Since its inception, criminology has had trouble answering the question of what it is about. But although many consider the answer to this question to be self-evident, this book pursues the provocative possibility that criminology does not know what the object of its study is; it merely knows what it is called. Aiming to foster dissent among those who claim to know what criminology is about - and those who don't - writers from different schools of thought come together in this collection to answer the question "what is criminology about?" Building on a resurgence of interest in the nature of the object of criminology, their responses aim to deepen, and to expand, the current debate. This book will, then, be of considerable interest to contemporary proponents and students of criminology and law.

Existentialist Criminology captures an emerging interest in the value of existentialist thought and concepts for criminological work on crime, deviance, crime control, and criminal justice. This emerging interest chimes with recent social and cultural developments - as well as shifts in their theoretical consideration - that are oriented around contingency and unpredictability. But whilst these conditions have largely been described and analysed through the lens of complexity theory, post-structuralist theory and postmodernism, there exploration by critical criminologists in existentialist terms offers a richer and more productive approach to the social and cultural dimensions of crime, deviance, crime control and, more broadly, of regulation and governance. Covering a range of topics that lend themselves quite naturally to existentialist analysis - crime and deviance as becoming and will, the existential openness of symbolic exchange, the internal conversations that take place within criminal justice practices, and the contingent and finite character of resistance - the contributions to this volume set out to explore a largely untapped reservoir of critical potential.

Existentialist Criminology captures an emerging interest in the value of existentialist thought and concepts for criminological work on crime, deviance, crime control, and criminal justice.

This emerging interest chimes with recent social and cultural developments - as well as shifts in their theoretical consideration - that are oriented around contingency and unpredictability. But whilst these conditions have largely been described and analysed through the lens of complexity theory, post-structuralist theory and postmodernism, there exploration by critical criminologists in existentialist terms offers a richer and more productive approach to the social and cultural dimensions of crime, deviance, crime control and, more broadly, of regulation and governance. Covering a range of topics that lend themselves quite naturally to existentialist analysis - crime and deviance as becoming and will, the existential openness of symbolic exchange, the internal conversations that take place within criminal justice practices, and the contingent and finite character of resistance - the contributions to this volume set out to explore a largely untapped reservoir of critical potential.

Since its inception, criminology has had trouble answering the question of what it is about. But although many consider the answer to this question to be self-evident, this book pursues the provocative possibility that criminology does not know what the object of its study is; it merely knows what it is called. Aiming to foster dissent among those who claim to know what criminology is about - and those who don't - writers from different schools of thought come together in this collection to answer the question "what is criminology about?" Building on a resurgence of interest in the nature of the object of criminology, their responses aim to deepen, and to expand, the current debate. This book will, then, be of considerable interest to contemporary proponents and students of criminology and law.

This book explores how the experience of war and related atrocities tend to be visually expressed and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity and thus they contribute to the burgeoning field of the "criminology of war". Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.

In Studying Criminology, the author explores the interplay between philosophical and criminological theories to provide a stimulating and insightful overview of the subject. It offers students a fresh way of thinking about crime, giving them an opportunity to develop their understanding and to hone their critical skills. Conceived by Chris Grey as an antidote to conventional textbooks, each book in the 'Very Short, Fairly Interesting and Reasonably Cheap' series takes a core area of the curriculum and turns it on its head by providing a critical and sophisticated overview of the key issues and debates in an informal, conversational and often humorous way. Suitable for Undergraduate and Postgraduate students of Criminology and anybody interested in the field of Criminological studies.

It has become increasingly difficult to speak or even think social or legal justice in an age when words have left their moorings. Perhaps images are more stable than words; maybe images and imagery possess a certain viscosity,even a sensory quality, which prevents them from evaporating. This 'maybe' is what this book is about. The contributors to this collection explore the issue of how the Imaginary (images, imagery, imagination) has a role in the production and reproduction of 'visions' of legal and social justice. It argues that 'visions' of justice are inevitably bounded. Boundaries of 'visions' of justice, however, are also 'imaginary'. They emerge within imaginary spaces, and, as they are 'imaginary', they are inherently unstable. The book captures an emerging interest (in the humanities and social sciences) in images and the visual, or the Imaginary more broadly. This collection will appeal to scholars and students of social and legal theory, visual culture, justice and governance studies, media studies, and criminology.

In Studying Criminology, the author explores the interplay between philosophical and criminological theories to provide a stimulating and insightful overview of the subject. It offers students a fresh way of thinking about crime, giving them an opportunity to develop their understanding and to hone their critical skills. Conceived by Chris Grey as an antidote to conventional textbooks, each book in the 'Very Short, Fairly Interesting and Reasonably Cheap' series takes a core area of the curriculum and turns it on its head by providing a critical and sophisticated overview of the key issues and debates in an informal, conversational and often humorous way. Suitable for Undergraduate and Postgraduate students of Criminology and anybody interested in the field of Criminological studies.

Since the 1960s, the field of victimology has developed into a variegated discipline with its own theoretical and methodological traditions. In the early 1990s two texts were published-Towards a Critical Victimology (Fattah, 1992) and Critical Victimology (Mawby and Walklate, 1994)-that concretized critical victimology as a paradigm within victimology. Since then, the field has remained conceptually stale and with few a few exceptions there has not been a considerable lacuna of works from a critical perspective. Reconceptualizing Critical Victimology: Interventions and Possibilities provides a rejoinder to the two aforementioned texts and demonstrate how critical victimology can be reconceptualized, where interventions can be made in this victimological paradigm, and possibilities for future theorizing and research in this provocative field. Reconceptualizing Critical Victimology includes eleven papers on the forms of victimization and issues pertinent to victims written by leading and emerging international scholars in the field of critical victimology. It is interdisciplinary in scope and contains contributions from leading and emergent international scholars on victims and victimization. Reconceptualizing Critical Victimology serves as a crucible to demonstrate the complexities of and the multitude of factors that interact to complicate victim status, the vagaries of victim response, and the phenomenology of violence and victimization.

Since the 1960s, the field of victimology has developed into a variegated discipline with its own theoretical and methodological traditions. In the early 1990s two texts were published-Towards a Critical Victimology (Fattah, 1992) and Critical Victimology (Mawby and Walklate, 1994)-that concretized critical victimology as a paradigm within victimology. Since then, the field has remained conceptually stale and with few a few exceptions there has not been a considerable lacuna of works from a critical perspective. Reconceptualizing Critical Victimology: Interventions and Possibilities provides a rejoinder to the two aforementioned texts and demonstrate how critical victimology can be reconceptualized, where interventions can be made in this victimological paradigm, and possibilities for future theorizing and research in this provocative field. Reconceptualizing Critical Victimology includes eleven papers on the forms of victimization and issues pertinent to victims written by leading and emerging international scholars in the field of critical victimology. It is interdisciplinary in scope and contains contributions from leading and emergent international scholars on victims and victimization. Reconceptualizing Critical Victimology serves as a crucible to demonstrate the complexities of and the multitude of factors that interact to complicate victim status, the vagaries of victim response, and the phenomenology of violence and victimization.

It has become increasingly difficult to speak or even think social or legal justice in an age when words have left their moorings. Perhaps images are more stable than words; maybe images and imagery possess a certain viscosity,even a sensory quality, which prevents them from evaporating. This 'maybe' is what this book is about. The contributors to this collection explore the issue of how the Imaginary (images, imagery, imagination) has a role in the production and reproduction of 'visions' of legal and social justice. It argues that 'visions' of justice are inevitably bounded. Boundaries of 'visions' of justice, however, are also 'imaginary'. They emerge within imaginary spaces, and, as they are 'imaginary', they are inherently unstable. The book captures an emerging interest (in the humanities and social sciences) in images and the visual, or the Imaginary more broadly. This collection will appeal to scholars and students of social and legal theory, visual culture, justice and governance studies, media studies, and criminology.