From the squares of Spain to indigenous land in Canada, protest camps are a tactic used around the world. Since 2011 they have gained prominence in recent waves of contentious politics, deployed by movements with wide-ranging demands for social change. Through a series of international and interdisciplinary case studies from five continents, this topical collection is the first to focus on protest camps as unique organisational forms that transcend particular social movements' contexts. Whether erected in a park in Istanbul or a street in Mexico City, the significance of political encampments rests in their position as distinctive spaces where people come together to imagine alternative worlds and articulate contentious politics, often in confrontation with the state. Written by a wide range of experts in the field the book offers a critical understanding of current protest events and will help better understanding of new global forms of democracy in action.

From the squares of Spain to indigenous land in Canada, protest camps are a tactic used around the world. Since 2011 they have gained prominence in recent waves of contentious politics, deployed by movements with wide-ranging demands for social change. Through a series of international and interdisciplinary case studies from five continents, this topical collection is the first to focus on protest camps as unique organisational forms that transcend particular social movements' contexts. Whether erected in a park in Istanbul or a street in Mexico City, the significance of political encampments rests in their position as distinctive spaces where people come together to imagine alternative worlds and articulate contentious politics, often in confrontation with the state. Written by a wide range of experts in the field the book offers a critical understanding of current protest events and will help better understanding of new global forms of democracy in action.

Jewelry responds to our most primitive urges, for control, honor, and sex. It is at once the most ancient and most immediate of art forms, one that is defined by its connection and interaction with the body. In this sense it is inescapably political, its meaning bound to the possibilities of the body it lies on. Indeed, the fate of the body is often bound to the jewelry. This study looks at gender and jewelry in order to gain some understanding into how jewelry is constructed by and constructs not just a single society, but human societies. It will explore how societal traditions that have sprung up around jewelry and ornamentation have affected the possibilities available to women across a broad spectrum of social and ethnic circumstances, determining which have served women well and which are constrictive and destructive. It also examines the possibilities for the intentional creation of feminist jewelry, including an overview of the author's own work.

The best biography of any jazz musician that we have. Bird Lives! will stand for a long time as a major source of information and illumination not only of the great musician with whom it deals but of the entire jazz life in this society.--Ralph Gleason Inspired by great affection and dedication, Bird Lives! provides a vivid and accurate picture not only of the saxophonist-composer as artist and human being but of his zeitgeist and the musical/social setting that produced him. Parker was an immensely complex personality; saint and satyr, loving father and footloose vagabond, with a limitless appetite for sex, music, food, pills, heroin, liquor, life. A man of vast influence, the most admired and imitated creator of the mid-1940s bop revolution, he was forced to work in dives, reduced to bumming dollars when he should have been respected as a reigning virtuoso. . . . A sensitive, penetrating portrait.--Leonard Feather, Los Angeles Times One of the very few jazz books that deserve to be called literature . . . perhaps the finest writing on jazz to be found anywhere. . . . Those aware of Parker's genius cannot do without this book.--Grover Sales, Saturday Review