Recently there has been a renewed interest in moral inquiry among American scholars in a variety of disciplines. This collection of accessible essays by scholars in philosophy, political theory, psychology, history, literary studies, sociology, religious studies, anthropology, and legal studies affords a view of the current state of moral inquiry in the American academy, and it offers fresh departures for ethically informed, interdisciplinary scholarship. Seeking neither to reduce values to facts nor facts to values, these essays aim to foster discussion about inquiry and moral judgment, and demonstrate that moral inquiry need not be either dispassionate and value-free or moralistic and preachy.

Recently there has been a renewed interest in moral inquiry among American scholars in a variety of disciplines. This collection of accessible essays by scholars in philosophy, political theory, psychology, history, literary studies, sociology, religious studies, anthropology, and legal studies affords a view of the current state of moral inquiry in the American academy, and it offers fresh departures for ethically informed, interdisciplinary scholarship. Seeking neither to reduce values to facts nor facts to values, these essays aim to foster discussion about inquiry and moral judgment, and demonstrate that moral inquiry need not be either dispassionate and value-free or moralistic and preachy.

In a stunning feat of scholarship, insight, and engaging prose, Lincoln's Body explores how a president ungainly in body and downright "ugly" of aspect came to mean so much to us. The very roughness of Lincoln's appearance made him seem all the more common, one of us-as did his sense of humor about his own awkward physical nature. Nineteenth-century African Americans felt deep affection for their "liberator" as a "homely" man who did not hold himself apart. During Reconstruction, Southerners felt a nostalgia for the humility of Lincoln, whom they envisioned as a "conciliator." Later, teachers glorified Lincoln as a symbol of nationhood that would appeal to poor immigrants. Monument makers focused not only on the man's gigantic body but also on his nationalist efforts to save the Union, downplaying his emancipation of the slaves. Among both black and white liberals in the 1960s and 1970s, Lincoln was derided or fell out of fashion. More recently, Lincoln has once again been embodied (as both idealist and pragmatist, unafraid of conflict and transcending it) by outstanding historians, by self-identified Lincolnian president Barack Obama, and by actor Daniel Day-Lewis-all keeping Lincoln alive in a body of memory that speaks volumes about our nation.

"We are in the midst of a dramatic shift in sensibility, and 'cultural' history is the rubric under which a massive doubting and refiguring of our most cherished historical assumptions is being conducted. Many historians are coming to suspect that the idea of culture has the power to restore order to the study of the past. Whatever its potency as an organizing theme, there is no doubt about the power of the term 'culture' to evoke and stand for the depth of the re-examination not taking place. At a time of deep intellectual disarray, 'culture' offers a provisional, nominalist version of coherence: whatever the fragmentation of knowledge, however centrifugal the spinning of the scholarly wheel, 'culture'2;which (even etymologically) conveys a sense of safe nurture, warm growth, budding or ever-present wholeness2;will shelter us. The PC buttons on historians' chests today stand not for 'politically correct' but 'positively cultural.'2;from the Introduction
More and more scholars are turning to cultural history in order to make sense of the American past. This volume brings together nine original essays by some leading practitioners in the field. The essays aim to exhibit the promise of a cultural approach to understanding the range of American experiences from the seventeenth century to the present.
Expanding on the editors' pathbreaking "The Culture of Consumption," the contributors to this volume argue for a cultural history that attends closely to language and textuality without losing sight of broad configurations of power that social and political history at its best has always stressed. The authors here freshly examine crucial topics in both private and public life. Takentogether, the essays shed new light on the power of culture in the lives of Americans past and present.

The nation's leading minister stands accused of adultery. He vehemently denies the charge but confesses to being on "the ragged edge of despair." His alleged lover is a woman of mystical faith, nearly "Catholic" in her piety. Her husband, a famous writer, sues the minister for damages. A six-month trial ends inconclusively, but it holds the nation in thrall. It produces gripping drama, scathing cartoons, and soul-searching editorials. "Trials of Intimacy" is the story of a scandal that shook American culture to the core in the 1870s because the key players were such vaunted moral leaders. In that respect there has never been another case like it--except "The Scarlet Letter," to which it was constantly compared.
Henry Ward Beecher was pastor of Brooklyn's Plymouth Church and for many the "representative man" of mid-nineteenth century America. Elizabeth Tilton was the wife of Beecher's longtime intimate friend Theodore. His accusation of "criminal conversation" between Henry and Elizabeth confronted the American public with entirely new dilemmas about religion and intimacy, privacy and publicity, reputation and celebrity. The scandal spotlighted a series of comic and tragic loves and betrayals among these three figures, with a supporting cast that included Victoria Woodhull, Susan B. Anthony, and Elizabeth Cady Stanton.
To readers at the time, the Beecher-Tilton Scandal was an irresistible mystery. Richard Fox puts his readers into that same reverberating story, while offering it as a timeless tale of love, deception, faith, and the confounding indeterminacy of truth. "Trials of Intimacy" revises our conception of nineteenth-century morals and passions. And it is an American history richly resonant with present-day dramas.

"We are in the midst of a dramatic shift in sensibility, and 'cultural' history is the rubric under which a massive doubting and refiguring of our most cherished historical assumptions is being conducted. Many historians are coming to suspect that the idea of culture has the power to restore order to the study of the past. Whatever its potency as an organizing theme, there is no doubt about the power of the term 'culture' to evoke and stand for the depth of the re-examination not taking place. At a time of deep intellectual disarray, 'culture' offers a provisional, nominalist version of coherence: whatever the fragmentation of knowledge, however centrifugal the spinning of the scholarly wheel, 'culture'--which (even etymologically) conveys a sense of safe nurture, warm growth, budding or ever-present wholeness--will shelter us. The PC buttons on historians' chests today stand not for 'politically correct' but 'positively cultural.'--from the Introduction
More and more scholars are turning to cultural history in order to make sense of the American past. This volume brings together nine original essays by some leading practitioners in the field. The essays aim to exhibit the promise of a cultural approach to understanding the range of American experiences from the seventeenth century to the present.
Expanding on the editors' pathbreaking "The Culture of Consumption," the contributors to this volume argue for a cultural history that attends closely to language and textuality without losing sight of broad configurations of power that social and political history at its best has always stressed. The authors here freshly examine crucial topics in both private and public life. Takentogether, the essays shed new light on the power of culture in the lives of Americans past and present.