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Dead Certain is a story told in six sections. Beginning with an immersion into Bush the nascent politician (entitled "Baptism"), we see in "Through Our Tears" a mandate-less new President evincing both collegiality and defensiveness as he pursues his conservative agenda. "Dark City On A Hill" describes the contentiousness that attends the roll-up to Iraq and the queasy slide from Mission Accomplished to the occupation of a broken nation.The final section, "A Laying On Of Hands," finds a once-swaggering presidency desperately moving from one gambit to another in an effort to right its sagging agenda, culminating in the 2006 midterm elections that decide the fate of a hobbled administration. Far from being a retelling of well-known events, Dead Certain plumbs both the natural drama and the behind-the-scenes granularity of George W. Bush's episodic presidency. It will be regarded as a classic, inside account of this troubled presidency.

Honorable Mention, Carr P. Collins Award for Best Book of Nonfiction, 2006 Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture. To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life-movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.

"Gary Cartwright has long been an important Texas writer, one of the finest journalists the state has ever produced, and all of his strengths are on vivid display in this collection." -- Stephen Harrigan

Whether the subject is Jack Ruby, Willie Nelson, or his own leukemia-stricken son Mark, when it comes to looking at the world through another person's eyes, nobody does it better than Gary Cartwright. For over twenty-five years, readers of Texas Monthly have relied on Cartwright to tell the stories behind the headlines with pull-no-punches honesty and wry humor. His reporting has told us not just what's happened over the last three decades in Texas, but, more importantly, what we've become as a result.

This book collects seventeen of Cartwright's best Texas Monthly articles from the 1980s and 1990s, along with a new essay, "My Most Unforgettable Year," about the lasting legacy of the Kennedy assassination. He ranges widely in these pieces, from the reasons for his return to Texas after a New Mexican exile to profiles of Kris Kristofferson and Willie Nelson. Along the way, he strolls through San Antonio's historic King William District; attends a Dallas Cowboys old-timers reunion and the Holyfield vs. Foreman fight; visits the front lines of Texas' new range wars; gets inside the heads of murderers, gamblers, and revolutionaries; and debunks Viagra miracles, psychic surgery, and Kennedy conspiracy theories. In Cartwright's words, these pieces all record "the renewal of my Texas-ness, a rediscovery of Texas after returning home."

As modern football legends, the Class of 92 need no introduction. Class of 92: Out of Their League, however, opens a dramatic new chapter in the story of former Manchester United greats Gary and Phil Neville, Paul Scholes, Ryan Giggs and Nicky Butt, as they take on a new role in each of their lives: owners of semi-professional club Salford City FC. An enthralling, in-depth account of Salford's first two years under new ownership, Class of 92: Out of Their League combines first-hand accounts from Gary, Phil, Paul, Ryan and Nicky as they try to turn round the club's fortunes, along with a wider story of tremendous athletic and human drama. Featuring colourful characters like managers Anthony Johnson and Bernard Morley, star players, club chairman Karen Baird, lifelong fans, and more, this is a story told with real authenticity and grit. Accompanying the second series of the hugely popular BBC series, Class of 92: Out of Their League is both a testament to the best of modern football and a brilliant reminder, in an era when fans are threatening walkouts over rising ticket prices, of what football is really all about.