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Seven Rooms
Dominic Jaeckle, Jess Chandler; Afterword by Gareth Evans; Contributions by Mario Dondero, Erica Baum, Jess Cotton, Rebecca Tamás, Stephen Watts, Helen Cammock, Salvador Espriu, Lucy Mercer, Lucy Sante, RyĹ«nosuke Akutagawa, Ryan Choi, John Yau, Nicolette Polek, Chris Petit, Sascha Macht, Amanda DeMarco, Mark Lanegan, Vala Thorodds, Richard Scott, Joshua Cohen, Hannah Regel, Nick Cave,, Daisy Lafarge, Holly Pester, Matthew Gregory, Olivier Castel, Emmanuel Iduma, Joan Brossa, Cameron Griffiths, Imogen Cassels, Hisham Bustani, Maia Tabet, RaĂşl Guerrero, Velimir Khlebnikov, Natasha Randall, Edwina Atlee, Matthew Shaw, Aidan Moffat, Lesley Harrison, Oliver Bancroft, Lauren de Sá Naylor, Will Eaves, Sandro Miller, Jim Hugunin,, …
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R613
R545
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Seven Rooms brings together highlights from Hotel, a magazine for
new approaches to fiction, non-fiction & poetry which, since
its inception in 2016, provided a space for experimental reflection
on literature's status as art & cultural mediator. Co-published
by Tenement Press and Prototype, this anthology captures, refracts,
and reflects a vital moment in independent publishing in the UK,
and is built on the shared values of openness, collaboration, and
total creative freedom.
Aleksander Siewierski, originally from Georgia, was in the United
States in 1917 and was there when the revolution in Russia broke
out. As Alexander Seversky, he founded the Seversky Aero
Corporation. Alexander Kartvelli (also a Georgian) became his main
designer. Unfortunately, financial problems led to firing Seversky,
and his company changed its name to Republic Aviation Corporation.
The projects started and developed by Seversky, which resulted in
the P-35 fighter, were continued, though. As a result of its
further development, a design for the XP-41 high-altitude fighter
equipped with a turbocharger was prepared. Only a prototype was
built, while many of its solutions went to a more advanced
aircraft, designated AP-4, and finally P-43.
In order to be confirmed to a lifetime appointment on the federal
bench, all district and circuit court nominees must appear before
the Senate Judiciary Committee for a confirmation hearing. Most
commonly, nominees field a handful of questions by two senators,
yet some nominees receive over 150 questions by 10 or more
senators. Lower court judges make up approximately 98% of permanent
federal judgeships and their cases encompass a variety of policy
areas as they interpret and apply the Constitution, laws, and
precedents of the United States. The authors of It's Not Personal
analyzed transcripts for all district and circuit court
confirmation hearings between 1993 and 2012. They found that the
time-consuming practice of confirmation hearings for district and
circuit nominees provides an important venue in which senators can
advocate on behalf of their policy preferences and bolster their
chances of being reelected. The variation in lower court nominees'
experiences before the Judiciary Committee exists because senators
pursue these goals in different ways, depending on the level of
controversy surrounding a nominee. Studying confirmation hearings
improves our understanding of the process by which individuals gain
lifetime seats on the federal bench, positions from which they can
influence the development of law.
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The Rhetoric of Fascism (Hardcover)
Nathan Crick; Patrick D. Anderson, Rya Butterfield, Nathan Crick, Elizabeth R. Earle, …
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R1,812
R1,396
Discovery Miles 13 960
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Highlights the persuasive devices most common to fascist appeals
Fascism has resurfaced as one of the most pressing problems of our
time. The rise of extremist parties and candidates in Europe, the
United States, and around the globe has led even mainstream
political commentators to begin using the term “fascism” to
describe dangerous movements that have revived and repackaged many
of the strategies long thought to have been relegated to the
margins of political rhetoric. No longer just confined to the state
regimes of the past, fascism thrives today as a globally
self-augmenting, self-propagating rhetorical phenomenon with a
variety of faces and expressions. The Rhetoric of Fascism defines
and interprets the common persuasive devices that characterize
fascist discourse to understand the nature of its enduring appeal.
By approaching fascism from a rhetorical perspective, this volume
complements established political and sociological understandings
of fascism as a movement or regime. A rhetorical approach studies
fascism less as a party one joins than as a set of persuasive
strategies one adopts. Fascism spreads precisely because it is not
a coherent entity. Instead, it exists as a loosely bound and often
contradictory collection of persuasive trajectories that have
attained enough coherence to mobilize and channel the passions of a
self-constituted mass of individuals. Introductory chapters focus
on general theories of fascism drawn from twentieth-century history
and theory. Contributors investigate specific historical figures
and their relationship to contemporary rhetorics, focusing on a
specific rhetorical device that is characteristic of fascist
rhetoric. A common thread throughout every chapter is that fascist
devices are appealing because they speak to us in the familiar
language of our culture. As we are seduced by one device at a time,
we soon find ourselves part of a movement, a group, or a campaign
that makes us act in ways we might never have imagined. This volume
reveals that fascism may be closer to home than we think.
CONTRIBUTORS Patrick D. Anderson / Rya Butterfield / Nathan Crick /
Elizabeth R. Earle / Zac Gershberg / Stephen J. Hartnett /
Marie-Odile N. Hobeika / Sean Illing / Jacob A. Miller / Fernando
Ismael QuiÑones Valdivia / Patricia Roberts-Miller / Raquel M.
Robvais / Bradley A. Serber / Ryan Skinnell
This book examines the German air force (GAF) monograph project,
also known as the Karlsruhe project, through which the US Air Force
employed former Luftwaffe generals to record the history of World
War II from the German perspective. Historians have explored
parallel programs in the US Army and Navy, but the Karlsruhe
project has received little attention. However, the Air Force
monographs have proven useful to historians because of their high
quality. This book attributes the Karlsruhe monographs' strength as
works of history primarily to the Air Force's limited interest in
them, which insulated the writers from outside pressure to produce
studies of immediate utility to the military. Whereas policy needs
drove the Army and Navy programs and often caused them to search
for convenient tactical "lessons" in German history, the GAF
monograph project was effectively autonomous. This was a mixed
blessing. Chronically undermanned and inadequately funded, the
project ended with most studies still unfinished. The Air Force
ignored the monographs and failed to benefit from the experience of
the Luftwaffe. This book illustrates the inherent tensions in
writing official military history and utilizes the Karlsruhe
project as a lens to examine problems plaguing the Air Force during
the early Cold War. Still, cooperative historical work proved to be
an inexpensive and unexpected way of cementing the critical West
German-American military alliance, and both air forces came to
value this aspect of the project more than the historical studies
it produced.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
The Dornier Do 335A did not meet all the Luftwaffe requirements.
First, the cockpit armor was too weak, which excluded the machine
from the role of a fighter intercepting heavily defended Allied
bombers. Therefore, in the summer of 1944, a modified version of
the Do 335 - marked with the letter “B”- was developed. The
main difference was to be an armored pilot’s cockpit with a new,
easier to manufacture windscreen. The front wheel had larger tire.
To be able to retract it without any changes in the landing gear
bay construction, it was rotated around the leg axis by 45° during
the retraction. The rest of the equipment and weapons were to be
the same as in the case of the Do 335A-1. The developed version was
designated Do 335B-1, but it was quickly abandoned in favor of
heavily armed versions B-2 and B-3, known as Zerstörer. The
prototypes of the version B-2 were Do 335M-13 and M-14 powered,
like the A-1, by the DB 603E (front) and DB-603QE (rear) engines,
but with significantly reinforced armament. The 15 mm MG 151/15
cannons above the engine were replaced with a 20 mm MG 151/20, and
the wings were fitted with two 30 mm MK 103 cannons with 70 rounds
per barrel. The same cannon fired through the propeller axis.
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Aparoknubhti (Sanskrit, Paperback)
?A?Kar?C?Rya; Created by Son of Myaa Called Vidyraya Madhava; Dvivedi Ramasvarupa
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R476
R441
Discovery Miles 4 410
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