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Trio of classic Rodgers and Hammerstein musicals. Based on the book 'Tales of the South Pacific' by James A Mitchener, 'South Pacific' (1958) sees an American Navy nurse (Mitzi Gaynor) stationed on a South Pacific Island falling love with a middle-aged French planter (Rossano Brazzi), who goes on to become a war hero. Includes the songs: 'There is Nothing Like a Dame'; 'Bali Ha'i'; 'Happy Talk'; and 'I'm Gonna Wash That Man Right Outa My Hair'. Based on the musical play 'Anna and the King of Siam' by Margaret Landon, 'The King and I' (1956) is the story of the nineteenth century English schoolteacher Anna Leonowens (Deborah Kerr) who is employed by the King of Siam (Yul Brynner) to educate his many children, and takes her son, Louis (Rex Thompson), along with her. Anna, a strong-willed woman, soon clashes with the king, who is used to having his every wish adhered to without question. However, Anna's refusal to bow to his will wins his respect and, eventually, his love. Musical numbers include 'Hello Young Lovers' and 'Getting To Know You'. 'Oklahoma!' (1955) is set in sunny Oklahoma where farmhands Curly (Gordon McRae) and Will (Gene Nelson) fall for local girls Ado (Gloria Grahame) and Laurey (Shirley Jones). The path to true love is thwarted, however, by nasty farmhand Jud Fry (Rod Steiger). Features classic songs such as 'Oh, What a Beautiful Mornin' and 'People Will Say We're in Love'.
All six films like you've never seen them before with all new singalong options and digitally remastered.
Triple bill featuring the first three 'Omen' films. The saga begins with 'The Omen' (1976), when US Ambassador Robert Thorn (Gregory Peck) is persuaded to substitute a newborn baby, whose mother has died in childbirth, for his own stillborn son. By the age of five, the child, Damien (Harvey Stephens), seems to be exerting a malevolent influence on the Thorn household, suffering a violent fit when he is taken to church and causing his nanny to hang herself. Thorn searches for an answer to his son's behaviour and meets maverick priest Father Brennan (Patrick Troughton), who tries to convince him that Damien is in fact the Antichrist and must be stopped at all costs. The Ambassador at first dismisses this as the crazy rantings of a religious maniac, but subsequent events suggest that maybe the priest had a point. The second film, 'Damien - Omen 2' (1978), picks up events a few years later, with the now-orphaned Damien (Jonathan Scott-Taylor) turning 13 and living with his adoring aunt and uncle. Aunt Marion (Lee Grant) is the first to suspect there is more to the young devil than adolescent angst, leading to her swift dispatch by a killer raven. As for Damien, he is making his mark at military school, and is dismayed to discover his true demonic identity - but not for long. The third film, 'Omen 3 - The Final Conflict' (1981), finds Damien (Sam Neill) all grown up and heading a multinational company. He is about to be appointed US Ambassador to England, a position which will enable him to take over the world and thus fulfil the terrible forecasts of scripture. But there is opposition in the form of a bunch of monks with sacred daggers who will do everything necessary to prevent Satan's enthronement.
Legendary Rodgers and Hammerstein musical in which an American Navy nurse (Mitzi Gaynor) stationed on a South Pacific Island falls in love with a middle-aged French planter (Rossano Brazzi), who goes on to become a war hero. Includes the songs: 'There is Nothing Like a Dame'; 'Bali Ha'i'; 'Happy Talk'; and 'I'm Gonna Wash That Man Right Outa My Hair'.
Damien - The Omen 2
Omen 3 - The Final Conflict
Omen 4 - The Awakening
The Omen (2006)
Ken Annakin directs this 1950s British comedy adapted by Graham Greene from his novel about a high-flying accountant who tries to apply his ability with numbers to gambling. Rossano Brazzi stars as Bertrand, an unconventional accountant who impresses his boss, Dreuther (Robert Morley), with his methods when called to a meeting. Dreuther decides, as a result, to send Bertrand and his new bride, Cary (Glynis Johns), to Monte Carlo for their honeymoon, but the temptations of the local casinos threaten to end the marriage before it has even begun...
Upon leaving jail, petty criminal Charlie Croker (Michael Caine) inherits a carefully planned $4,000,000 gold robbery in Italy. With the original mastermind of the plan murdered, Croker needs financial backing and finds it in Mr Bridger (Noel Coward in his last screen role), a quintessential English crime boss still incarcerated by Her Majesty's Prison Service. Bridger supplies Charlie with his own gang of bank robbers, getaway drivers and computer whizz-kids, and helps him plan the heist (during the practice runs Caine utters the infamous phrase 'you were only supposed to blow the bloody doors off'), which results in the world's biggest traffic jam. The gang's getaway in red, white and blue minis is accompanied by the tune 'Getta Bloomin Move On' (aka 'Self Preservation Society') written by Quincy Jones and George Martin.
Shirley MacLaine stars in seven vignettes, each telling a story of adultery, in this essay on sexual mores in the late 1960s by Italian director Vittorio De Sica. In 'Funeral Possession', a widow misbehaves at her husband's funeral. In 'Amateur Night', an embittered wife turns to prostitution out of revenge. In 'Two Against One', a girl who appears to be a prude turns out to have surprising traits. 'Super Simone' sees a young wife adopting increasingly elaborate methods to divert her workaholic writer husband. 'At the Opera' depicts an ugly battle over a supposedly exclusive dress. 'Suicides' shows a couple making a death pact. In 'Snow', a woman's new flame turns out to be a private detective hired by her jealous husband.
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