An award-winning novelist's vibrant portrayal of the struggle to create a more unified society in medieval Egypt and how this has shaped Egypt today. Brimming with intrigue, adventure, and romance, Al-Qata'i: Ibn Tulun's City Without Walls tells the epic story of visionary Egyptian leader Ahmad Ibn Tulun who built Al-Qata'i (now Cairo) into a thriving multicultural empire. The novel begins with the rediscovery of the Ibn Tulun Mosque in 1918 and recounts Ibn Tulun's life and legacy in the ninth and tenth centuries. Bassiouney presents Ibn Tulun's benevolent vision to unify all Egyptians in a new city, Al-Qata'i. He becomes so focused on his vision, however, that he cannot see the impact it has on his family or the fate of Egypt. When a betrayal leads to his demise, the rival Abbasid caliph threatens to regain control of Al-Qata'i. In the aftermath of Ibn Tulun's death, his daughter Aisha emerges as a pivotal figure, bravely taking a stand against the Abbasids to preserve her life, the city, and the iconic mosque. This contemporary Egyptian writer forces us to consider universal themes, such as diversity and equality, through both a historical and intercultural lens that enriches our understanding of these issues in our world today.

Considered one of Morocco's most important contemporary writers, Muhammad Zafzaf created stories of alterity, compassionate tales inhabited by prostitutes, thieves, and addicts living in the margins of society. In The Elusive Fox, Zafzaf's first novel to be translated into English, a young teacher visits the coastal city of Essaouira in the 1960s. There he meets a group of European bohemians and local Moroccans and is exposed to the grittier side of society. More than a novel, The Elusive Fox is a portrait of a city during a time of fluid cultural and political mores in Morocco.

An engaging collection of contemporary short stories from various Arabic countries develops students’ mastery of literary analysis and cultural awareness Aswat Mu’asira introduces advanced level students to contemporary short stories from across the Middle East. Fifty-five stories in Arabic from twenty countries engage students with current topics and literary approaches that open the door to discovering both established and emerging authors and literary traditions. The book includes voices from often overlooked Arabic-speaking countries and peoples, giving readers the opportunity to broaden their understanding of Arabic cultures. While most Arabic literature textbooks include only excerpts of longer works, the short stories in this collection are designed to be read in one sitting, giving students the opportunity to immerse themselves in a complete piece of literature. Stories are organized into chapters based on their country of origin. Each story is preceded by an author biography and followed by exercises to help students practice vocabulary and comprehension, explore the literary tradition, and master literary analysis. Scholars of Arabic literature will also welcome these new stories, many of which are available outside the Middle East for the first time in this collection and expand the understanding of the short story and of contemporary literature from this important region.

This guide clearly and succinctly presents the basic tenets of teaching foreign languages specifically for Arabic teachers. Consolidating findings from second language acquisition (SLA) research and applied linguistics, it covers designing curricula, theory and methods, goals, testing, and research, and intersperses practical information with background literature in order to help teachers improve their teaching of Arabic as a foreign language (TAFL). Karin C. Ryding, a well-regarded scholar of Arabic linguistics and former president of the American Association of Teachers of Arabic, frames the discussion with SLA literature and suggests practical and effective ways of helping students learn. Ryding discusses issues at the core of Arabic teaching effectiveness and the achievement of communicative competence, such as the teaching of pronunciation, speaking, reading, listening, and writing; teaching mixed-level classes; creative classroom organization; corrective feedback; and use of activities and exercises, with plenty of examples from Arabic and tips for teachers. She also covers materials development and proficiency testing, providing study questions and recommended readings for each chapter. This guide, which can be used as a textbook, is the first of its kind aimed specifically at TAFL, and should be of interest to Arabic instructors-in-training, academics, graduate students, linguists, department chairs, language coordinators, and teacher trainers. It also serves as a resource for teachers of other less commonly taught languages (LCTLs), who struggle with similar issues.

A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwangler. Wilhelm Furtwangler (1886-1954) has entered the historical memory as a renowned interpreter of the canon of Austro-German musical masterworks. His extensive legacy of recorded performances of Beethoven, Brahms, Bruckner and Wagneris widely regarded as unsurpassed. Yet more than sixty years after his death he remains a controversial figure: the complexities and equivocacy of his high-profile position within the Third Reich still cast a long shadow over hisreputation. This book builds an intellectual biography of Furtwangler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and symphonies. It traces the development of his thought from its foundations in late nineteenth-century traditions of Bildung and associated discourses of conservative-minded nationalism, through the turbulent years of the Weimar Republic and the cultural and moral dilemmasof the Nazi period, to the post-World War II years of Bundesrepublik reconstruction, in which the beleaguered idealist found himself adrift in an alien cultural environment overshadowed by the unfolding narrative of the Nazi holocaust. The book will be of interest not only to music scholars but to cultural and intellectual historians as well. ROGER ALLEN is a Fellow of St Peter's College, Oxford and author of Richard Wagner's Beethoven (1870): A New Translation (Boydell Press, 2014)

New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chretien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art. Contributors: MaryA. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen. William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.

When celebrated mahjar writer Ameen Rihani returned to his native Lebanon from his long stay in New York, he set out on nine journeys through the Lebanese countryside, from the rising mountains to the shores of the Mediterranean, to experience and document the land in intimate detail. Through his travelogue The Heart of Lebanon, Rihani brings his readers along by foot and by mule to explore rural villages like his childhood home of Freike, the flora and fauna of massive cedar forests, and archaeological sites that reveal the history of Lebanon. Meeting goatherds, healers, monks, and more along the way, Rihani offers more than vivid descriptions of the country's sweeping scenery. His candid and often humorous narration captures what he sees as the soul of Lebanon and its people. Allen's fluid translation transports English-language readers to an early twentieth-century rural Lebanon of the writer's time in a way that only Rihani's firsthand account can accomplish.

"The Theocrat" takes as its subject one of Arab and Islamic history's most perplexing figures, al-Hakim bi-Amr Illah ('the ruler by order of God'), the Fatimid caliph who ruled Egypt during the tenth century and whose career was a direct reflection of both the tensions within the Islamic dominions as a whole and of the conflicts within his own mind. In this remarkable novel, Bensalem Himmich explores these tensions and conflicts and their disastrous consequences on an individual ruler and on his people. Himmich does not spare his readers the full horror and tragedy of al-Hakim's reign, but in employing a variety of textual styles-including quotations from some of the best-known medieval Arab historians; vivid historical narratives; a series of extraordinary decrees issued by the caliph; and, most remarkably, the inspirational utterances of al-Hakim during his ecstatic visions, recorded by his devotees and subsequently a basis for the foundation of the Druze community-he succeeds brilliantly in painting a portrait of a character whose sheer unpredictability throws into relief the qualities of those who find themselves forced to cajole, confront, or oppose him.

Roger Allen here offers an account of the cultural tradition of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. Allen's organising principle is not that of traditional literary histories, but is rather based on an account of the major genres of Arabic literature. After introductory chapters on principles and contexts, there are chapters devoted to the Qur'an as literature, poetry, belletristic prose, drama and criticism. Within each chapter the emphasis is on the texts themselves, and those who created and commented on them, but Allen also demonstrates his awareness of recent Western theoretical and critical approaches. The volume as a whole, which contains extensive quotations in English translation, a chronology and a guide to further reading, makes a major non-Western literary tradition newly accessible to students and scholars of the West.

Meet the people of Cairo's Gamaliya quarter. There is Nabqa, son of Adam the waterseller who can only speak truths; the beautiful and talented Tawhida who does not age with time; Ali Zaidan, the gambler, late to love; and Boss Saqr who stashes his money above the bath. A neighbourhood of demons, dancing and sweet halva, the quarter keeps quiet vigil over the secrets of all who live there. This collection by pre-eminent Egyptian writer Naguib Mahfouz was recently discovered among his old papers. Found with a slip of paper titled `for publishing 1994', they are published here for the first time. Resplendent with Mahfouz's delicate and poignant observations of everyday happenings, these lively stories take the reader deep into the beating heart of Cairo.

Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day, and from Islam's sacred text, the Qur'an, to popular literature including The Arabian Nights and a wealth of poetry, narrative prose, drama and criticism. With extensive quotations in English translation, a chronology and a guide to further reading, this revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage (CUP 1998), provides an invaluable student introduction to a major non-Western literary tradition.

Roger Allen here offers an account of the cultural tradition of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. Allen's organising principle is not that of traditional literary histories, but is rather based on an account of the major genres of Arabic literature. After introductory chapters on principles and contexts, there are chapters devoted to the Qur'an as literature, poetry, belletristic prose, drama and criticism. Within each chapter the emphasis is on the texts themselves, and those who created and commented on them, but Allen also demonstrates his awareness of recent Western theoretical and critical approaches. The volume as a whole, which contains extensive quotations in English translation, a chronology and a guide to further reading, makes a major non-Western literary tradition newly accessible to students and scholars of the West.

Trenchant and witty critiques of life in Cairo under British rule What 'Isa ibn Hisham Told Us is a masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this highly original work was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East) and later published in book form in 1907. Widely hailed for its erudition and mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of school students. Bridging classical genres and modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts. Sarcastic in tone and critical in outlook, the first part of the book relates the excursions of its narrator, 'Isa ibn Hisham, and his companion, the Pasha, through a rapidly westernizing Cairo and provides vivid commentary on a society negotiating-however imperfectly-the clash between traditional norms and imported cultural values. The second half takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts a critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its insight into colonial Egypt and its pioneering role in Arabic literary history. An English-only edition.

A master of the short story form, Muhammad Zafzaf is one of Morocco's greatest narrative writers. This anthology, the first collection of his work translated into English, is a tribute to the remarkable influence he exerted on an entire generation of Moroccan storytellers. Zafzaf's stories are set within a variety of contexts, each portraying a slice of life, a simple struggle for survival in a challenging world that is changing at a rapid pace. Narrative time is reduced to a single glimpse in these stories, full of irony, sarcasm, and sympathy. He covers all aspects of Moroccan life, from remote rural villages to modern cities. The stories in this collection explore the various myths, beliefs, and traditions that operate within Moroccan culture, questioning them from a distance in an easy, conversational manner that is the hallmark of Zafzaf's style.

No Western scholar has contributed as much to the study of modern Arabic narrative as has Roger Allen. His doctoral dissertation was the very first Oxford D.Phil. in modern Arabic literature, completed in 1968 under the supervision of Mustafa Badawi. That same year, he took a position in Arabic language and literature at the University of Pennsylvania, the oldest professorial post in Arabic in the United States. Roger Allen has been phenomenally prolific: fifty books and translations, two hundred articles and counting-on Arabic language pedagogy, on translation, on Arabic literary history, criticism and literature. He is also one of the most decorated and acclaimed translators of Arabic literature. The present volume brings together sixteen of Roger Allen's articles on modern Arabic narrative, with a focus on genre, translation and literary history, and features analyses of the works of Rashid Abu Jadrah, Bensalem Himmich, Yusuf Idris, Naguib Mahfouz, and Tayeb Salih.

Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day, and from Islam's sacred text, the Qur'an, to popular literature including The Arabian Nights and a wealth of poetry, narrative prose, drama and criticism. With extensive quotations in English translation, a chronology and a guide to further reading, this revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage (CUP 1998), provides an invaluable student introduction to a major non-Western literary tradition.

Indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nurnberg and the greater part of DerRing des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford.

With What 'Isa ibn Hisham Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this exceptional title was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of Egyptian school students. Bridging classical genres and the emerging tradition of modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator 'Isa ibn Hisham and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating-however imperfectly-the clash of imported cultural values and traditional norms of conduct, law, and education. The "Second Journey" takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history. A bilingual Arabic-English edition.

In this harrowing novel, a young Moroccan bookseller is falsely accused of being involved in jihadist activities. Drugged and carried off the street, Hamuda is “extraordinarily rendered� to a prison camp in an unknown location where he is interrogated and subjected to various methods of torture. Narrated through the voice of the young prisoner, the novel unfolds in Hamuda’s attempt to record his experience once he is finally released after six years in captivity. He paints an unforgettable portrait of his captors’ brutality and the terrifying methods of his primary interrogator, a French woman known as Mama Ghula. With a lucid style, Himmich delivers a visceral tale that explores the moral depths to which humanity is capable of descending and the limits of what the soul can endure.

The complete short stories of acclaimed Moroccan author Mohamed Choukri, translated into English and collected in one volume for the first time.

Mohamed Choukri’s vivid stories invite the reader to wander the streets of Tangier, the ancient coastal crossroads between Europe and Africa, and to meet its denizens at markets, beaches, cafés, and brothels. Choukri’s Tangier is a place where newborns are for sale, swindlers hawk the Prophet’s shoes, and boys collect trash to sell for food.

Choukri says that “writing is a protest, not a parade.” And in these thirty-one stories he privileges the voices of those ignored by society: the abused, the abandoned, the addicted. The tales are at once vibrant local vignettes and profound reflections on the lives, sufferings, and hopes of Choukri’s fellow Tangerines.

In segregated, conservative societies with a repressive attitude to women, writing on the theme of love and sexuality are of particular interest. Among the plethora of studies on modern Arabic literature, this book is a major treatment of what has generally been a taboo subject. The scope covers the entire history of modern Arabic literature from the late-19th century to the end of the 1980s, with examples drawn from countries as diverse as Egypt and Kuwait. Although the main accent is on the prose of Egypt and the countries of the Mashreq, North African literature is also included. Examples are drawn form poetry, the novel and the short story. Topics range from "Erotic awareness in the early Egyptian short story" to "Death and desire in Iraqi War literature", from "Fathers and husbands as tyrants and victims" to "The foreign woman and the European mistress in the Maghreb novel". "Love and the mechanism of power" is analyzed, as are "Sexual politics and narrative strategies". Love and sexuality are shown as key elements in the work of Tawfik al-Hakim, Fuad al-Tikirli, the Kuwaiti writer Layla al-Uthman annd Nizar Qabbani. Other chapters treat "The lover in popular 20th-century Arabic drama", "Love and beyond in Mahjar literature" and "The romantic imagination and the female ideal".

With What 'Isa ibn Hisham Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this exceptional title was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of Egyptian school students. Bridging classical genres and the emerging tradition of modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator 'Isa ibn Hisham and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating-however imperfectly-the clash of imported cultural values and traditional norms of conduct, law, and education. The "Second Journey" takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history. A bilingual Arabic-English edition.

Translations of twelve popular Arabic plays written and produced during the past thirty years introduce English readers to the vibrant theater scene of the Arab world. The plays from Egypt, Iraq, Kuwait, Lebanon, Palestine, Syria, and Tunisia reflect a variety of dramatic trends and styles and provide insights into contemporary social, cultural, and political currents. This well-prepared anthology represents a unique contribution to the study of world drama and modern Middle Eastern culture.

Playwrights include Yusuf al-Ani, Abd al-Aziz al-Surayii, the Balalin Company of Jerusalem, Izz al-Din al-Madani, Mahmud Diyab, Alfred Farag, Walid Ikhlasi, Isam Mahfuz, Salah Abd al-Sabur, Ali Salim, Mamduh Udwan, and Sadallah Wannus."

Abd Al-Karim Ghallab s postcolonial "We Buried the Past," originally published in 1966, was the first breakthrough Moroccan novel written in Arabic instead of French. Newly translated into English, this edition brings Ghallab s most widely read and lauded work to a new audience. Written after the country gained independence, the historical novel follows two generations of al-Tihamis, a well-to-do family residing in Fez s ancient medina. The family members lives reflect the profound social changes taking place in Morocco during that time. Bridging two worlds, "We Buried the Past" begins during the quieter days of the late colonial period, a world of seemingly timeless tradition, in which the patriarch, al-Haj Muhammad, proudly presides over the family. Here, religion is unquestioned and permeates all aspects of daily life. But the coming upheaval and imminent social transition are reflected in al-Haj s three sons, particularly his second son, Abderrahman, who eventually defies his father and comes to symbolize the break between the old ways and the new.Noted for marrying classical Arabic style and European literary form, this book also offers insight into the life of Ghallab himself, who was deeply involved in the nationalist movement that led to Moroccan independence. A pioneering work, "We Buried the Past" beautifully characterizes an influential period in the history of Morocco."