This definitive edition, the first since 1974, presents all the poetry of Samuel Johnson (1709-1784), including his play, Irene, with detailed wide-ranging commentary. It has been expertly edited with attention to the extant manuscripts and all relevant printings. The volume includes the entirety of Johnson’s verse in all its generic diversity: including satire, ode, elegy, verse drama, and verse prayer. The poems are presented in their original spelling and punctuation with extensive commentary on their literary background—biblical, classical, and modern—as well as careful explanation of unusual words, allusions to historical figures, and references to contemporary events that appear in the poems. Proceeding chronologically, this edition also situates Johnson’s verse in the context of his life from his early days in Lichfield to his career as an author in London. Unlike all earlier editions, the present offering provides full translations of all the Latin and Greek poems on which Johnson based so much of his English verse. Correspondingly, it provides the English poems which some of his Latin verse translates. Neither in the presentation of the verse nor in the commentary does this edition assume a command of foreign languages: it aims to be useful for all students of Samuel Johnson’s poetry.

A one-volume collection of the prose and poetry of eighteenth-century Britain's pre-eminent lexicographer, critic, biographer, and poet Samuel Johnson Samuel Johnson was eighteenth-century Britain's preeminent man of letters, and his influence endures to this day. He excelled as a moral and literary critic, biographer, lexicographer, and poet. This anthology, designed to make Johnson's essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. In most cases, texts are included in full rather than excerpted. The anthology includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson's Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. Some parts are arranged thematically, allowing readers to focus on such topics as religion, marriage, war, and literature. The anthology includes a biographical introduction, and its ample annotation updates and enlarges the commentary in the YaleEdition.

‘I felt something alive moving on my left Leg … when bending my Eyes downwards as much as I could, I perceived it to be a human Creature not six Inches high’

Shipwrecked and cast adrift, Lemuel Gulliver wakes to find himself on Lilliput, an island inhabited by little people, whose height makes their quarrels over fashion and fame seem ridiculous. His subsequent encounters – with the crude giants of Brobdingnag, the philosophical Houyhnhnms and brutish Yahoos – give Gulliver new, bitter insights into human behaviour. Swift’s savage satire views mankind in a distorted hall of mirrors as a diminished, magnified and finally bestial species, presenting us with an uncompromising reflection of ourselves.

This text, based on the first edition of 1726, reproduces all its original illustrations and includes an introduction by Robert Demaria, Jr., which discusses the ways Gullivers Travels has been interpreted since its first publication.

Although the "Dictionary" is primarily a philological work, DeMaria shows how it also serves literary, moral, and educational purposes. By analyzing the content of the 116,000 illustrative quotations used by Johnson, the author illuminates the major themes of the book: knowledge and ignorance, truth and probabiity, learning and education, language, religion, and morality. Johnson's choice of which quotations to include represents his vision of the intellectual landscape.