When Iman Mersal stumbles upon a great - yet forgotten - novel written by Enayat al-Zayyat, a young woman who killed herself in 1963, four years before her book was published, Mersal begins to research the writer. She tracks down Enayat's best friend, who had been Egypt's biggest movie star at the time; she is given access to Enayat's diaries. Mersal can't accept, as has been widely speculated since Enayat's death, that a publisher's rejection was the main reason for Enayat's suicide. From archives, Enayat's writing, and Mersal's own interviews and observations, a remarkable portrait emerges of a woman striving to live on her own terms, as well as of the artistic and literary scene in post-revolution Cairo. Blending research with imagination, and adding a great deal of empathy, the award-winning Egyptian poet Iman Mersal has created an unclassifiable masterpiece.

A highly anticipated edition of Zaqtan’s work from 2014 to 2020, all in English for the first time. Ghassan Zaqtan is not only one of the most significant Palestinian poets at work today, but one of the most important poets writing in Arabic. Since the publication of his first collection in 1980, Zaqtan’s presence as a poet has evolved with the same branching and cumulative complexity as his poems—an invisible system of roots insistently pushing through the impacted soil of political and national narratives. Strangers in Light Coats is the third collection of Zaqtan’s poetry to appear in English. It brings together poems written between 2014 and 2020 drawn from six volumes of poetry. Catching and holding the smallest particles of observation and experience in their gravity, the poems sprout and grow as though compelled, a trance of process in which fable, myth, and elegy take form only to fall apart and reconfigure, each line picked apart by the next and brought into the new body.  

Set in Cairo between 1997 and 2011, "The Crocodiles" is narrated in numbered, prose poem-like paragraphs, set against the backdrop of a burning Tahrir Square, by a man looking back on the magical and explosive period of his life when he and two friends started a secret poetry club amid a time of drugs, messy love affairs, violent sex, clumsy but determined intellectual bravado, and retranslations of the Beat poets. Youssef Rakha's provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.

Now in paperback, The Book of Sleep is a landmark in contemporary Arabic literature. What is sleep? How can this most unproductive of human states-metaphorically called death's shadow or considered the very pinnacle of indolence-be envisioned as action and agency? And what do we become in sleep? What happens to the waking selves we understand ourselves to be? Written in the spring of 2013, as the Egyptian government of President Mohammed Morsi was unraveling in the face of widespread protests, The Book of Sleep is a landmark in contemporary Arabic literature. Drawing on the devices and forms of poetry, philosophical reflection, political analysis, and storytelling, this genre-defying work presents us with an assemblage of fragments that combine and recombine, circling around their central theme but refusing to fall into its gravity. "My concern was not to create a literary product in the conventional sense, but to try and use literature as a methodology for thinking," El Wardany explains. In this volume, sleep shapes sentences and distorts conventions. Its protean instability throws out memoir and memory, dreams and hallucinatory reverie, Sufi fables and capitalist parables, in the quest to shape a question. The Book of Sleep is a generous and generative attempt to reimagine possibility and hope in a world of stifling dualities and constrictions.

Back in the dog days of the early twenty-first century a pair of lovebirds fleeing a murder charge in Cairo pull in to Alexandria's main train station. Fugitives, friendless, their young lives blighted at the root, Ali and Injy set about rebuilding, and from the coastal city's arid soil forge a legend, a kingdom of crime, a revolution: Karantina.
Through three generations of Grand Guignol insanity, Nael Eltoukhy's sly psychopomp of a narrator is our guide not only to the teeming cast of pimps, dealers, psychotics, and half-wits and the increasingly baroque chronicles of their exploits, but also to the moral of his tale. Defiant, revolutionary, and patriotic, are the rapists and thieves of Alexandria's crime families deluded maniacs or is their myth of Karantina-their Alexandria reimagined as the once and future capital-what they believe it to be: the revolutionary dream made brick and mortar, flesh and bone?
Subversive and hilarious, deft and scalpel-sharp, Eltoukhy's sprawling epic is a masterpiece of modern Egyptian literature. Mahfouz shaken by the tail, a lunatic dream, a future history that is the sanest thing yet written on Egypt's current woes.

An English PEN Award-winning collection of personal testimony from participants in the Arab Spring
As revolution swept through the Arab world in spring of 2011, much of the writing that reached the West came via analysts and academics, experts and expats. We heard about Facebook posts and tweeted calls to action, but what was missing was testimony from on-the-ground participants--which is precisely what Layla Al-Zubaidi and Matthew Cassel have brought together in "Diaries of an Unfinished Revolution." These essays and profoundly moving, often harrowing, firsthand accounts span the region from Tunisia to Syria and include contributors ranging from student activists to seasoned journalists--half of whom are women. This unique collection explores just how deeply politics can be held within the personal and highlights the power of writing in a time of revolution.