The Council of Piacenza is among the most important moments of the Reform that was sweeping through the Western Church at the end of the eleventh century. It is often regarded as a launching pad for the First Crusade, though the matter is obscure and serves only to hide the assembly's true significance as a turning point in the papal schism between Popes Gregory VII/Urban II and the so-called anti-pope Clement III. The canons promulgated at Piacenza became landmarks not only for the eleventh- and twelfth-century Reform, but more broadly for the Church of the High Middle Ages and even beyond.
Robert Somerville situates Piacenza in historical context, discusses the sources, the attendance, and the need for a new edition of the legislation. The official canons are lost, but several dozen twelfth-century manuscripts were consulted for a new edition of these provisions. The account finishes with a commentary on Piacenza's legislation and a discussion of the subsequent legislation of Urban II's synods. Somerville completes the picture of what can be known about the papal synods of one of the most influential Roman pontiffs of the Middle Ages.

The reign of Pope Urban II (1088-1099) is often seen as a turning-point in the period of medieval history known as the Gregorian Reform. This volume presents for the first time modern editions of, and commentary on, the decrees of Urban's first papal council (at Melfi in 1089), and the excerpts of his acts found in the enigmatic canon-law book labeled the Collectio Britannica. Both editions are accompanied by English translations of the Latin texts. These two sets of texts make up a substantial proportion of the known documents produced by Pope Urban's chancery in the first year and a half of his pontificate, a time of particular tension in the medieval Church. This volume thus provides a hitherto unavailable critical basis for evaluating the early period of his reign, as well as a new assessment of the preservation and diffusion of his acts and of the Britannica.

'Somerville knows more about wooden barn construction than almost anyone alive.'-The Telegraph 'A joyful reminder of why nature, being outside, being together and creating beauty is so good for the soul.'-Kate Humble, broadcaster and author of A Year of Living Simply 'For all our advances, it's hard to deny the modern world brings with it new ills of disconnection and disenfranchisement, but here in Barn Club they've found their cure.'-Barn the Spoon, master craftsman and author of Spon Nature meets traditional craft in this celebration of the elm tree, beautiful buildings and community spirit. Barn Club calls on us to discover our landscapes more intimately and to explore the joys of making beautiful things by hand, together. When renowned craftsman Robert Somerville moved to Hertfordshire, he discovered an unexpected landscape rich with wildlife and elm trees. Nestled within London's commuter belt, this wooded farmland inspired Somerville, a lifelong woodworker, to revive the ancient tradition of hand-raising barns. Barn Club follows the building of Carley Barn over the course of one year. Volunteers from all walks of life joined Barn Club, inspired to learn this ancient skill of building elm barns by hand, at its own quiet pace and in the company of others, while using timber from the local woods. The tale of the elm tree in its landscape is central to Barn Club. Its natural history, historic importance and remarkable survival make for a fascinating story. This is a tale of forgotten trees, a local landscape and an ancient craft. This book includes sixteen pages of colour photographs, and black and white line drawings of techniques and traditional timber frame barns feature throughout.

An updated and expanded version of the original edition, published in 1998. That original edition went up through 1245. This new version extends to 1317 and adds two important prefaces.

Professor Somerville deals here with the history of Latin Christianity at a crucial time - the century of the Gregorian reform movement and of the Investiture conflict between the papacy and the empire. The articles are concerned with the policies of the popes, as expressed in their letters and the canons of the councils they summoned, and with the impact on the life and laws of the Church. Conciliar history, indeed, forms the main focus of the volume, and the author's aim has been to subject the relevant texts and manuscripts to detailed scrutiny in order to determine their veracity and chronology. In so doing he also demolishes some of the pseudo-historical problems that have arisen from an uncritical reliance upon early printed editions. This investigation of the texts is of evident importance for the study of canon law, but it also shows how they can serve as valuable sources for the history of the Western Middle Ages, revealing much about life in the period, as well as about papal politics. Le professeur Sommerville traite ici de la chretiente latine au coeurs de la periode cruciale que fut le siecle du movement de reforme gregorien et du conflit d'investiture entre la papaute et l'empire. Ces etudes se preoccupent de la politique des papes, telle qu'on peut la voir exprimee au travers de leurs lettres et de canons issus des conciles qu'ils reunissaient. Elles s'interessent aussi A leur influence sur la vie et les lois d'Eglise. L'histoire conciliare forme, en effet, la plus grande part de ce receuil et l'auteur s'y propose de soumettre textes et manuscrits appropries A une etude detaillee, afin d'en determiner la veracite et la chronologie. Ce faisant, il elimine aussi un certain nombre de problemes pseudo-historiques, subvenus en raison de la trop confiance accordee aux editions anciennes. Cette enquAte menee sur les textes est, de toute evidence, d'une grande importance en ce qui concerne l'etude du droit

'Somerville knows more about wooden barn construction than almost anyone alive.'-The Telegraph 'A joyful reminder of why nature, being outside, being together and creating beauty is so good for the soul.'-Kate Humble, broadcaster and author of A Year of Living Simply 'For all our advances, it's hard to deny the modern world brings with it new ills of disconnection and disenfranchisement, but here in Barn Club they've found their cure.'-Barn the Spoon, master craftsman and author of Spon Nature meets traditional craft in this celebration of the elm tree, beautiful buildings and community spirit. Barn Club calls on us to discover our landscapes more intimately and to explore the joys of making beautiful things by hand, together. When renowned craftsman Robert Somerville moved to Hertfordshire, he discovered an unexpected landscape rich with wildlife and elm trees. Nestled within London's commuter belt, this wooded farmland inspired Somerville, a lifelong woodworker, to revive the ancient tradition of hand-raising barns. Barn Club follows the building of Carley Barn over the course of one year. Volunteers from all walks of life joined Barn Club, inspired to learn this ancient skill of building elm barns by hand, at its own quiet pace and in the company of others, while using timber from the local woods. The tale of the elm tree in its landscape is central to Barn Club. Its natural history, historic importance and remarkable survival make for a fascinating story. This is a tale of forgotten trees, a local landscape and an ancient craft. This book includes sixteen pages of colour photographs, and black and white line drawings of techniques and traditional timber frame barns feature throughout.

From the Preface: The 1163 council at Tours met amidst the most protracted conflict between a pope and a secular ruler in medieval history, the eighteen-year struggle between Alexander III and Frederick Barbarossa. The gathering duly receives a paragraph or so in surveys of that dispute, and it usually is included-and properly so-in lists of the important sources for twelfth- and thirteenth-century canon law. But the meeting has been accorded no integrated study of all its political and legislative facets, nor have all of the sources, even all of those available in print, ever been utilized together. The present work strives to offer in one volume a historical account of the synod at Tours which is as complete as possible. That means uncovering the conciliar events as well as pondering their relation to the great issues of the time, especially Alexander's struggle with Frederick. The aim is to reconstruct, as sources permit, what happened at a council of acknowledged import, and at the same time to examine the interdependence of those events with the historical climate in which the gathering convened. Such reciprocity often has become hazy, but synods do not assemble in a vacuum. Their histories gain greater fascination in proportion to how successfully the events in concilio can be linked to movements and pressures from society at large. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Catalogue Of Paintings-- By The Late-- George Inness, N.A.: On Free Exhibition From Saturday, February 2d At The Fifth Avenue Art Galleries ...: The Sale Will Take Place In-- Chickering Hall-- Fifth Ave. ... Tuesday, Wednesday And Thursday Evenings, February 12th, 13th And 14th At Eight O'clock Robert Somerville (Firm), George Inness, Ortgies & Co, Fifth Avenue Art Galleries (New York, N.Y.), Chickering Hall (New York, N.Y.) Robert Somerville, 1895 Art; American; General; Art / American / General; Art / Techniques / Painting; Landscape painting, American; Painting; Painting, American; Painting, Modern