Although Olga Kirsch’s is the only Jewish voice in Afrikaans poetry, it is scarcely known among members of the South African Jewish community. Olga Kirsch was, after Elisabeth Eybers, only the second woman to publish a collection of poetry in Afrikaans.

The aims of this biography are to reverse this slide into obscurity and to show why her work is important not only in South Africa but also in Israel.

It does not only investigate Kirsch’s role as Afrikaans Jewish poet but also examines her as an example of a cross-cultural, multi-lingual immigrant poet. As such some of her English and Hebrew poetry are included in this work.

A moving journey of discovery into the unexplored continent that is often our families’ past. It can be read as a reconstruction of one’s own Jewish and at the same time European-South African roots, but through these micro-histories we arrive at the events of the Second World War and the Holocaust to the level of macro-history.

Egonne Roth’s work brilliantly illustrates the complex mechanism of intergenerational, communicative memory and cultural memory (described by Jan and Aleida Assmann, among others). On a feminist level, it is also a personal history of the daughter-father relationship, leading to a kind of purification, a catharsis.

The detective-like reconstruction of the multi-ethnic segments of the family’s history has as its backdrop the arduous completion of one’s own biography from scraps of documents, accounts of the now few witnesses, secrets, and traumas hidden for decades.

Mel Brooks' Oscar-nominated horror spoof, the follow-up to 'Blazing Saddles' and the highest grossing black-and-white film of all time. Gene Wilder plays Frederick Frankenstein, a teacher who inherits his grandfather's Transylvanian estate; Marty Feldman plays Igor, his hunchback assistant; and Peter Boyle, the tap-dancing monster he brings to life in his laboratory.

All 13 episodes from the first season of the children's animated series set in the 'Star Wars' universe. When young scavenger Rowan Freemaker (voice of Nicolas Cantu) discovers an ancient artefact known as the Kyber Saber, he suddenly becomes aware of a natural connection with the Force. After meeting a Jedi named Naare (Grey Griffin), Rowan and his siblings Kordi (Vanessa Lengies) and Zander (Eugene Byrd) set off on a dangerous journey which sees them become embroiled in the ongoing battle between the Empire and the Rebel Alliance. The episodes are: 'A Hero Discovered', 'The Mines of Graballa', 'Zander's Joyride', 'The Lost Treasure of Cloud City', 'Peril On Kashyyyk', 'Crossing Paths', 'Race On Tatooine', 'The Test', 'The Kyber Saber Crystal Chase', 'The Maker of Zoh', 'Showdown On Hoth', 'Duel of Destiny' and 'Return of the Kyber Saber'.

Harry Lister Smith stars in this made-for-TV action adventure. On a remote island in ancient Norway, young Viking Erick (Lister Smith) volunteers to join a band of his fellow Norse warriors on a perilous voyage to save the captured princess Tasya (Jenny Boyd). Fighting together with rival clans, Erick must find and save Tasya from her captors before she is sacrificed to the legendary Midgard serpent.

Fast-paced action movie starring Jeffrey Dean Morgan and Mickey Rourke. The Courier (Morgan) has earned his nickname through a remarkable ability to track down individuals and deliver messages and packages. The Courier is particularly prized, in certain circles, for his refusal to ask questions or query the legality of the material he carries. However, when he is handed a package by a branch of the Russian mafia and asked to deliver it to an especially notorious underworld figure, The Courier's skills will be tested to the limit. He believes he has made a breakthrough when he gets in contact with Maxwell (Mickey Rourke), a former associate of the elusive figure he is seeking, but how far can Maxwell be trusted?

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.