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For more than three decades Richard Charteris has researched
European music, sources and collections, focusing particularly on
late Renaissance England, Germany and Italy. This group of essays,
many concerning previously unknown or unexplored works and
materials, covers the 16th and early to mid 17th centuries. The
studies involve variously 'new' compositions, music manuscripts and
editions, and documents that relate to figures such as the Italians
Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the
Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well
as the Englishmen John Coprario, John Dowland, John Jenkins, Henry
Lawes, William Lawes, Peter Philips, and the French composer Marin
Marais. In addition, Charteris elucidates contemporary performance
practice in relation to works by Gabrieli, investigates printed
music editions that originated from the Church of St Anna,
Augsburg, and evaluates materials in collections, inlcuding ones in
Berlin, Hamburg, KrakA(3)w, London, Regensburg and Warsaw.
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