Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.

This is the first full length account of the life and ideas of Mary Douglas, the British social anthropologist whose publications span the second half of the twentieth century.
Richard Fardon covers Douglas' family background, and the pervasive influence of her catholic faith on her writings before providing an analysis of two of her most influential works; Purity and Danger (1966) and Natural Symbols (1970). The final section deals with Douglas' more controversial writings in the fields of economics, consumption, religion and risk analysis in contemporary societies. Throughout, Fardon highlights the centrality of Douglas' role in the history of anthropology and the disciplines struggle to achieve relevance to contemporary, western societies.

..".this specialist-oriented volume is a rich contribution to the literature on this region. Notably it seems directed as much toward the ongoing historiographical conversation in Bali itself as it is toward external scholars." JASO Online

..".constitutes an outstanding contribution in the study of history outside the traditional perspective of recourse to narrative sources (whether these be oral or written)." African Affairs

"This amazing book...represents a model for scholars seeking to blend the tools of history writing and political/ cultural anthropology; its value is applicable not only in Cameroon, but elsewhere." International Journal for African Historical Studies

"With the suspense of a detective novel, this slim, richly detailed volume] proceeds in a series of comparisons...This charming book is an exacting exercise in comparison and historical reconstruction." Bulletin of the School of Oriental and African Studies

..".an important contribution - not only to the local history of the Grasslands of Cameroon. It offers a better understanding of processes of transformation of rituals and asks important methodological questions, which should be of interest to anybody dealing with the history of early photography in Africa and visual anthropology. As to be expected from the "Cameroon Studies" series the volume is rounded up by a comprehensive bibliography and a very useful index." Anthropos

"As in his previous works, Fardon does not make it easy for his readers to labour through his dense writing. However, it is absolutely worthwhile. This unconventional book contains a wealth of insights with far-reaching methodological consequences. It demonstrates how to recover history without even for a moment losing sight of the constructivity of the knowledge produced." Journal of African History

Lela in Bali tells the story of an annual festival of eighteenth-century kingdoms in Northern Cameroon that was swept up in the migrations of marauding slave-raiders during the nineteenth century and carried south towards the coast. Lela was transformed first into a mounted durbar, like those of the Muslim states, before evolving in tandem with the German colonial project into a festival of arms. Reinterpreted by missionaries and post-colonial Cameroonians, Lela has become one of the most important of Cameroonian festivals and a crucial marker of identity within the state. Richard Fardon's recuperation of two hundred years of history is an essential contribution not only to Cameroonian studies but also to the broader understanding of the evolution of African cultures.

Richard Fardon, Professor of West African Anthropology in the University of London, is the author of four monographs on West Africa, as well as numerous works of anthropological theory. Since 1988 he has taught at the School of Oriental and African Studies, where he chaired the University of London's Centre of African Studies for eight years. In addition to its obvious archival sources, this book draws upon ethnographic research he began in Nigeria (from 1976) and in Cameroon (from 1984). Richard Fardon has been editor of the journal AFRICA since 2001.

This is the first collection of Franz Steiner's keynote papers on comparative economics and the classification of labor, complemented by major unpublished texts on politics, civilization, and cultural criticism. This enables a complete re-evaluation of Steiner's thought. His ideas on truth, value, and civilization are highly critical of Western culture and offer perhaps the earliest critique of Orientalism in British anthropology. Equally significant is the inclusion of Steiner's unpublished lectures on Aristotle and Simmel, the latter probably being the first lecture series devoted to Simmel's ideas by a British-based anthropologist, as well as hitherto unedited political writings.

Another side to Steiner's thought is shown by his aphorisms, often caustic texts and newly translated from the German, as well as by verse translations of his poems relevant to his scholarship. These include an extract from his autobiographical poem, "Conquest, " that places his anthropological writings into a personal and ultimately religious framework. A detailed introduction, based on new research, provides a thorough study of Steiner's ideas and establishes the wider intellectual context, thus rounding off a most remarkable collection of texts by one of the most singular anthropologists of this century.

This is the first collection of Franz Steiner's keynote papers on comparative economics and the classification of labor, complemented by major unpublished texts on politics, civilization, and cultural criticism. This enables a complete re-evaluation of Steiner's thought. His ideas on truth, value, and civilization are highly critical of Western culture and offer perhaps the earliest critique of Orientalism in British anthropology. Equally significant is the inclusion of Steiner's unpublished lectures on Aristotle and Simmel, the latter probably being the first lecture series devoted to Simmel's ideas by a British-based anthropologist, as well as hitherto unedited political writings.

Another side to Steiner's thought is shown by his aphorisms, often caustic texts and newly translated from the German, as well as by verse translations of his poems relevant to his scholarship. These include an extract from his autobiographical poem, "Conquest," that places his anthropological writings into a personal and ultimately religious framework.A detailed introduction, based on new research, provides a thorough study of Steiner's ideas and establishes the wider intellectual context, thus rounding off a most remarkable collection of texts by one of the most remarkable anthropologists of this century.

Franz Steiner's study of Taboo is internationally recognized as a classic in its field. In a newly researched introductory chapter, based on a thorough study of Steiner's unpublished papers, this edition for the first time places the book in its context and offers a new reading of the text. More than just a critique of existing taboo theories, as it has often been seen, this study offers a profound analysis of danger behavior and pollution in "non-civilized" societies. This provided an important starting-point for Mary Douglas' Purity and Danger. A key aspect of Steiner's achievement lies in his attempt to reconcile detailed, faithful ethnographic analysis with anthropological comparison. His analysis of taboo thus provides a case study with wide-ranging ramifications.

This new edition makes a classic text available once again to students and general readers. A major new introduction based on archival research offers, for the first time, a biography and critical study of Franz Steiner; it not only places him in the context of British and European thought but also shows his importance for contemporary debates, among them deconstruction and Orientalism.

Jeremy Adler is Professor of German at King's College London and specializes ininterdisciplinary subjects such as literature and science, poetry and painting, literature and anthropology. He is currently preparing a collected edition of Franz Steiner's poetry for the German Academy of Language and Literature, Darmstadt.

Richard Fardon is Professor in West African Anthropology at the School of Oriental and African Studies, London and has intensively researched among Chamba-speaking people in Cameroon and Nigeria. He is currently completing an intellectual biography of Mary Douglas.

This shows that multilingusim does not pose for Africans the problems of communication that Europeans imagine and that the mismatch between policy statements and their pragmatic outcomes is a far more serious problem for future development

Winner of the Arnold Rubin Outstanding Publication Award from the Arts Council of the African Studies Association The Benue River Valley is the source of some of the most abstract, dramatic, and inventive sculpture in sub-Saharan Africa. A vast region, the Valley extends from the heart of present-day Nigeria eastward to its border with Cameroon, and is home to a large number of ethnic and linguistic groups, all of whom have produced sculptures that are remarkable for their variety. This book brings together figurative wood sculptures and ceramic vessels, masks, and elaborate bronze and iron regalia drawn from public and private collections in Europe and the United States, selected to exemplify important typologies within the region, along with many historical photographs. The 18 contributors demonstrate that the stylistic tendencies were constantly evolving due to cultural exchanges, mutual influences, and other points of contact in an area that like the Benue River itself was historically in a state of flux. These objects speak to us not only through their superb formal qualities but also through the circumstances of their being rooted in a turbulent past, situated between war and colonization.

Franz Steiner's study of Taboo is internationally recognized as a classic in its field. In a newly researched introductory chapter, based on a thorough study of Steiner's unpublished papers, this edition for the first time places the book in its context and offers a new reading of the text. More than just a critique of existing taboo theories, as it has often been seen, this study offers a profound analysis of danger behavior and pollution in "non-civilized" societies. This provided an important starting-point for Mary Douglas' Purity and Danger. A key aspect of Steiner's achievement lies in his attempt to reconcile detailed, faithful ethnographic analysis with anthropological comparison. His analysis of taboo thus provides a case study with wide-ranging ramifications. This new edition makes a classic text available once again to students and general readers. A major new introduction based on archival research offers, for the first time, a biography and critical study of Franz Steiner; it not only places him in the context of British and European thought but also shows his importance for contemporary debates, among them deconstruction and Orientalism.

This is the first full length account of the life and ideas of Mary Douglas, the British social anthropologist whose publications span the second half of the twentieth century.
Richard Fardon covers Douglas' family background, and the pervasive influence of her catholic faith on her writings before providing an analysis of two of her most influential works; Purity and Danger (1966) and Natural Symbols (1970). The final section deals with Douglas' more controversial writings in the fields of economics, consumption, religion and risk analysis in contemporary societies. Throughout, Fardon highlights the centrality of Douglas' role in the history of anthropology and the discipline's struggle to achieve relevance to contemporary, western societies.

eBook available with sample pages: HB:0415040922

Globalization is often described as the spread of western culture to other parts of the world. How accurate is the depiction of "cultural" flow? In "Counterworks," ten anthropologists examine the ways in which global processes have affected particular localities where they have carried out research. They challenge the validity of anthropological concepts of culture in the light of the pervasive connections which exist between local and global factors everywhere.
Rather than assuming that the world is culturally diverse, this book proposes that culture is itself a representation of the similarities and differences recognized between forms of social life. The authors address issues of globalization in terms of diverse histories and traditions of knowledge, which may include the construction of difference as cultural.
In its attention to specific local situations, such as Bali, Cuba, Bolivia, Greece, Kenya and the Maoris in New Zealand, "Counterworks" argues that the apparent opposition between strong westernizing, global forces and weak concept of culture, which supposes cultures to be integrated and possessed of essential properties, need rethinking in a contemporary world where a marked sense of culture has become a wide-spread property of people's social knowledge.
This book will have wide appeal to anthropologists, to students of comparative studies in history, religion and language, and to anyone interested in the phenomenon of postmodernism.

Globalization is often described as the spread of western culture to other parts of the world. How accurate is the depiction of 'cultural flow'? In Counterworks, ten anthropologists examine the ways in which global processes have affected particular localities where they have carried out research. They challenge the validity of anthropological concepts of culture in the light of the pervasive connections which exist between local and global factors everywhere.

Rather than assuming that the world is culturally diverse, this book proposes that culture is itself a representation of the similarities and difference recognized between forms of social life. The authors address issues of globalization in terms of diverse histories and traditions of knowledge, which may include the construction of difference as cultural.

In its attention to specific local situations, such as Bali, Cuba, Bolivia, Greece, Kenya, and the Maoris in New Zealand, Counterworks argues that the apparent oppositoin between strong westernizing, global forces and weak concept of culture, which supposes cultures to be integrated and possessed of essential properties, needs rethinking in a contemporary world where a marked sense of culture has become a wide-spread property of people's social knowledge.

The book will have wide appeal to anthropologists, to students of comparative studies in history, religion and language, and to anyone interested in the phenomenon of postmodernism.

This shows that multilingusim does not pose for Africans the problems of communication that Europeans imagine and that the mismatch between policy statements and their pragmatic outcomes is a far more serious problem for future development

Written in the last two decades of her life, "Cultures and Crises" finds Mary Douglas developing analyses of critical conditions facing contemporary societies, sometimes in the company of distinguished co-authors across the whole gamut of social sciences.

The essays focus on the collaborative development of 'cultural theory' from the 'grid and group' analysis of the 1970s through to its application and elaboration in her later thought. The material covers questions of culture and institutions, the challenges to culture posed by climate change and the nature of risk in culture.

What emerges is the most complete picture of Mary Douglas's cultural theory that is currently available to us.

The book will add to the legions of Douglas's readers across the disciplinary divisions of the social sciences.

Mary Douglas was one of the most widely read social anthropologists of the 20th Century. She is celebrated both as a literary stylist and an anthropological thinker who challenged common presuppositions and understandings of religion, economy and society. As a cornerstone of modernism in social anthropology, and a precursor of 21st Century interdisciplinarity, her work remains highly influential both within and outside the social sciences.

Richard Fardon is Mary Douglas's Literary Executor and Head of the Doctoral School and Professor of West African Anthropology at SOAS, University of London, UK.

Written in the last two decades of her life, "Cultures and Crises" finds Mary Douglas developing analyses of critical conditions facing contemporary societies, sometimes in the company of distinguished co-authors across the whole gamut of social sciences.

The essays focus on the collaborative development of 'cultural theory' from the 'grid and group' analysis of the 1970s through to its application and elaboration in her later thought. The material covers questions of culture and institutions, the challenges to culture posed by climate change and the nature of risk in culture.

What emerges is the most complete picture of Mary Douglas's cultural theory that is currently available to us.

The book will add to the legions of Douglas's readers across the disciplinary divisions of the social sciences.

Mary Douglas was one of the most widely read social anthropologists of the 20th Century. She is celebrated both as a literary stylist and an anthropological thinker who challenged common presuppositions and understandings of religion, economy and society. As a cornerstone of modernism in social anthropology, and a precursor of 21st Century interdisciplinarity, her work remains highly influential both within and outside the social sciences.

Richard Fardon is Mary Douglas's Literary Executor and Head of the Doctoral School and Professor of West African Anthropology at SOAS, University of London, UK.

Winner of the Arnold Rubin Outstanding Publication Award from the Arts Council of the African Studies Association The Benue River Valley is the source of some of the most abstract, dramatic, and inventive sculpture in sub-Saharan Africa. A vast region, the Valley extends from the heart of present-day Nigeria eastward to its border with Cameroon, and is home to a large number of ethnic and linguistic groups, all of whom have produced sculptures that are remarkable for their variety. This book brings together figurative wood sculptures and ceramic vessels, masks, and elaborate bronze and iron regalia drawn from public and private collections in Europe and the United States, selected to exemplify important typologies within the region, along with many historical photographs. The 18 contributors demonstrate that the stylistic tendencies were constantly evolving due to cultural exchanges, mutual influences, and other points of contact in an area that like the Benue River itself was historically in a state of flux. These objects speak to us not only through their superb formal qualities but also through the circumstances of their being rooted in a turbulent past, situated between war and colonization.