. His ability to sift through the facts and near-facts of recent terrorism history is unerring. He is a winningly modest writer, but he is not afraid of the poetic." --The Washington Post Book World

Following the lives of heroes, victims, and terrorists of September 11, 2001, Richard Bernstein, one of The New York Times's most skillful journalists, weaves the complex tale of a multitude of lives colliding in conflagration on that fateful morning. Bernstein takes us inside the al-Qaeda organization and introduces us to police officers and firefighters as well as some of the Trade Center workers who were lost on that day. And we follow the lives of the rest of America in the hours and days after the attack.

This riveting, incisive, and authoritative account is destined to stand as the essential chronicle of this singular moment in our history.

Over the last few decades, vibrant debates regarding post-secularism have found inspiration and provocation in the works of Sigmund Freud. A new interest in psychoanalysis's relation to society has emerged, allowing Freud's account of the interdependence of religion, ethics, and violence to gain currency in recent debates on modernity. In that context, the pivotal role of Freud's masterpiece, Moses and Monotheism, is widely recognized. Freud and Monotheism critically examines a range of discourses surrounding Freud and Moses, taking as its entry point Freud's relations to Judaism, his conception of tradition and history, his theory of the mind, and his model of transgenerational inheritance. Highlighting the broad impact of Moses and Monotheism across the humanities, contributors from philosophy, comparative literature, cultural studies, Jewish studies, psychoanalysis, and Egyptology come together to illuminate Freud's book and the modern world with which it grapples.

In a fiercely provocative book that will generate debate for years to come, Bernstein shows how multicultural orthodoxy has created a highly lucrative bureaucracy, even as it shortchanged the very people it is meant to benefit. "Graceful and lucid. . . . reading the book is arguably a civic duty."--Boston Globe.