New essays on the cultural representations of the relationship between Britain and China in the nineteenth century, focussing on the Amherst diplomatic problem. On 29 August 1816, Lord Amherst, exhausted after travelling overnight during an embassy to China, was roughly handled in an attempt to compel him to attend an immediate audience with the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Fatigued and separated from his diplomatic credentials and ambassadorial robes, Amherst resisted, and left the palace in anger. The emperor, believing he had been insulted, dismissed the embassy without granting it animperial audience and rejected its "tribute" of gifts. This diplomatic incident caused considerable disquiet at the time. Some 200 years later, it is timely in 2016 to consider once again the complex and vexed historical andcultural relations between two of the nineteenth-century world's largest empires. The interdisciplinary essays in this volume engage with the most recent work on British cultural representations of, and exchanges with, Qing China,extending our existing but still provisional understandings of this area of study in new and exciting directions. They cover such subjects as female foot binding; English and Chinese pastoral poetry; translations; representationsof the trade in tea and opium; Tibet; and the political, cultural and environmental contexts of the Amherst embassy itself. Featuring British and Chinese writers such as Edmund Spenser, Wu Cheng'en, Thomas De Quincey, Oscar Wilde, James Hilton, and Zhuangzi, these essays take forward the compelling and highly relevant subject for today of Britain and China's relationship. Peter J. Kitson is Professor of English at the University of East Anglia;Robert Markley is W.D. and Sara E. Trowbridge Professor of English at the University of Illinois. Contributors: Elizabeth Chang, Peter J. Kitson, Eugenia Zuroski-Jenkins, Zhang Longxi, Mingjun Lu, Robert Markley, EunKyung Min, Q.S. Tong

In the seventeenth and eighteenth centuries China, Japan and the Spice Islands dazzled the English imagination as insatiable markets for European goods, and as vast, inexhaustible storehouses of spices and luxury wares. Robert Markley explores the significance of attitudes to the wealth and power of East Asia in rethinking conceptions of national and personal identity in seventeenth- and early eighteenth-century English literature. Alongside works by canonical English authors, this study examines the writings of Jesuit missionaries, Dutch merchants, and English and continental geographers, who directly contended with the challenges that China and Japan posed to visions of western cultural and technological superiority. Questioning conventional Eurocentric histories, in this 2006 book Markley examines the ways in which the writings of Milton, Dryden, Defoe and Swift deal with the complexities of a world in which England was marginalised and which, until 1800, was dominated - economically at least - by the empires of the Far East.

In the seventeenth and eighteenth centuries China, Japan and the Spice Islands dazzled the English imagination as insatiable markets for European goods, and as vast, inexhaustible storehouses of spices and luxury wares. Robert Markley explores the significance of attitudes to the wealth and power of East Asia in rethinking conceptions of national and personal identity in seventeenth- and early eighteenth-century English literature. Alongside works by canonical English authors, this study examines the writings of Jesuit missionaries, Dutch merchants, and English and continental geographers, who directly contended with the challenges that China and Japan posed to visions of western cultural and technological superiority. Questioning conventional Eurocentric histories, in this 2006 book Markley examines the ways in which the writings of Milton, Dryden, Defoe and Swift deal with the complexities of a world in which England was marginalised and which, until 1800, was dominated - economically at least - by the empires of the Far East.

For more than a century, Mars has been at the center of debates about humanityOCOs place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s.Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writersOCoH. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith MerrilOCoresponded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth."

Award-winning epics like the Mars Trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival. Robert Markley examines the works of an author engaged with the fundamental question of how we-as individuals, as a civilization, and as a species-might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity's struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF's literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.

For more than a century, Mars has been at the center of debates about humanity's place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s.Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers-H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril-responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.