Winner of the Anne M. Sperber Prize

A spirited and revealing memoir by the most celebrated editor of his time

After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carre, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.

But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.

The product of a lifetime immersed in the literary, performing arts, and entertainment worlds, "Lives and Letters" spotlights the work, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theatre, and dance, and some of the more curious iconic public figures of our times. These figures range: from the world of literature, Charles Dickens, James Thurber, Judith Krantz, John Steinbeck, and Rudyard Kipling; the controversies surrounding Bruno Bettelheim and Elia Kazan; and, Marjorie Kinnan Rawlings and her editor, Maxwell Perkins; and from dance and theatre, Isadora Duncan and Margot Fonteyn, Serge Diaghilev and George Balanchine, Sarah Bernhardt and Eleonora Duse. In Hollywood, Bing Crosby and Judy Garland, Douglas Fairbanks and Lillian Gish, Tallulah Bankhead and Katharine Hepburn, Mae West and Anna May Wong. In New York, Diana Vreeland, the Trumps, and Gottlieb's own take on the contretemps that followed his replacing William Shawn at "The New Yorker". And so much more...

Part of the "Eminent Lives Series", this biography, written by the gifted author Robert Gottlieb, describes the life of the dynamic George Balanchine, the foremost contemporary choreographer in ballet. It presents the life and achievement of the great choreographer who both summed up everything that proceeded him in ballet, and extended the art form into radical yet inevitable new paths. Leaving Revolutionary Russia in 1924 (he was 20), he joined Serge Diaghilev's famous Ballets Russes, where he created his first enduring masterpiece, Apollo, cementing his lifelong collaboration with Stravinsky. In 1933 he arrived in America to found a school and a company, but the company as we know it - The New York City Ballet - didn't emerge until 1948. Meanwhile, he made ballets wherever opportunity allowed, while choreographing Broadway shows (four for Rodgers and Hart), movies ("The Goldwyn Follies"), even the circus - a ballet for elephants with a score by Stravinsky. By the time of his death, in 1983, he had been recognised as a member of the triad of the greatest modern masters, alongside Picasso and Stravinsky. Balanchine was married many times, always to outstanding ballerinas, but his truest muse always remained Terpsichore, the Muse of Dance.

A New York Times Book Review Editors' Choice One of Esquire's 125 best books about Hollywood Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her. "Wherever you look in the period between 1925 and 1941," Robert Gottlieb writes in Garbo, "Greta Garbo is in people's minds, hearts, and dreams." Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world's subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world--and that indescribable, transcendent presence she possessed--was rivaled only by Marilyn Monroe's. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naive, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world's most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world--her desperate, futile striving to be "left alone." He takes us through the films themselves, from M-G-M's early presentation of her as a "vamp"--her overwhelming beauty drawing men to their doom, a formula she loathed--to the artistic heights of Camille and Ninotchka ("Garbo Laughs!"), by way of Anna Christie ("Garbo Talks!"), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York--"a hermit about town"--and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee--were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know--and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls "A Garbo Reader," brings together a remarkable assembly of glimpses of Garbo from other people's memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere--in Hemingway's For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures--250 or so ravishing movie stills, formal portraits, and revealing snapshots--all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went. Includes Black-and-White Photographs

The Art of Alice and Martin Provensen is the first-ever monograph on this beloved midcentury husband-and-wife illustration team. This award-winning pair created more than 40 beloved children's books over the span of seven decades, many of which appeared on the New York Times Best Illustrated Books of the Year lists. From early favorites for Golden Books such as The Color Kittens by Margaret Wise Brown, 1949, to their Caldecott-winning title The Glorious Flight: Across the Channel with Louis Bleriot, 1983, the Provensens' books inspired generations of young readers. Original paintings for their beloved classics such as A Child's Garden of Verses, 1951, The Iliad and the Odyssey, 1959, Myths and Legends, 1960 and many others, are beautifully reproduced and included here. This comprehensive volume showcases hundreds of their well-known illustrations, as well as many never-before-seen paintings, drawings, and exquisite sketchbooks from their travels around the world. An interview with their daughter Karen Provensen Mitchell illuminates their life and career and includes many personal photographs, quotes, speeches, and memorabilia from their archive. An introduction by Leonard S. Marcus, a leading historian in children's literature, underscores the Provensen's importance and influence as illustrators and authors. Additionally, noted publisher and close family friend Robert Gottlieb, provides a personal essay that shares many of his memories with this cherished couple. The Provensens' colorful, inimitable artwork is a treasure trove that has influenced generations of children, designers, illustrators, historians, and all who cherish classic children's books.

A riveting portrait of the great Sarah Bernhardt from acclaimed writer Robert Gottlieb Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career-redefining the very nature of her art-to her amazing (and highly public) romantic life to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I, as well as crisscrossing America on her ninth American tour. Her family was also a source of curiosity: the mother she adored and who scorned her; her two half-sisters, who died young after lives of dissipation; and most of all, her son, Maurice, whom she worshiped and raised as an aristocrat, in the style appropriate to his presumed father, the Belgian Prince de Ligne. Only once did they quarrel-over the Dreyfus Affair. Maurice was a right-wing snob; Sarah, always proud of her Jewish heritage, was a passionate Dreyfusard and Zolaist. Though the Bernhardt literature is vast, Gottlieb's Sarah is the first English-language biography to appear in decades. Brilliantly, it tracks the trajectory through which an illegitimate-and scandalous-daughter of a courtesan transformed herself into the most famous actress who ever lived, and into a national icon, a symbol of France.

This new collection from the legendary editor Robert Gottlieb features twenty or so pieces he's written mostly for The New York Review of Books, ranging from reconsiderations of American writers such as Dorothy Parker, Thornton Wilder, Thomas Wolfe ('genius'), and James Jones, to Leonard Bernstein, Lorenz Hart, Lady Diana Cooper ('the most beautiful girl in the world'), the actor-assassin John Wilkes Booth, the scandalous movie star Mary Astor, and not-yet president Donald Trump. The writings compiled here are as various as they are provocative: an extended probe into the world of post-death experiences; a sharp look at the biopics of transcendent figures such as Shakespeare, Moliere, and Austen; a soap opera-ish movie account of an alleged affair between Chanel and Stravinsky; and a copious sampling of the dance reviews he's been writing for The New York Observer for close to twenty years. A worthy successor to his expansive 2011 collection, Lives and Letters, and his admired 2016 memoir, Avid Reader, Near-Death Experiences displays the same insight and intellectual curiosity that have made Gottlieb, in the words of The New York Times's Dwight Garner, 'the most acclaimed editor of the second half of the twentieth century.'

Is South Los Angeles on the mend? How is it combating the blight of crime, gang violence, high unemployment, and dire poverty? In provocative essays, the contributing authors to "Post-Ghetto" address these questions by pointing out robust signs of hope for the area's residents--an increase in corporate retail investment, a decrease in homicides, a proliferation of nonprofit service providers, a paradigm shift in violence- and gang-prevention programs, and progress toward a strengthened, more racially integrated labor movement. By charting the connections between public policy and the health of a community, the authors offer innovative ideas and visionary strategies for further urban renewal and remediation. Contributors: Jake Alimahomed-Wilson, Andrea Azuma, Edna Bonacich, Robert Gottlieb, Karen M. Hennigan, Jorge N. Leal, Jill Leovy, Cheryl Maxson, Scott Saul, David C. Sloane, Mark Vallianatos, Danny Widener, Natale Zappia

In these journals, the experiences of one of the most renowned twentieth-century American writers come to life with fascinating, wholly revealing detail.
John Cheever's journals provide peerless insights into the creation of his novels and stories. But they are equally the record of a complex, often dark, always closely observed inner world. No American writer of comparable stature has left such an unreservedly revealing and moving account of himself: his family life, his literary life, and his emotional life. The final word from one of modern America's great writers, "The Journals of John Cheever" provides a powerful and beautiful capstone to a towering oeuvre.

The story of how the emerging food justice movement is seeking to transform the American food system from seed to table. In today's food system, farm workers face difficult and hazardous conditions, low-income neighborhoods lack supermarkets but abound in fast-food restaurants and liquor stores, food products emphasize convenience rather than wholesomeness, and the international reach of American fast-food franchises has been a major contributor to an epidemic of "globesity." To combat these inequities and excesses, a movement for food justice has emerged in recent years seeking to transform the food system from seed to table. In Food Justice, Robert Gottlieb and Anupama Joshi tell the story of this emerging movement. A food justice framework ensures that the benefits and risks of how food is grown and processed, transported, distributed, and consumed are shared equitably. Gottlieb and Joshi recount the history of food injustices and describe current efforts to change the system, including community gardens and farmer training in Holyoke, Massachusetts, youth empowerment through the Rethinkers in New Orleans, farm-to-school programs across the country, and the Los Angeles school system's elimination of sugary soft drinks from its cafeterias. And they tell how food activism has succeeded at the highest level: advocates waged a grassroots campaign that convinced the Obama White House to plant a vegetable garden. The first comprehensive inquiry into this emerging movement, Food Justice addresses the increasing disconnect between food and culture that has resulted from our highly industrialized food system.

Is water a natural resource, or is it a commodity, to be sold for industrial, residential, and agricultural use? In the arid American West, this question is crucial, because water-or lack of it-affects every aspect of life. Index.

"With this rich account of its community and labor struggles, the city of angels--and apocalypse--becomes the city of hope."--Barbara Ehrenreich, author of "Nickel and Dimed: On (Not) Getting By in America

"This wonderful book, with its evocations of LA's alternative histories, and its bold templates for social and environmental justice, is proof that the American Left is alive and well, especially in Southern California."--Mike Davis, author of "Dead Cities

"A rare book combining history, analysis, strategy and a platform - and it may well be carried out in this decade."--Tom Hayden, former State Senator, Los Angeles

A vivid chapter in the history of the California water wars, this book documents state and federal plans to flood the largest, most fertile valley in Mendocino County to send water south to Los Angeles. The eventual success of Richard Wilson, a rancher in Round Valley, to stop the project is the heart of this story. The book features an afterword by Robert Gottlieb and Ruth Langridge.

After careful research and extensive interiviews, the authors have prepared this compelling and controversial portrait of the Mormon's organizational structure and economic empire-and the men who control both. Index.

How Los Angeles, Hong Kong, and China deal with such urban environmental issues as ports, goods movement, air pollution, water quality, transportation, and public space. Over the past four decades, Los Angeles, Hong Kong, and key urban regions of China have emerged as global cities-in financial, political, cultural, environmental, and demographic terms. In this book, Robert Gottlieb and Simon Ng trace the global emergence of these urban areas and compare their responses to a set of six urban environmental issues. These cities have different patterns of development: Los Angeles has been the quintessential horizontal city, the capital of sprawl; Hong Kong is dense and vertical; China's new megacities in the Pearl River Delta, created by an explosion in industrial development and a vast migration from rural to urban areas, combine the vertical and the horizontal. All three have experienced major environmental changes in a relatively short period of time. Gottlieb and Ng document how each has dealt with challenges posed by ports and the movement of goods, air pollution (Los Angeles, Hong Kong, and urban China are all notorious for their hazardous air quality), water supply (all three places are dependent on massive transfers of water) and water quality, the food system (from seed to table), transportation, and public and private space. Finally they discuss the possibility of change brought about by policy initiatives and social movements.

Analysis and case studies from interdisciplinary perspectives explore the possibility and desirability of collaboration between the grassroots-oriented environmental justice movement and mainstream environmental organizations. Although the environmental movement and the environmental justice movement would seem to be natural allies, their relationship over the years has often been characterized by conflict and division. The environmental justice movement has charged the mainstream environmental movement with racism and elitism and has criticized its activist agenda on the grounds that it values wilderness over people. Environmental justice advocates have called upon environmental organizations to act on environmental injustice and address racism and classism in their own hiring and organizational practices, lobbying agenda, and political platforms. This book examines the current relationship between the two movements in both conceptual and practical terms and explores the possibilities for future collaboration. In ten original essays, contributors from a variety of disciplines consider such topics as the relationship between the two movements' ethical commitments and activist goals, instances of successful cooperation in U.S. contexts, and the challenges posed to both movements by globalization and climate change. They examine the possibility and desirability of one unified movement as opposed to two complementary ones by means of analyses and case studies; these include a story of asbestos hazards that begins in a Montana mine and ends with the release of asbestos insulation into the air of Manhattan after the collapse of the World Trade Center. This book, part of a necessary rethinking of the relationship between the two movements, shows that effective, mutually beneficial alliances can advance the missions of both. Contributors Kim Allen, J. Robert Cox, Vinci Daro, Kevin DeLuca, Giovanna Di Chiro, Daniel Faber, Dorothy Holland, Dale Jamieson, M. Nils Peterson, Markus John Peterson, Tarla Rai Peterson, Phaedra C. Pezzullo, J. Timmons Roberts, Ronald Sandler, Steve Schwarze, Peter Wenz