Intended for the general student of the Indonesian language and the professional linguist, this short descriptive grammar is a useful guide as a well as a point of departure for more intensive study.

Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.

As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.

Twenty years ago, Anthony Galton vanished, along with his streetwise bride and several thousand dollars of the Galton fortune. Now his dying mother wants him found, and Lew Archer is on the case: is Anthony hiding somewhere, happy and eager not to be discovered? But what Archer finds - a headless skeleton, a clever con and a terrified blonde - reveals a game whose stakes are so high that someone is willing to kill. The Galton Case is a wonderfully devious and poetic look at poverty, greed, murder and identity. Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

In the colorful and letter-filled Capital City, there's never a moment's rest for Private I, the city's best investigator. Trouble seems to always have a way of finding him-trouble with a capital T. On this particular day, T tells Private I that his watch is missing. And T isn't alone-the citizens of Capital City have lost track of timepieces all over town! Can Private I catch the perp and make up for lost time before it's too late?

'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily Telegraph Maude Slocum is in trouble. But luckily trouble is Investigator Lew Archer's business. A well-dressed, wealthy woman has arrived at Archer's L.A. office, having intercepted a poison pen letter accusing her of adultery. Reluctantly agreeing to help her find the culprit, he dives into the Slocums' moneyed, oil-rich California world. But when Maude's mother-in-law is found dead in the swimming pool, secrets come to the surface too. For the urbane, world-weary Archer, a case of blackmail soon becomes murder.

When a millionaire matriarch is found floating face-down in the family pool, the prime suspects are her good-for-nothing son and his seductive teenage daughter. In The Drowning Pool, Lew Archer takes this case in the L.A. suburbs and encounters a moral wasteland of corporate greed and family hatred--and sufficient motive for a dozen murders.

Private detective Lew Archer has better things to do than take on an investigation for Alex Kincaid, a young man claiming that his new bride, Dolly, has gone missing. Snapped by a hotel photographer on the day of their wedding, the beautiful girl vanished only hours after and Alex has heard nothing since. But when Archer begins digging, he finds evidence that links Dolly to brutal murders that span two decades, and a terrible secret. In this byzantine and compelling tale, Ross Macdonald explores the darkest experiences that can bind a family together - and tear it apart. Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

Las Cruces wasn’t a place most travelers would think to stop. But after Lew Archer plays the good samaritan and picks up a bloodied hitchhiker, he finds himself in town for a few days awaiting a murder inquest. A hijacked truck full of liquor and an evidence box full of marijuana, $20,000 from a big time bank heist by a small time crook, corruption, adultery, incest, prodigal daughters and abused wives all make the little town seem a lot more interesting than any guide book ever could. And as the murder rate rises, Archer finds himself caught up in mystery where everyone is a suspect and everyone’s a victim.

'I can't make your girl come back if she doesn't want to. I told you that on the phone' But something changes... 'The finest series of detective novels ever written by an American' William Goldman 'A beautiful job, rich in plot and character...surprising and shocking' NEW YORK TIMES 'I love the Lew Archer books' James Ellroy When Lew Archer is hired to find out the truth about a suspiciously suave Frenchman who has run off with his client's girlfriend, it looks like a simple enough case. But things start to look very different when Archer connects the elusive foreigner with a seven-year-old suicide and a mountain of gambling debts. BLACK MONEY is Ross Macdonald at his very finest, revealing the skull beneath the sun-kissed skin of Southern California.

Phoebe Wycherly was missing two months before her wealthy father hired Archer to find her. That was plenty of time for a young girl who wanted to disappear to do so thoroughly--or for someone to make her disappear. Before he can find the Wycherly girl, Archer has to deal with the Wycherly woman, Phoebe's mother, an eerily unmaternal blonde who keeps too many residences, has too many secrets, and leaves too many corpses in her wake.

In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as ' crazy for men' and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts. Filled with dope, delinquents and murder, this is classic Macdonald and one of his very best in the Lew Archer series.

A raw, gripping debut novel about overcoming the fear of the world. When Orville James McFadden witnesses the murder of his grandmother and sister, he unwittingly starts down a haunting path of fear, one that inevitably leads him to attempt to end it all by jumping off the Ballard Bridge-but he finds himself alive, handcuffed and in a hospital, wherein he must learn to choose to live-upon his release, Orville is driven to take bold action and moves to Vietnam for the greatest adventure of his life, but he soon discovers that a life worth living comes with a heavy price.

He was a son who hadn't known his father very well. It was a town shaken by a grisly murder--his father's murder. Johnny Weatherly was home from a war and wandering. When he found out that his father had been assassinated on a street corner and that his father's seductive young wife had inherited a fortune, he started knocking on doors. The doors came open, and Johnny stepped into a world of gamblers, whores, drug-dealers, and blackmailers, a place in which his father had once moved freely. Now Johnny Weatherly was going to solve this murder--by pitting his rage, his courage, and his lost illusions against the brutal underworld that has overtaken his hometown.

The desert air is hot with sex and betrayal, death and madness and only Archer can make sense of a killer who makes murder a work of art. Finding a purloined portrait of a leggy blonde was supposed to be an easy paycheck for Detective Lew Archer, but that was before the bodies began piling up. Suddenly, Archer find himself smack in the middle of a decades-long mystery of a brilliant artist who walked into the desert and simply disappeared. He left behind a bevy of muses, molls, dolls, and dames-each one scrambling for what they thought was rightfully theirs.

Hired by Carl Hallman, the desperate-eyed junkie scion of an obscenely wealthy political dynasty, detective Lew Archer investigates the suspicious deaths of his parents, Senator Hallman and his wife Alicia. Arriving in the sleepy town of Purissima, Archer discovers that orange groves may be where the Hallmans made their mint, but they've has been investing heavily in political intimidation and police brutality to shore up their rancid wealth. However, after years of dastardly double-crossing and low down dirty-dealing, the family seem to be on the receiving end of a karmic death-blow. With two dead already and another consigned to the nuthouse, Archer races to crack the secret before another Hallman lands on the slab.Murder, madness and greed grace "The Doomsters," where a tony facade masks the rot and corruption within.

The three novels collected in this second volume in the Library of America RossMacdonald edition represent for many readers the summit of American crime writing.They remain thrilling for their searing psychological truth-telling, daring flights of narrative invention, and their keenlyobserved picture of the manners and morals of a particular time and place (Southern California in the early 1960s).Each reflects Macdonald s enduring concern with the hidden crimes and agonizing dysfunctions that haunt families fromone generation to the next. In The Zebra-Striped Hearse, a father s attempt to protect his daughter from the completeand utter personal disaster of marriage to a troubled drifter sends private detective Lew Archer on a perplexing and increasinglybloody trail that leads him from Mexico to Lake Tahoe and finally into the maze of a tragically splinteredidentity. In The Chill, the search for a young bride gone missing uncovers a succession of seemingly unrelated crimes committedover a period of decades, as Archer finds himself a ghost from the present haunting a bloody moment in the past. Another hunt for a missing person this time a young man escaped from an elite reform school provides the impetusfor The Far Side of the Dollar, which Macdonald s friend Eudora Welty considered securely among your strongest andbest . . . a beauty that just gets better. "

In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present.

If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

When Maude Slocum - beautiful, frightened and angry - comes to Lew Archer's office with a poison pen letter intended for her husband, he reluctantly agrees to help her. As he follows the Slocums around, Archer finds that Mrs Slocum might have the least of the family's troubles: her teenage daughter is desolate, her husband is in the closet and her mother-in-law has just come to an unpleasant end in the swimming pool. But why is their handsome ex-chauffeur still hanging around? And what does the sinister Pacific Refinery Company have to do with the all the bloodshed? The Drowning Pool is Ross Macdonald's gripping tale of adultery, jealousy, murder and lies. Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.