Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at JapanOs elite school of higher education in Tokyo, he experienced the war on its home front. His essays provide us with a personal record of the bombing of Tokyo, the shortage of food, the inability to get accurate information about the war, the frictions between civilians and military and between his elite students and other civilians, the mobilization of students into factory jobs and the military, and the relocation of civilians out of the Tokyo area. This intimate account of the Oscars of war, O including personal anecdotes from TakeyamaOs students and family, is one of very few histories from this unique vantage point. TakeyamaOs writings educate readers about how the war affected ordinary Japanese and convey his thoughts about Japan's ally Germany, the Tokyo War Crimes Trial, and the immediate postwar years. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War

One of Japan's most important intellectuals, Nambara Shigeru defended Tokyo Imperial University against its rightist critics and opposed Japan's war. His poetic diary (1936 1945), published only after the war, documents his profound disaffection. In 1945 Nambara became president of Tokyo University and was an eloquent and ardent spokesman for academic freedom. Among his most impressive speeches are two memorials to fallen student-soldiers, which directly confront Nambara's wartime dilemma: what and how to advise students called up to fight a war he did not believe in. In this first English-language collection of his key work, historian and translator Richard H. Minear introduces Nambara's career and thinking before presenting translations of the most important of Nambara's essays, poems, and speeches. A courageous but lonely voice of conscience, Nambara is one of the few mid-century Japanese to whom we can turn for inspiration during that dark period in world history."

This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.

Through Japanese Eyes shows us Japanese history and society through the eyes of a wide variety of Japanese (and a few non-Japanese) observers - male and female, young and old, novelists, poets, and journalists. With an emphasis on young people and their educations, this volume interweaves the historical and the contemporary, the laudatory and the critical, the domestic and the foreign. It demolishes all stereotypes of Japan and leaves students with a new appreciation of Japanese diversity. And it challenges students to ask the same questions of their own society that these Japanese are asking of Japan. Sections with four to seven readings each treat "Japan before 1850," "The War Years," and "Japan Today." Sections with somewhat tighter focus treat "Textbooks and the Teaching of History," "Nature and Pollution," "Gender." A concluding section introduces the topic of "Japanese Americans." The text is accompanied by many boxes, photos, and charts. It is suitable for seventh grade and up. Varied, non-stereotyped; fascinating.

"I'll search you out, put my lips to your tender ear, and tell you. . . . I'll tell you the real story--I swear I will."--from "Little One" by Toge Sankichi

Three Japanese authors of note--Hara Tamiki, Ota Yoko, and Toge Sankichi--survived the atomic bombing of Hiroshima only to shoulder an appalling burden: bearing witness to ultimate horror. Between 1945 and 1952, in prose and in poetry, they published the premier first-person accounts of the atomic holocaust. Forty-five years have passed since August 6, 1945, yet this volume contains the first complete English translation of Hara's "Summer Flowers," the first English translation of Ota's "City of Corpses," and a new translation of Toge's "Poems of the Atomic Bomb." No reader will emerge unchanged from reading these works. Different from each other in their politics, their writing, and their styles of life and death, Hara, Ota, and Toge were alike in feeling compelled to set down in writing what they experienced. Within forty-eight hours of August 6, before fleeing the city for shelter in the hills west of Hiroshima, Hara jotted down this note: "Miraculously unhurt; must be Heaven's will that I survive and report what happened." Ota recorded her own remarks to her half-sister as they walked down a street littered with corpses: "I'm looking with two sets of eyesthe eyes of a human being and the eyes of a writer." And the memorable words of Toge quoted above come from a poem addressed to a child whose father was killed in the South Pacific and whose mother died on August 6th--who would tell of that day? The works of these three authors convey as much of the "real story" as can be put into words.

The klieg-lighted Tokyo Trial began on May 3, 1946, and ended on November 4, 1948, a majority of the eleven judges from the victorious Allies finding the twenty-five surviving defendants, Japanese military and state leaders, guilty of most, if not all, of the charges. As at Nuremberg, the charges included for the first time "crimes against peace" and "crimes against humanity," as well as conventional war crimes. In a polemical account, Richard Minear reviews the background, proceedings, and judgment of the Tokyo Trial from its Charter and simultaneous Nuremberg "precedent" to its effects today. Mr. Minear looks at the Trial from the aspects of international law, of legal process, and of history. With compelling force, he discusses the motives of the Nuremberg and Tokyo proponents, the Trial's prejudged course--its choice of judges, procedures, decisions, and omissions--General MacArthur's review of the verdict, the criticisms of the three dissenting judges, and the dangers inherent in such an international, political trial. His systematic, partisan treatment pulls together evidence American lawyers and liberals have long suspected, feared, and dismissed from their minds. Contents: Preface. I. Introduction. II. The Tokyo Trial. III. Problems of International Law. IV. Problems of Legal Process. V. Problems of History. VI. After the Trial. Appendices. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The klieg-lighted Tokyo Trial began on May 3, 1946, and ended on November 4, 1948, a majority of the eleven judges from the victorious Allies finding the twenty-five surviving defendants, Japanese military and state leaders, guilty of most, if not all, of the charges. As at Nuremberg, the charges included for the first time "crimes against peace" and "crimes against humanity," as well as conventional war crimes. In a polemical account, Richard Minear reviews the background, proceedings, and judgment of the Tokyo Trial from its Charter and simultaneous Nuremberg "precedent" to its effects today. Mr. Minear looks at the Trial from the aspects of international law, of legal process, and of history. With compelling force, he discusses the motives of the Nuremberg and Tokyo proponents, the Trial's prejudged course--its choice of judges, procedures, decisions, and omissions--General MacArthur's review of the verdict, the criticisms of the three dissenting judges, and the dangers inherent in such an international, political trial. His systematic, partisan treatment pulls together evidence American lawyers and liberals have long suspected, feared, and dismissed from their minds. Contents: Preface. I. Introduction. II. The Tokyo Trial. III. Problems of International Law. IV. Problems of Legal Process. V. Problems of History. VI. After the Trial. Appendices. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.