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Art, Theatre, and Opera in Paris, 1750-1850 - Exchanges and Tensions (Paperback): Richard Wrigley Art, Theatre, and Opera in Paris, 1750-1850 - Exchanges and Tensions (Paperback)
Richard Wrigley
R1,593 Discovery Miles 15 930 Ships in 12 - 19 working days

Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eugene-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Comedie-Francaise and Etienne-Jean Delecluze.

Art, Theatre, and Opera in Paris, 1750-1850 - Exchanges and Tensions (Hardcover, New Ed): Richard Wrigley Art, Theatre, and Opera in Paris, 1750-1850 - Exchanges and Tensions (Hardcover, New Ed)
Richard Wrigley
R4,487 Discovery Miles 44 870 Ships in 12 - 19 working days

Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eugene-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Comedie-Francaise and Etienne-Jean Delecluze.

A Bibliography of Salon Criticism in Paris from the Ancien Regime to the Restoration, 1699-1827: Volume 1 (Hardcover, New):... A Bibliography of Salon Criticism in Paris from the Ancien Regime to the Restoration, 1699-1827: Volume 1 (Hardcover, New)
Neil McWilliam; Contributions by Vera Schuster, Richard Wrigley, Pascale Meker
R2,586 Discovery Miles 25 860 Ships in 12 - 19 working days

This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the period 1699-1827. It includes an extensive list of references, each presented in a standard format with titles, dates and ordering codes based upon the holdings of the Bibliotheque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in eighteenth- and early nineteenth-century France, and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux, adding references from the Deloynes collection (together with full details of original sources) and incorporating a broad sample from the periodical press, the authors have achieved a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.

The Politics of Appearances - Representations of Dress in Revolutionary France (Hardcover, illustrated edition): Richard Wrigley The Politics of Appearances - Representations of Dress in Revolutionary France (Hardcover, illustrated edition)
Richard Wrigley
R4,242 Discovery Miles 42 420 Ships in 12 - 19 working days

In the turbulent political and social landscape of Revolutionary France, dress played a major role in defining and displaying new identities. What people wore was, in fact, a vital symbol of their allegiances and beliefs. Drawing on a wide range of documentary and visual sources, this book offers a vivid picture of the highly charged politics of Revolutionary appearances. The author explores the dynamic complexity of the new socio-political world, where the identification of who stood for what was such an urgent, if vexed, issue: where identical items of dress could stand for opposing political ideologies, where a variety of institutions - from local societies to the national assembly - tried to define the meanings associated with clothing, and where the clothes a person wore could seal their fate. Tracing the stories surrounding the liberty cap, the different manifestations of official dress, the tricolore cockade and the sans-culotte provides a new and exciting insight into the complexities and uncertainties that made up life in Revolutionary France and the political culture that it created.

A Bibliography of Salon Criticism in Paris from the Ancien Regime to the Restoration, 1699-1827: Volume 1 (Paperback): Neil... A Bibliography of Salon Criticism in Paris from the Ancien Regime to the Restoration, 1699-1827: Volume 1 (Paperback)
Neil McWilliam; Contributions by Vera Schuster, Richard Wrigley, Pascale Meker
R1,270 Discovery Miles 12 700 Ships in 12 - 19 working days

This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the period 1699-1827. It includes an extensive list of references, each presented in a standard format with titles, dates and ordering codes based upon the holdings of the Bibliotheque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in eighteenth- and early nineteenth-century France, and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801-1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux, adding references from the Deloynes collection (together with full details of original sources) and incorporating a broad sample from the periodical press, the authors have achieved a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.

Honeycomb & Diamonds (Paperback): J Richard Wrigley Honeycomb & Diamonds (Paperback)
J Richard Wrigley
R475 Discovery Miles 4 750 Ships in 10 - 15 working days
The Politics of Appearances - Representations of Dress in Revolutionary France (Paperback, First): Richard Wrigley The Politics of Appearances - Representations of Dress in Revolutionary France (Paperback, First)
Richard Wrigley
R1,442 Discovery Miles 14 420 Ships in 10 - 15 working days

In the turbulent political and social landscape of Revolutionary France, dress played a major role in defining and displaying new identities. What people wore was, in fact, a vital symbol of their allegiances and beliefs. Drawing on a wide range of documentary and visual sources, this book offers a vivid picture of the highly charged politics of Revolutionary appearances. The author explores the dynamic complexity of the new socio-political world, where the identification of who stood for what was such an urgent, if vexed, issue: where identical items of dress could stand for opposing political ideologies, where a variety of institutions - from local societies to the national assembly - tried to define the meanings associated with clothing, and where the clothes a person wore could seal their fate. Tracing the stories surrounding the liberty cap, the different manifestations of official dress, the tricolore cockade and the sans-culotte provides a new and exciting insight into the complexities and uncertainties that made up life in Revolutionary France and the political culture that it created.

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