It has often been suggested that Romanticism of its very nature has affinities with religious quest and spiritual value. These new essays, written in honor of distinguished eighteenth-century and Romantic scholar John L. Mahoney, explore the intersection of Romanticism and religion. They range from broad considerations of this relationship in several Romantic writers to close readings of individual poems. The collection breaks new ground in the exploration of the role of religion in the Romantics experience and will be of interest not only to scholars of Romanticism and historians of nineteenth-century religion, but to anyone interested in the intellectual life of the nineteenth-century England.

It has often been suggested that Romanticism of its very nature has affinities with religious quest and spiritual value. These new essays, written in honor of distinguished eighteenth-century and Romantic scholar John L. Mahoney, explore the intersection of Romanticism and religion. They range from broad considerations of this relationship in several Romantic writers to close readings of individual poems. The collection breaks new ground in the exploration of the role of religion in the Romantics experience and will be of interest not only to scholars of Romanticism and historians of nineteenth-century religion, but to anyone interested in the intellectual life of the nineteenth-century England.

The original edition of this book studied the nature of symbol in Coleridgeas work, showing that it is central to Coleridgeas intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: aThis is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barthas interpretation of Coleridgeas doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.a In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridgeas ascriptural imagination.a As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time.

The original edition of this book studied the nature of symbol in Coleridge’s work, showing that it is central to Coleridge’s intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: “This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barth’s interpretation of Coleridge’s doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.” In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridge’s “scriptural imagination.” As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time.

Long established as a major poet and critic of the Romantic era, Samuel Taylor Coleridge is now becoming recognized as one of the first and most original modern religious thinkers. In 1815 he wrote the Biographia Literaria, and from that time on there was in his writings a noticeable shift to nonliterary subjects, especially religion. Using all available sources in the U.S., Canada, and England, J. Robert Barth, S.J., has found Coleridge's religious speculations in his notebooks, in such works as Aids to Reflection and Confessions of an Inquiring Spirit, in letters, in the unpublished manuscript of his "Opus Maximum," in marginalia, and in conversations recorded by his nephew in Table Talk. Father Barth has synthesized these theological ideas and shaped Coleridge's scattered and constantly developing religious thoughts into a coherent pattern.