Desjarlais shows us not anonymous faces of the homeless but real people. While it is estimated that 25 percent or more of America's homeless are mentally ill, their lives are largely unknown to us. What must life be like for those who, in addition to living on the street, hear voices, suffer paranoid delusions, or have trouble thinking clearly or talking to others. Shelter Blues is an innovative portrait of people residing in Boston's Station Street Shelter. It examines the everyday lives of more than 40 homeless men and women, both white and African-American, ranging in age from early 20s to mid-60s. Based on a sixteen-month study, it draws readers into the personal worlds of these individuals and, by addressing the intimacies of homelessness, illness, and abjection, picks up where most scholarship and journalism stops. Robert Desjarlais works against the grain of media representations of homelessness by showing us not anonymous stereotypes but individuals. He draws on conversations as well as observations, talking with and listening to shelter residents to understand how they relate to their environment, to one another, and to those entrusted with their care. His book considers their lives in terms of a complex range of forces and helps us comprehend the linkages between culture, illness, personhood, and political agency on the margins of contemporary American society. Shelter Blues is unlike anything else ever written about homelessness. It challenges social scientists and mental health professionals to rethink their approaches to human subjectivity and helps us all to better understand one of the most pressing problems of our time.

Shelter Blues Sanity and Selfhood Among the Homeless Robert R. Desjarlais Winner of the 1999 Victor Turner Prize of the Society for Humanistic Anthropology "Beautifully crafted, powerfully illustrated with conversation, theoretically important, and almost unique as an ethnography."--Arthur Kleinman, Harvard University Desjarlais shows us not anonymous faces of the homeless but real people. While it is estimated that 25 percent or more of America's homeless are mentally ill, their lives are largely unknown to us. What must life be like for those who, in addition to living on the street, hear voices, suffer paranoid delusions, or have trouble thinking clearly or talking to others. "Shelter Blues" is an innovative portrait of people residing in Boston's Station Street Shelter. It examines the everyday lives of more than 40 homeless men and women, both white and African-American, ranging in age from early 20s to mid-60s. Based on a sixteen-month study, it draws readers into the personal worlds of these individuals and, by addressing the intimacies of homelessness, illness, and abjection, picks up where most scholarship and journalism stops. Robert Desjarlais works against the grain of media representations of homelessness by showing us not anonymous stereotypes but individuals. He draws on conversations as well as observations, talking with and listening to shelter residents to understand how they relate to their environment, to one another, and to those entrusted with their care. His book considers their lives in terms of a complex range of forces and helps us comprehend the linkages between culture, illness, personhood, and political agency on the margins of contemporary American society. "Shelter Blues" is unlike anything else ever written about homelessness. It challenges social scientists and mental health professionals to rethink their approaches to human subjectivity and helps us all to better understand one of the most pressing problems of our time. Robert Desjarlais teaches anthropology at Sarah Lawrence College and is the author of "Body and Emotion: The Aesthetics of Illness and Healing in the Nepal Himalayas," also published by Penn. Contemporary Ethnography 1997 320 pages 6 x 9 7 illus ISBN 978-0-8122-1622-6 Paper $27.50s 18.00 World Rights Anthropology, Sociology, Psychology Short copy: "Beautifully crafted, powerfully illustrated with conversation, theoretically important, and almost unique as an ethnography."--Arthur Kleinman, Harvard University

In this highly original work, Robert Desjarlais and Khalil Habrih present a dialogic account of the lingering effects of the terroristic attacks that occurred in Paris in November 2015. Situating the events within broader histories of state violence in metropolitan France and its colonial geographies, the authors interweave narrative accounts and photographs to explore a range of related phenomena: governmental and journalistic discourses on terrorism, the political work of archives, police and military apparatuses of control and anti-terror deterrence, the histories of wounds, and the haunting reverberations of violence in a plurality of lives and deaths. Traces of Violence is a moving work that aids our understanding of the afterlife of violence and offers an innovative example of collaborative writing across anthropology and sociology.

"Chess gets a hold of some people, like a virus or a drug," writes Robert Desjarlais in this absorbing book. Drawing on his lifelong fascination with the game, Desjarlais guides readers into the world of twenty-first-century chess to help us understand its unique pleasures and challenges, and to advance a new 'anthropology of passion.' Immersing us directly in chess' intricate culture, he interweaves small dramas, closely observed details, illuminating insights, colorful anecdotes, and unforgettable biographical sketches to elucidate the game and to reveal what goes on in the minds of experienced players when they face off over the board. "Counterplay" offers a compelling take on the intrigues of chess and shows how themes of play, beauty, competition, addiction, fanciful cognition, and intersubjective engagement shape the lives of those who take up this most captivating of games.

In this highly original work, Robert Desjarlais and Khalil Habrih present a dialogic account of the lingering effects of the terroristic attacks that occurred in Paris in November 2015. Situating the events within broader histories of state violence in metropolitan France and its colonial geographies, the authors interweave narrative accounts and photographs to explore a range of related phenomena: governmental and journalistic discourses on terrorism, the political work of archives, police and military apparatuses of control and anti-terror deterrence, the histories of wounds, and the haunting reverberations of violence in a plurality of lives and deaths. Traces of Violence is a moving work that aids our understanding of the afterlife of violence and offers an innovative example of collaborative writing across anthropology and sociology.

Robert Desjarlais's graceful ethnography explores the life histories of two Yolmo elders, focusing on how particular sensory orientations and modalities have contributed to the making and the telling of their lives. These two are a woman in her late eighties known as Kisang Omu and a Buddhist priest in his mid-eighties known as Ghang Lama, members of an ethnically Tibetan Buddhist people whose ancestors have lived for three centuries or so along the upper ridges of the Yolmo Valley in north central Nepal.
It was clear through their many conversations that both individuals perceived themselves as nearing death, and both were quite willing to share their thoughts about death and dying. The difference between the two was remarkable, however, in that Ghang Lama's life had been dominated by motifs of vision, whereas Kisang Omu's accounts of her life largely involved a "theatre of voices." Desjarlais offers a fresh and readable inquiry into how people's ways of sensing the world contribute to how they live and how they recollect their lives.