After the success of Coincidences at Museums, Austrian photographer Stefan Draschan has continued to work on his various photographic series - and time and time again he has succeeded in finding eye-catching moments. It is therefore high time for a new book that presents his staged series for the first time, shows a selection from the previously unpublished series Cars Matching Homes, and above all presents new highlights from his museum series, which have become increasingly diverse. Draschan’s work has inspired a wide audience to identify patterns and joyful compositions in everyday life. This beautifully designed book shows just how many visual surprises and unusual perspectives this master of the unexpected moment has to offer.

Yasser Alwan photographed in and around Cairo, recording encounters with people in the streets, at the racetrack, in cafes, and in places of work-tanneries, quarries, bookshops, potteries. His portraits of workers living in conditions of unimaginable poverty and political dispossession are remarkable for their refusal of the cliches of social documentary and photojournalism. Alongside these, there are intimate images of family and friends which form a collective portrait of the middle class seen in the relaxed informalities of daily life. This collection of Alwan's photographs offers an unprecedented and unique picture of Egyptian society, introducing an outstanding body of work in contemporary photography from the Arab world.

What began as a spontaneous enthusiasm for a photo turned out to be a long-lasting fascination with one of the world's best-selling products: the Monobloc, as it is known in specialist circles. It's the simple plastic chair that exists all over the world, as director Hauke Wendler discovered during his research trip. In November 2021, a documentary film will be released in cinemas, which is about this chair and its countless contexts. Hauke Wendler sees the piece of furniture, which is made from a single cast - hence the name - as a stand-in for stories, anecdotes and snapshots. Although the Monobloc is never the centre of attention, it is always a supporting actor and somehow "present" on all five continents the director has travelled to. The piece of furniture, of which there are supposed to be a billion copies, is as universal as hardly any other object. The photobook "Monobloc", which traces Hauke Wendler's journey alongside the documentary film, is a declaration of love for the world's most famous plastic chair.

Some 40 carefully chosen juxtapositions of masterpieces by both artists trace a dialogue that ranks among the most fascinating in art history. This publication brings Pablo Picasso's (1881-1973) encounter with the Cretan-born old master Domenikos Theotokopoulos, better known as El Greco (1541-1614), vividly to life. El Greco's unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco's works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.

They were not only two of the outstanding artists of the Bauhaus, but also a well-known couple. Their many famous works and the artists they influenced as teachers and role models bear witness to their life and work. But that is not all, as another ingenious couple literally shows us. The photographer duo Lake Verea has joined forces with the Josef and Anni Albers Foundation to trace the material and intellectual traces of their artistic creativity in their estate. Correspondence with Bauhaus colleagues, tubes of paint and fabric fibers are captured with an extraordinary feel and vividness. Seeing the objects gives wings to the imagination. For inevitably, one sees the hands of the artists at work, who formed their very own contribution to 20th century art history from these objects, conversations and trains of thought.

Landon Metz's abstract paintings reflect the artist's deliberate and meditative attention that endures throughout each phase of the artist's process. From stretching canvas to selecting his specific palette to the actual application of paint and subsequent creation of form, the end result of such intense concentration is an energy that seemingly reverberates from Metz's work. Curving forms of mesmerizing color on individual canvasses are often exhibited as diptychs and triptychs, or serially installed next to one another in installations to form a larger dialogue, creating pattern and rhythm. Metz's artworks communicate a contemporary voice engaging directly with the larger dialogue of abstraction's expansive history. The forms and repetition found in nature are often sources of inspiration for Metz, the artist being from Arizona where rock formations shaped over thousands of years are direct examples of the relationship between time, material, and form. This book brings together numerous examples of this young tour de force's elegant oeuvre, while exemplifying the ways in which such a spirit of studied precision and deliberation holds enduring value in a world that seems to move faster with each passing day.

Showing some forty juxtapositions of masterworks by both artists, the catalogue illuminates the encounter of Pablo Picasso (1881-1973) with the old master El Greco (1541- 1614), born Domenikos Theotokopoulos in Crete. El Greco's unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco's works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.

With the complexity of his artistic expression, Armin Mueller-Stahl is an exceptional figure in the art of the 21st century. The different artistic activities of the painter, musician, actor, and writer influence each other. Thus, the actor's particular interest in exploring and empathizing with different character traits implies a high affinity for drawing and painting the subtle nuances of human faces and the traits hidden within them. This illustrated volume presents Mueller-Stahl's most recent series Judische Freunde und Weggefahrten. The portraits of famous personalities from the FRG, the GDR and the USA are both character studies and personal homages. They invite the viewer to take a stroll through the artist's eventful, great life.

The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art for Sale is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, the updated and revised new edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?

Hugo McCloud's artistic practice developed through his tireless experimentation with materials. The artist finds beauty in the everyday - thus disposable bags, aluminum plates, or bronze panels treated with acid turn into artistic tools. What is unique is not only his inventiveness, but also the broad range of themes he outlines with his art. Hugo McCloud finds expression for social and political problems through his media. He dissects and explores materials and makes them appear in a completely new light. McCloud, who came to art as a self-taught artist, has created a remarkable oeuvre to date, which is now illustrated in this survey publication.

Gunter Zachariasen, born on the island of Sylt in 1937, has been living in North Frisia for decades. While he feels a strong connection to the land, landscape itself is not the motif of his paintings. Breaking away from the representational, his often monumental works are the abstract, yet sensual results of an exploration of the inner self. Zachariasen's colour spectrums reflect vastness, openness and a dissolution of boundaries. Light plays a central role: Where does it come from? Is it penetrating thick fog? What distance has it travelled before it reaches our eyes? The application of paint is meticulous, the colouring gently tuned and carried by finely nuanced transitions, as if parts had the ability not only to accumulate light but also to emit it.