Building on the formula of York Notes, this series introduces students to more sophisticated analysis and wider critical perspectives. This enbables students to appreciate contrasting interpretations of the text and to develop critical thinking. This text covers The Aeneid by Virgil.

Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

Alexander Pope's technical polish and intellectual poise appeal to the subtlest audience. This selection includes The Rape of the Lock, Eloisa to Abelard, and extracts from The Dunciad and the translation of Homer.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the 'lost Augustan'. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe's mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe's plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the 'lost Augustan'. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe's mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe's plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this fourth volume his poetry and the first part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented. A newly written explanatory introduction by Stephen Bernard to the poems, and by Robin Sowerby to the Pharsalia, precedes each of full edited texts. The second part of the text and textual apparatus are included with the fifth volume of this edition. A consolidated bibliography is also included with the final volume for ease of reference.

Alexander Pope's technical polish and intellectual poise appeal to the subtlest audience. This selection includes The Rape of the Lock, Eloisa to Abelard, and extracts from The Dunciad and the translation of Homer.

While previous studies have concentrated largely upon political concerns, The Augustan Art of Poetry is an exploration of the influence of the Roman Augustan aesthetic on English neo-classical poets of the seventeenth and eighteenth centuries. At the conclusion of his translation of Virgil, Dryden claims implicitly to have given English poetry the kind of refinement in language and style that Virgil had given the Latin. In this timely new study Robin Sowerby offers a strong apologia for the fine artistry of the Augustans, concentrating in particular on the period's translations, a topic and method not hitherto ventured in any full-length comparative study. The mediation of the Augustan aesthetic is explored through the De Arte Poetica of Vida represented in the Augustan version of Pitt, and its culmination is represented by examination of Dryden's Virgil in relation to predecessors. The effect of the Augustan aesthetic upon versions of silver Latin poets and upon Pope's Homer is also assessed and comparisons are drawn with modern translations.