Home Sweet Home Front is a nostalgic return to the vanished America of World War II, a coming-of-age story that follows teenager Wesley Brower on the fast track to manhood amidst the tragedies of global conflict. With most of the male workers away in uniform, Wesley lands the job of his dreams at a local radio station. But his infatuation for sweet young things of the opposite sex proves to be a virtual minefield of rejection and bittersweet loss. Wesley's widowed mother somehow manages to hold the family together. Her older son joins the Navy to fight aboard a combat vessel, while her daughter faces terrors of her own within a few miles of home. A spunky boarding student adds spice to the drama, as does a country girl who is not as shy as she first appears. Rich in period detail, Home Sweet Home Front is a kaleidoscope of rationing, wartime telegrams, and goodbye kisses... of the USO, boy meets girl, and blue stars in the windows... of Lux Radio Theatre, overcrowded Pullmans, and the St. Louis Browns. Despite a vast assemblage of personae, the main "character" of Home Sweet Home Front is the pervasive shadow of war itself.

The Delaware Valley is a distinct region situated within the Middle Atlantic states, encompassing portions of Delaware, Pennsylvania, New Jersey, and Maryland. With its cultural epicenter of Philadelphia, its surrounding bays and ports within Maryland and Delaware, and its conglomerate population of European settlers, Native Americans, and enslaved Africans, the Delaware Valley was one of the great cultural hearths of early America. The region felt the full brunt of the American Revolution, briefly served as the national capital in the post-Revolutionary period, and sheltered burgeoning industries amidst the growing pains of a young nation. Yet, despite these distinctions, the Delaware Valley has received less scholarly treatment than its colonial equals in New England and the Chesapeake region. In Historical Archaeology of the Delaware Valley, 1600–1850, Richard Veit and David Orr bring together fifteen essays that represent the wide range of cultures, experiences, and industries that make this region distinctly American in its diversity. From historic-period American Indians living in a rapidly changing world to an archaeological portrait of Benjamin Franklin, from an eighteenth-century shipwreck to the archaeology of Quakerism, this volume highlights the vast array of research being conducted throughout the region. Many of these sites discussed are the locations of ongoing excavations, and archaeologists and historians alike continue to debate the region’s multifaceted identity. The archaeological stories found within Historical Archeology of the Delaware Valley, 1600–1850 reflect the amalgamated heritage that many American regions experienced, though the Delaware Valley certainly exemplifies a richer experience than most: it even boasts the palatial home of a king (Joseph Bonaparte, elder brother of Napoleon and former King of Naples and Spain). This work, thoroughly based on careful archaeological examination, tells the stories of earlier generations in the Delaware Valley and makes the case that New England and the Chesapeake are not the only cultural centers of colonial America.

Providing a comprehensive set of guidance to assist researchers wishing to carry out, curate and disseminate field research at a historic burial ground, chapters offer up to date methods for surface and subsurface survey and for the recording and archiving of burial monument data. Divided into three parts considering documentary research and recording of mortuary landscapes, reflections on memorial recording projects, and archiving and wider dissemination of data and interpretations. Also included is the archaeological potential of pet cemeteries and other pet memorials. Discussions therefore include how methodologies may or may not be applicable to both human and animal subjects.

Gravestones, cemeteries, and memorial markers offer fixed points in time to examine Americans' changing attitudes toward death and dying. In tracing the evolution of commemorative practices from the seventeenth century to the present, Sherene Baugher and Richard Veit offer insights into our transformation from a preindustrial and agricultural to an industrial, capitalist country. Paying particular attention to populations often overlooked in the historical record-African Americans, Native Americans, and immigrant groups-the authors also address the legal, logistical, and ethical issues that confront field researchers who conduct cemetery excavations. Baugher and Veit reveal how gender, race, ethnicity, and class have shaped the cultural landscapes of burial grounds and summarize knowledge gleaned from the archaeological study of human remains and the material goods interred with the deceased. From the practices of historic period Native American groups to elite mausoleums, and from almshouse mass graves to the rise in popularity of green burials today, The Archaeology of Cemeteries and Gravemarkers provides an overview of the many facets of this fascinating topic.

Home Sweet Home Front is a nostalgic return to the vanished America of World War II, a coming-of-age story that follows teenager Wesley Brower on the fast track to manhood amidst the tragedies of global conflict. With most of the male workers away in uniform, Wesley lands the job of his dreams at a local radio station. But his infatuation for sweet young things of the opposite sex proves to be a virtual minefield of rejection and bittersweet loss. Wesley's widowed mother somehow manages to hold the family together. Her older son joins the Navy to fight aboard a combat vessel, while her daughter faces terrors of her own within a few miles of home. A spunky boarding student adds spice to the drama, as does a country girl who is not as shy as she first appears. Rich in period detail, Home Sweet Home Front is a kaleidoscope of rationing, wartime telegrams, and goodbye kisses... of the USO, boy meets girl, and blue stars in the windows... of Lux Radio Theatre, overcrowded Pullmans, and the St. Louis Browns. Despite a vast assemblage of personae, the main "character" of Home Sweet Home Front is the pervasive shadow of war itself.

Gravestones, cemeteries, and memorial markers offer fixed points in time to examine Americans' changing attitudes toward death and dying. In tracing the evolution of commemorative practices from the seventeenth century to the present, Sherene Baugher and Richard Veit offer insights into our transformation from a preindustrial and agricultural to an industrial, capitalist country. Paying particular attention to populations often overlooked in the historical record - African Americans, Native Americans, and immigrant groups - the authors also address the legal, logistical, and ethical issues that confront field researchers who conduct cemetery excavations. Baugher and Veit reveal how gender, race, ethnicity, and class have shaped the cultural landscapes of burial grounds and summarize knowledge gleaned from the archaeological study of human remains and the material goods interred with the deceased. From the practices of historic period Native American groups to elite mausoleums, and from almshouse mass graves to the rise in popularity of green burials today, The Archaeology of Cemeteries and Gravemarkers provides an overview of the many facets of this fascinating topic.