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One of the most successful methods for discovering the way mental
processes are organized is to observe the effects in experiments of
selectively influencing the processes. Selective influence is
crucial in techniques such as Sternberg's additive factor method
for reaction times and Jacoby's process dissociation procedure for
accuracy. The successful uses of selective influence have
encouraged application extensions to complex architectures, to
dependent variables such as evoked potentials, and to complex
interpretations. But the common themes have become lost in the
details of separate uses and specialized terminology. The book
gives an introductory and unified account of the many uses of the
technique in cognitive psychology. Related models from operations
research and human factors are covered. The applications include
dual tasks, visual and memory search, timing, categorization, and
recall. The book takes a self-contained approach starting with
clear explanations of the elementary notions and a building to
advanced techniques. The book is written with graduate students in
mind, but has content of interest to all researchers in cognitive
science and cognitive engineering.
Theory of Mind is what enables us to 'put ourselves in another's
shoes'. It is mindreading, empathy, creative imagination of
another's perspective: in short, it is simultaneously a highly
sophisticated ability and a very basic necessity for human
communication. Theory of Mind is central to such commercial
endeavors as market research and product development, but it is
also just as important in maintaining human relations over a cup of
coffee. Not surprisingly, it is a critical tool in reading and
understanding literature. Furthermore, it is becoming increasingly
apparent that reading literature also hones these critical
mindreading skills. Theory of Mind and Literature is a collection
of nineteen essays by prominent scholars (linguists, cognitive
scientists, and philosophers) working in the cutting-edge field of
cognitive literary studies, which explores how we use Theory of
Mind in reading and understanding literature. The essays range
widely across national literatures (Spanish, French, German,
British, and American), genres (theatre, poetry, science fiction,
and novels), and historical periods (from the Middle Ages to the
functional brain imaging of the twenty-first century), illuminating
the central, enduring importance of Theory of Mind to our human
condition.
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