The "Complete Edition" of the works of Johann Staupitz clearly reveals his significance as a key figure in the transition from late mediaeval reform to the Reformation. Previously unpublished writings and corrupt texts are presented in a critical edition for the first time, together with important new research findings. The edition of the "Consultatio" (1523) refutes the view that Staupitz became a persecutor of heretics in Salzburg. The rediscovery of the records of the heresy trial against Stephan Kastenpauer (known as Agricola), which went missing in 1896, makes it possible to contextualize the "advice" of the pastoral theologian Staupitz, to elucidate it with a detailed commentary, and to clarify the process of this unusual trial for heresy. Further evidence of Staupitz' "interest in pastoral direction" (Wolfgang Gunter) is provided by the "Decisio", which was printed six times between 1500 and 1517, and in which Staupitz, although member of a mendicant order himself, took the side of parish clergy in the dispute between mendicants and secular clergy. The Franciscan Kaspar Schatzgeyer and his (as yet unpublished) opposing text probably influenced Leo X's surprising decision in this matter. The painstaking edition and commentary of the "Constitutiones" of the German Reform Congregation of the Augustinian Hermits (which Staupitz helped to compose, and then took responsibility for, promulgating it in 1506) has recourse not only to the as yet unresearched constitutions of the Italian Reform Congregations but also to the early years of the order and the genesis of its legal constitution. In the view of Kaspar Elm ("Zum Geleit") this process is of interest not only for research into religious orders but also for all disciplines dealing with problems of the institutionalization of unorganized movements.

This book contextualizes a globalization process that has since ancient times involved the creation, use, and world-wide movement of song, instrumental music, musical drama, music with dance, concert, secular, popular and religious music. Integral to the process have been political, economic, military, and religious forces that motivated or compelled performers to travel, often far beyond the borders of their homelands, to practice their art and craft. That this music was often a traveling companion to non-musical movements?military campaigns, religious missions, political events ?does not make the distance it traveled, nor its cultural and social impact, less remarkable.

Music and Globalization in History contributes to a growing awareness of the power of music to give insight into those things that all cultures and civilizations hold in common, and that promote and nurture mankind's most noble virtues. The book adds a philosophical perspective to ongoing work in ethnomusicology, musicology, music therapy, and what may be an evolving global music. It attributes this evolution to the motivation by musicians to travel and to spread music around the globe, and even into outer space. It also provides connectivity between the people, activities and events in which music is used and the means by which it moves from one place to another.