Russian nationalism, increasingly important as the Russian Federation finds its place in the world, is not a new phenomenon. Who were the Russian nationalists before the creation of today's Russia? What were their views? What was their political influence? This book seeks answers to these questions by looking in detail at the last decade of the USSR through the eyes of a group of Russian nationalist intellectuals gathered around the literary journal "Nash sovremennik." The author suggests that, in the twenty-first century, a specifically Russian type of nationalism, ethnic and statist, could provide the ideological underpinning for a new authoritarianism.

Russian nationalism, increasingly important as the Russian Federation finds its place in the world, is not a new phenomenon. Who were the Russian nationalists before the creation of today's Russia? What were their views? What was their political influence? This book seeks answers to these questions by looking in detail at the last decade of the USSR through the eyes of a group of Russian nationalist intellectuals gathered around the literary journal Nash sovremennik . The author suggests that, in the Twenty-first-century, a specifically Russian type of nationalism, ethnic and statist, could provide the ideological underpinning for a new authoritarianism.

This classic volume on the evocative and enigmatic pottery of the Mimbres people has become an irreplaceable design catalogue for contemporary Native American artists. Burt and Harriet (Hattie) Cosgrove were self-trained archaeologists who began excavating Mimbres materials in 1919. When their meticulous research came to the attention of Alfred V. Kidder of the Peabody Museum, he invited them to direct the Mimbres Valley Expedition at the Swarts Ranch in southern New Mexico on behalf of the Peabody.

Working in the summers of 1924 to 1927, the Cosgroves recovered nearly 10,000 artifacts at the Swarts site, including an extraordinary assemblage of Mimbres ceramics. Like their original 1932 report, this paperbound facsimile edition includes over 700 of Hattie Cosgrove's beautiful line drawings of individual Mimbres pots. It also presents a new introduction by archaeologist Steven A. LeBlanc, who reviews the eighty years of research on the Mimbres that have followed the Cosgroves' groundbreaking study. The Peabody's reissue of "The Swarts Ruin" once again makes available a rich resource for scholars, artists, and admirers of Native American art, and it places in historical context the Cosgroves' many contributions to North American archaeology.