Joseph Conrad's Nostromo (1904) is widely considered his modernist masterpiece. The first of his major political novels, it depicts the effects of repeated revolution in a fictional South American state under the growing influence of the United States of America. It is an enduring portrait of global economics and politics during the late nineteenth and early twentieth centuries. This first comprehensive and authoritative critical edition offers an introduction clarifying the novel's origins and sources, while explanatory notes detail literary and historical references. An accompanying essay lays out the history of composition and publication, detailing interventions made by Conrad's editors. Also included are appendices of Conrad's source material; glossaries of nautical and foreign terms; a map; and reproductions of early drafts. By returning to (and respecting) Conrad's own early manuscript and typescript forms, this edition presents the novel and its preface in a form more authoritative than any so far.

Set in the tumultuous political world of Tsarist repression and revolutionary intrigue in St Petersburg and Geneva, Under Western Eyes (1911) renders with searing intensity the psychological torment of its Russian protagonist, a university student who, in betraying another, has betrayed himself. Based upon a comparison of the existing manuscript and other materials, this scholarly and first extensively annotated edition of Joseph Conrad's great novel Under Western Eyes differs from all previous printings by more accurately reflecting Conrad's writing process. The reading text is supported by new scholarly materials that are the result of fifteen years of investigation: essays on the textual and biographical history of the novel, extensive notes, appendices and maps, as well as a full listing of the thousands of textual variants in the early forms of the novel, including the 18,000 words that Conrad himself deleted.

Since its publication in 1903, Joseph Furphy's Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life?From Furphy's handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a "mutilation"), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy's first editors at the Bulletin diluted his socialist message and "corrected" his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy's work should be published.In a fascinating piece of literary detective work, Osborne traces the book's journey and shows how economic and cultural forces helped to shape the novel we read today.

In late eighteenth-century Britain a handful of men brought about the greatest transformation in human history. Inventors, industrialists and entrepreneurs ushered in the age of powered machinery and the factory, and thereby changed the whole of human society, bringing into being new methods of social and economic organisation, new social classes, and new political forces. The Industrial Revolution also dramatically altered humanity's relation to the natural world and embedded the belief that change, not stasis, is the necessary backdrop for human existence. Iron, Steam and Money tells the thrilling story of those few decades, the moments of inspiration, the rivalries, skulduggery and death threats, and the tireless perseverance of the visionaries who made it all happen. Richard Arkwright, James Watt, Richard Trevithick and Josiah Wedgwood are among the giants whose achievements and tragedies fill these pages. In this authoritative study Roger Osborne also shows how and why the revolution happened, revealing pre-industrial Britain as a surprisingly affluent society, with wealth spread widely through the population, and with craft industries in every town, village and front parlour. The combination of disposable income, widespread demand for industrial goods, and a generation of time-served artisans created the unique conditions that propelled humanity into the modern world. The industrial revolution was arguably the most important episode in modern human history; Iron, Steam and Money reminds us of its central role, while showing the extraordinary excitement of those tumultuous decades.

Shortlisted for the Walter McRae Russel Award 2019Australian Books and Authors in the American Marketplace 1840s-1940s explores how Australian writers and their works were present in the United States before the mid-20th century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature's connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and creating new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.

Twenty-five stories, beginning with the search for an alchemist's secret, and ending with the re-imagination of a past world, each connected to a particular corner of north-east England, and each exploring the uncertain line where myth is dissolved into science, and belief gives way to knowledge. Different episodes show how the fall of Constantinople converted the common rock of the Yorkshire cliffs into a source of extraordinary wealth and power, and how this in turn uncovered the inhabitants of a succession of past worlds; how a stone falling from the sky near this same coast changed the minds of all the natural philosophers of Europe; and how a new science was born on the top of the tower of York Minster. We learn about the cloak-and-dagger world of fossil trading in the town of Whitby; and we see the entire life- work of a forgotten scientific genius who died from consumption at the age of twenty-five, having revolutionised his science. The stories move from documentary accounts to fictional recreations of history events, from contemporary writing and illustrations to present-day reflection. By using different ways to describing the world of scientific endeavour, the author has produced a fascinating visually beautiful and highly entertaining book.