Is it possible to rearticulate the relationship between Europe and its others in non-colonizing ways? Europe and Its Boundaries reflects upon this question, first by exploring several philosophical approaches to Europe's relation to non-Europe, then by examining that relationship in specific intellectual and material contexts of European domination. The philosophical approaches are explored through the works of G. W. F. Hegel, Emmanuel Levinas, Jacques Derrida, and Hans-Georg Gadamer. Departing from the routine recognition of Europe's hegemonic role in constituting global political modernity, the authors examine fundamental political and ethical questions of coloniality, anti-coloniality, post-coloniality, mutual recognition, hospitality, responsibility, justice, and democracy. Regarding the intellectual and material contexts, the book explores the production of Europe and its relation to others in highly significant moments and sites of meaning making in European history and politics, from battles and monuments on its western and eastern territorial boundaries to museum exhibitions and immigrant detention centers, that is, new forms of borders at its very core. Europe and Its Boundaries thus reconsiders historical and contempoarary understandings of Europe, border politics, and global encounters more broadly. This book will find an audience among scholars of political theory, international relations, geography, cultural studies, history, and post-colonial studies.

Journalist Daniel Mandelkern leaves Hamburg on assignment to interview Dirk Svensson, a reclusive children's book author who lives alone on the Italian side of Lake Lugano with his three-legged dog. Mandelkern has been quarreling with his wife (who is also his editor); he suspects she has other reasons for sending him away.After stumbling on a manuscript of Svensson's about a complicated menage a trois, Mandelkern is plunged into mysteries past and present. Rich with anthropological and literary allusion, this prize-winning debut set in Europe, Brazil, and New York, tells the parallel stories of two writers struggling with the burden of the past and the uncertainties of the future. Funeral for a Dog won the prestigious Uwe-Johnson Prize, and critics raved: "Pletzinger's debut is a real smash hit. It's been a long time since a young German writer has thrown himself into the hurly-burly of life and literature with so much intelligence and bravado" (Wolfgang Hobel, Der Spiegel)."

'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan 'Brilliant and unputdownable' Salman Rushdie He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here! In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same. Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war. A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools. With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time.

Biologist Domenica Ligrina fears her planet is dying. She might be right.

An atomic disaster near the French-German border has contaminated Northern Europe with radioactivity. Economic and political calamities are destroying the whole planet. Human DNA is mutating, plant species are going extinct, and scientists are feverishly working on possible solutions. It becomes increasingly apparent that the key to future salvation lies in the past. In 2052 a secret research facility in the Vatican is recruiting scientists for a mission to restore the flora of the irradiated territories. The institute claims to have time travel. When Domenica's sometime-lover tells her that he knows her future but that she must decide her own fate, she enlists despite his ambiguous warning.

The Middle Ages hold Domenica spellbound. She immerses herself in the mysteries, puzzles, and peculiarities of a culture foreign to her, though she risks changing the past with effects far more disastrous than radiation poisoning. Perhaps there is more than one Domenica, and more than one catastrophe

In the tradition of Stanislaw Lem and Philip K. Dick, Wolfgang Jeschke's "The Cusanus Game "is a novel of future disaster in Europe by the grand master of German science fiction

The convergence of military strategy and mathematics in war games, from medieval to modern times. For centuries, both mathematical and military thinkers have used game-like scenarios to test their visions of mastering a complex world through symbolic operations. By the end of World War I, mathematical and military discourse in Germany simultaneously discovered the game as a productive concept. Mathematics and military strategy converged in World War II when mathematicians designed fields of operation. In this book, Philipp von Hilgers examines the theory and practice of war games through history, from the medieval game boards, captured on parchment, to the paper map exercises of the Third Reich. Von Hilgers considers how and why war games came to exist: why mathematical and military thinkers created simulations of one of the most unpredictable human activities on earth. Von Hilgers begins with the medieval rythmomachia, or Battle of Numbers, then reconstructs the ideas about war and games in the baroque period. He investigates the role of George Leopold von Reiswitz's tactical war game in nineteenth-century Prussia and describes the artifact itself: a game board-topped table with drawers for game implements. He explains Clausewitz's emphasis on the "fog of war" and the accompanying element of incalculability, examines the contributions of such thinkers as Clausewitz, Leibniz, Wittgenstein, and von Neumann, and investigates the war games of the German military between the two World Wars. Baudrillard declared this to be the age of simulacra; war games stand contrariwise as simulations that have not been subsumed in absolute virtuality.

The monumental importance of Aristotle's philosophy on Western thought cannot be overstated. It has overshadowed the entire field of philosophical and political thought for well over two millennia. Along with Socrates and Plato, Aristotle is considered to be among the foremost philosophers of all time. His philosophical views have cast a long shadow and continue to be required reading for students at most intuitions of higher learning throughout the world.

The Ethics of Aristotle is one half of a single treatise of which his Politics is the other half. Both deal with one and the same subject. This subject is what Aristotle calls in one place the "philosophy of human affairs; " but more frequently Political or Social Science. In the two works taken together we have their author's whole theory of human conduct or practical activity, that is, of all human activity, which is not directed merely to knowledge or truth. The two parts of this treatise are mutually complementary, but in a literary sense each is independent and self-contained.

In these two major works, Aristotle assumes the characteristic Platonic view that all men seek the good, and go wrong through ignorance, not through evil will. The end of all action, individual or collective, is the greatest happiness of the greatest number. There is, Aristotle insists, no difference of kind between the good of one and the good of many or all. He naturally regards the state as a community that exists for the sake of the good life. It is in the state that that common seeking after the good, which is the profoundest truth about men and nature, becomes explicit and knows itself. Hence for Aristotle as for Plato, the natural state orthe state as such is the ideal state, and the ideal state is the starting-point of political inquiry.