This innovative collection of essays explores the ways in which islands have been used, imagined and theorised, both by island dwellers and continentals. This study considers how island dwellers conceived of themselves and their relation to proximate mainlands, and examines the fascination that islands have long held in the European imagination.
The collection addresses the significance of islands in the Atlantic economy of the eighteenth century, the exploration of the Pacific, the important role played by islands in the process of decolonisation, and island-oriented developments in postcolonial writing.
Islands were often seen as natural colonies or settings for ideal communities but they were also used as dumping grounds for the unwanted, a practice which has continued into the twentieth century. The collection argues the need for an island-based theory within postcolonial studies and suggests how this might be constructed. Covering a historical span from the eighteenth to the twentieth century, the contributors include literary and postcolonial critics, historians and geographers.

This innovative collection of essays explores the ways in which islands have been used, imagined and theorised, both by island dwellers and continentals. This study considers how island dwellers conceived of themselves and their relation to proximate mainlands, and examines the fascination that islands have long held in the European imagination.
The collection addresses the significance of islands in the Atlantic economy of the eighteenth century, the exploration of the Pacific, the important role played by islands in the process of decolonisation, and island-oriented developments in postcolonial writing.
Islands were often seen as natural colonies or settings for ideal communities but they were also used as dumping grounds for the unwanted, a practice which has continued into the twentieth century. The collection argues the need for an island-based theory within postcolonial studies and suggests how this might be constructed. Covering a historical span from the eighteenth to the twentieth century, the contributors include literary and postcolonial critics, historians and geographers.

After almost drowning while playing cricket on the Goodwin Sands, Rod Edmond sets out to walk the East Kent coastline from Thanet to Folkestone, to explore its geography, its history of invasion and defence, and investigate how its fabled White Cliffs mark a border that has sometimes offered refuge and at other times refused entry. He considers how the popular Victorian seaside town of Margate became a dumping ground for refugees and other displaced people - ‘Dole-on-Sea’- and how it is now being transformed into a thriving cultural centre. At Dover he becomes a visitor and bail surety for asylum-seekers detained in the Citadel, a moated fort on the Western Heights built as a defence against Napoleon. He explores the underground history of the coastline, particularly the Kent coalfield where miners blacklisted in their home pits after the General Strike (internal refugees as he describes them) established an industry alien to the traditional fishing and farming communities of this area. Its final section deals with the treatment of the displaced now arriving on this coastline in search of sanctuary, drawing on his experience of working with asylum seekers caught in the toils of the detention system and broadening into a discussion of the hostile environment policy of recent governments.

This book examines how the South Pacific was represented by explorers, missionaries, travelers, writers and artists between 1767 and 1914. It draws on history, literature, art history, and anthropology in its study of different, often conflicting colonial discourses of the Pacific. Among its themes are the persistent mythmaking around the figure of Cook, the Western obsession with Polynesian sexuality, tattooing, cannibalism and leprosy, the Pacific as a theater for adventure, and as a setting for Europe's displaced fears of its own cultural extinction.

An innovative, interdisciplinary study of why leprosy, a disease with a very low level of infection, has repeatedly provoked revulsion and fear. Rod Edmond explores, in particular, how these reactions were refashioned in the modern colonial period. Beginning as a medical history, the book broadens into an examination of how Britain and its colonies responded to the believed spread of leprosy. Across the empire this involved isolating victims of the disease in 'colonies', often on offshore islands. Discussion of the segregation of lepers is then extended to analogous examples of this practice, which, it is argued, has been an essential part of the repertoire of colonialism in the modern period. The book also examines literary representations of leprosy in Romantic, Victorian and twentieth-century writing, and concludes with a discussion of traveller-writers such as R. L. Stevenson and Graham Greene who described and fictionalised their experience of staying in a leper colony.

An innovative, interdisciplinary study of why leprosy, a disease with a very low level of infection, has repeatedly provoked revulsion and fear. Rod Edmond explores, in particular, how these reactions were refashioned in the modern colonial period. Beginning as a medical history, the book broadens into an examination of how Britain and its colonies responded to the believed spread of leprosy. Across the empire this involved isolating victims of the disease in 'colonies', often on offshore islands. Discussion of the segregation of lepers is then extended to analogous examples of this practice, which, it is argued, has been an essential part of the repertoire of colonialism in the modern period. The book also examines literary representations of leprosy in Romantic, Victorian and twentieth-century writing, and concludes with a discussion of traveller-writers such as R. L. Stevenson and Graham Greene who described and fictionalised their experience of staying in a leper colony.

This book examines how the South Pacific was represented by explorers, missionaries, travellers, writers, and artists between 1767 and 1914 by drawing on history, literature, art history, and anthropology. Edmond engages with colonial texts and postcolonial theory, criticising both for their failure to acknowledge the historical specificity of colonial discourses and cultural encounters, and for continuing to see indigenous cultures in essentially passive or reactive terms. The book offers a detailed and grounded 'reading back' of these colonial discourses into the metropolitan centres which gave rise to them, while resisting the idea that all representations of other cultures are merely self-representations. Among its themes are the persistent myth-making around the figure of Cook, the western obsession with Polynesian sexuality, tattooing, cannibalism, and leprosy, and the Pacific as a theatre for adventure and as a setting for Europe's displaced fears of its own cultural extinction.