Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Ottoman Architecture is the first modern history of Ottoman architecture written by Ottomans themselves, yet it is little known outside the field of late Ottoman studies. This magnificently-illustrated volume codifies the empire’s architectural history into a series of preliminary stages culminating in the efflorescence of the Ottoman classical tradition in the 16th century. At the same time, the text positions this imperial architectural legacy in relation to modernising projects in the late Ottoman Empire; in particular, the 'Ottoman architectural Renaissance' sponsored by Sultan Abdülaziz (r. 1861 face=Calibri>–1876). Moreover, as has been argued in other research, architecture is a prism through which the authors offer a larger analysis of modernity in the Ottoman Empire; an analysis where built heritage serves 'as an index for various stages in the transformation of the Ottoman state and civilization'.

This book looks at the representation of viruses in rhetoric, politics, and popular culture. In utilizing Jean Baudrillard's concept of virality, it examines what it means to use viruses as a metaphor. For instance, what is the effect of saying that a video has gone viral? Does this use of biology to explain culture mean that our societies are determined by biological forces? Moreover, does the rhetoric of viral culture display a fundamental insensitivity towards people who are actually suffering from viruses? A key defining aspect of this mode of persuasion is the notion that due to the open nature of our social and cerebral networks, we are prone to being infected by uncontrollable external forces. Drawing from the work of Freud, Lacan, Laclau, Baudrillard, and Zizek, it examines the representation of viruses in politics, psychology, media studies, and medical discourse. The book will help readers understand the potentially destructive nature of how viruses are represented in popular media and politics, how this can contribute to conspiracy theories around COVID-19 and how to combat such misinterpretations.

The essays Professor Summers has brought together in this book consist of various authentic and representative formulations and applications of the dominant general theory of law and its use in the United States during the middle decades of the 20th century. The book includes a number of major contributions that are critical of that theory. The contributors are: The path of the law, Oliver Wendell Homes Jr. Force and coercion; Logical method and law, John Dewey. The need of a sociological jurisprudence; Mechanical jurisprudence; The possibility of a measure of values, Roscoe Pound. What is the law, Joseph W. Binham. A return to stare decisis, Herman Oliphant. A realistic jurisprudence-the next step; The normative, the legal, and the law-jobs: the problem of juristic method, K.N. Lewellyn. The problems of a functional jurisprudence, Felix S. Cohen. The causes of popular dissatisfaction with the administration of justice, Roscoe Pound. The judiciality of minimum-wage legislation, Thomas Red Powell. An institutional approach to the law of commercial banking, Underhill Moore and Theodore S. Hope Jr. Through title to contract and a bit beyond, K.N. Llewellyn. Williston on contracts; The logical and legal bases of the conflict of laws, Walter Wheeler Cook. American legal realism, L.L. Fuller. Legal rules: their function in the process of decision, John Dickenson. Some rationalism about realism, Hermann Kantorwicz. Pragmatic instumentalism in twentieth century American legal thought-a synthesis and critique of our dominant general theory about law and its use.

Political Pathologies from The Sopranos to Succession argues that highly praised prestige TV shows reveal the underlying fantasies and contradictions of upper-middle class political centrists. Through a psychoanalytic interpretation of The Sopranos, Breaking Bad, The Wire, House of Cards, Dexter, Game of Thrones, and Succession, Robert Samuels reveals how moderate "liberals" have helped to produce and maintain the libertarian Right. Samuels' analysis explores the difference between contemporary centrists and the foundations of liberal democracy, exposing the myth of the "liberal media" and considers the consequences of these celebrated series, including the undermining of trust in modern liberal democratic institutions. Political Pathologies from The Sopranos to Succession contributes to a greater understanding of the ways media and political ideology can circulate on a global level through the psychopathology of class consciousness. This book will be of great interest to academics and scholars considering intersections of psychoanalytic studies, television studies and politics.

This book builds on a critique of Slavoj Zizek's work to outline a new theory of psychoanalytic rhetoric. It turns to Zizek because not only is he one of the most popular intellectuals in the world, but, this book argues, his discourse is shaped by a set of unconscious rhetorical processes that also determine much of contemporary politics, culture, and subjectivity. Just as Aristotle argued that the three main forms of persuasion are logos (reason), pathos (emotion), and ethos (authority), Samuels describes each one of these aspects of communication as related to a fundamental psychoanalytic concept. He also turns to Aristotle's work on theater to introduce a fourth form of rhetoric, catharsis, which is the purging of feelings of fear and pity. Adding a strong voice to current psychoanalytic debate, this book will be of value to all scholars and students interested in both the history and modern developments of psychoanalytic theory.

This book offers a unique approach by using psychoanalytic theory to explain how we can resolve the most important issues facing the world today and in the future. One of my main arguments is that we need to move beyond national politics in order to provide global solutions to global problems. However, there is a misplaced fear concerning global governance, and much of this phobia is derived from a misunderstanding of history and human psychology. Not only do we have to learn to give up our idealized investment in nations and nationalism, but we also have to move beyond seeing the world from the perspective of a victim fantasy. Since we often repress real signs of global progress, we experience the global present and the future in negative ways. To reverse this perspective, we need to first understand the incredible progress humans have made in the last two hundred years, but we also should not ignore the real threats we face.

This book outlines a new model for global social justice movements that is based on Freud and Lacan's central insights regarding the unconscious, repetition, drives, and transference. Since most of our current social issues are global in nature, Bob Samuels convincingly argues that we need a global solution, but that global solidarity is blocked by narcissistic nationalism and the capitalist death drive. In examining contemporary social movements for global justice, Samuels articulates a comprehensive theory of non-pathological social solidarity, and argues that in the age of multinational corporations and global climate change, we need a new model of global justice and government that requires an understanding of analytic neutrality and free association. This book uses psychoanalytic theories and practices to explain how someone like Trump can rise to power, and explores why liberals have failed to provide a convincing or effective political alternative. It will be compelling reading to students and teachers in a range of psychological and political disciplines, and to anyone interested in psychoanalysis and current politics.

This timely intervention into composition studies presents a case for the need to teach all students a shared system of communication and logic based on the modern globalizing ideals of universality, neutrality, and empiricism. Based on a series of close readings of contemporary writing by Stanley Fish, Asao Inoue, Doug Downs and Elizabeth Wardle, Richard Rorty, Slavoj Zizek, and Steven Pinker, this book critiques recent arguments that traditional approaches to teaching writing, grammar, and argumentation foster marginalization, oppression, and the restriction of student agency. Instead, it argues that the best way to educate and empower a diverse global student body is to promote a mode of academic discourse dedicated to the impartial judgment of empirical facts communicated in an open and clear manner. It provides a critical analysis of core topics in composition studies, including the teaching of grammar; notions of objectivity and neutrality; empiricism and pragmatism; identity politics; and postmodernism. Aimed at graduate students and junior instructors in rhetoric and composition, as well as more seasoned scholars and program administrators, this polemical book provides an accessible staging of key debates that all writing instructors must grapple with.

This book places Freud's theory of the reality principle in relation to both everyday experience and global issues of the 21st century and illustrates how it may be practically applied. Arguing against more critical recent accounts of Freud's science, the author seeks to show how one might apply the scientific method to everyday life. It demonstrates how Freud contributes to a better understanding of reason and how this in turn can be used to unravel the role of unreason in both politics and personal relationships. Including critical examinations of topics such as Narcissism, Victimhood and Empathy, this engaging reappraisal of Freud's relevance to contemporary life offers fresh insights for psychology, psychoanalysis and cultural theory; as well as practical guidance for a general reader.