First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.

This final volume of the Garland Encyclopedia of World Music includes first-person field-work case-studies from different regions of the world, a general index to the entire ten-volume series and all the bibliographies, discographies and videographies from all the nine regional volumes. It is an essential reference that students, scholars and teachers will consult regularly.

The first volume in the series offering a comprehensive view of African music as a vital part of the social and cultural life of its people. With 34 expert contributors.

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.

"Dried millet breaking," sung by the bard at the end of one episode of this Woi epic of the Kpelle people of Liberia, represents a formula that breaks the flow of events and introduces the epic's complex temporal scaffolding. Examining the singing, narration, dramatic performance, instrumental accompaniment, and timing of the Woi epic, Ruth M. Stone reveals that the Kpelle show time flux through changing timbres, motion, and spatial metaphors in ways fundamentally different from those of much Western art music. In this illuminating study Stone moves beyond typical genre studies of African music to shed light on broader questions of music's relationship to areas of culture often ignored.