The Hotel: Occupied Space explores the hotel as both symbol and space through the concept of "occupancy." By examining the various ways in which the hotel is manifested in art, photography, and film, this book offers a timely critique of a crucial modern space. As a site of occupancy, the hotel has provided continued creative inspiration for artists from Monet and Hopper, to genre filmmakers like Hitchcock and Sofia Coppola. While the rich symbolic importance of the hotel means that the visual arts and cinema are especially fruitful, the hotel's varied structural purposes, as well as its historical and political uses, also provide ample ground for new and timely discussion. In addition to inspiring painters, photographers, and filmmakers, the hotel has played an important role during wartime, and more recently as a site of accommodation for displaced people, whether they be detainees or refugees seeking sanctuary. Shedding light on the diverse ways that the hotel functions as a structure, Robert A. Davidson argues that the hotel is both a fundamental modern space and a constantly adaptable structure, dependent on the circumstances in which it appears and plays a part.

The Crown is not only Canada's oldest continuing political institution, but also its most pervasive, affecting the operation of Parliament and the legislatures, the executive, the bureaucracy, the courts, and federalism. However, many consider the Crown to be obscure and anachronistic. David E. Smith's The Invisible Crown was one of the first books to study the role of the Crown in Canada, and remains a significant resource for the unique perspective it offers on the Crown's place in politics. The Invisible Crown traces Canada's distinctive form of federalism, with highly autonomous provinces, to the Crown's influence. Smith concludes that the Crown has greatly affected the development of Canadian politics due to the country's societal, geographic, and economic conditions. Praised by the Globe and Mail's Michael Valpy as "a thoroughly lucid, scholarly explanation of how the Canadian constitutional monarchy works," it is bolstered by a new foreword by the author speaking to recent events involving the Crown and Canadian politics, notably the prorogation of Parliament in 2008.

One of the world's renowned centres of culture, Barcelona is also one of the capitals of modernist art given its associations with the talents of Dali, Picasso, and Gaudi. Jazz Age Barcelona focuses the lenses of cultural studies and urban studies on the avant-garde character of the city during the cosmopolitan Jazz Age, delving into the cultural forces that flourished in Europe between the late 1910s and early 1930s. Studying literary journalism, photography, and the city of Barcelona itself, Robert Davidson argues that the explosion of jazz culture and the avant-garde was predominantly fostered by journalists and their positive reception of innovative new art forms and radical politics.

Using periodicals and recently rediscovered archival material, Davidson considers the relationship between the political pressures of a brutal class war, the grasp of a repressive dictatorship, and the engagement of the city's young intellectuals with Barcelona's culture and environment. Also analysing the 1929 International Exhibition and the down-and-out Raval District - which housed many of the Age's clubs and bars - Jazz Age Barcelona is an insightful portrait of one of the twentieth century's most culturally rich times and places.