Delve into the world of Charles Rennie Mackintosh and his Glasgow School of Art-trained contemporaries who forged a unique and distinct vision in both art and architecture at the end of the Victorian era. The Glasgow Style is the name given to the work of a group of young designers and architects working in Glasgow from 1890-1914. At its centre were four young friends who had trained at Glasgow School of Art; two architects and two artists - Charles Rennie Mackintosh, Herbert MacNair, Margaret Macdonald and Frances Macdonald - who were simply known by their friends and contemporaries as 'The Four'. Their work was a personal vision in the new international style of the 1890s, Art Nouveau, and is perhaps best known for Mackintosh's architecture and furniture. But at the root of this new style was a graphic language which all four shared. Charles Rennie Mackintosh and the Art of The Four presents the most coherent story to date of this important group, concentrating on the entirety of their artistic imagery and output, far beyond the best known work of the 1890s, and charting the constantly changing relationships between the artists and their work.

Roger Billcliffe’s ground-breaking catalogue raisonné of the furniture of Charles Rennie Mackintosh first appeared over four decades ago.

This fourth edition has been completely revised and updated to take account of the host of discoveries and developments in Mackintosh scholarship that have taken place since the book’s first publication.

Among the 900 illustrations, many items that were previously shown in black and white now appear in colour.

An impressive and stimulating work of scholarship, this is the only comprehensive work on the furniture of Charles Rennie Mackintosh, the most important British designer and architect since Robert Adam.

After an introduction in which Billcliffe perceptively analyses Mackintosh’s career and scholarly interpretations of it, the main part of the book is arranged as a chronological catalogue of Mackintosh’s work as a furniture designer. In a working life of only 25 years, Mackintosh designed over 300 items of furniture, a number all the more impressive given that the majority of pieces were produced in the periods 1897–1905 and 1916–18.

As well as the entries on individual designs and pieces, the catalogue includes essays on all Mackintosh’s major commissions for interiors and on his designs in general at specific periods of his career.

Contemporary photographs are used extensively to show interiors (many of them now destroyed) as they were at the time of their completion. Untraced pieces of furniture are listed by reference to the job books that record the details of designs by Mackintosh or the firms of which he was a member.