What is it about anime that is so appealing to a transnational fan base? Is the American attraction to anime similar to the popularity of previous fads of Japanese culture, like the Japonisants of fin-de-siecle France enamored of Japanese art and architecture, or the American poets in the fifties and sixties who latched onto haiku? Or is this something new, a product of global culture in which ethnic identities carry less weight? This book explores these issues by taking a look at anime fans and the place they occupy, both in terms of subculture in Japan and America, and in relation to Western perceptions of Japan since the late 1800s.

With the popularity of Pokémon still far from waning, Japanese animation, known as anime to its fans, has a firm hold on American pop culture. However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues such as alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.

Although there are numerous published studies of Irish literature, and several women's autobiographies, none has combined these areas of study. Literary autobiographies of both women and men have gained popularity and scholarly attention over the last three decades, especially twentieth-century women's autobiographies. This study identifies and examines the Irishwomen's literary autobiography and traces its development through the twentieth century. The opening chapter discusses autobiographical trends prior to the present century in Ireland, and charts major movements in forming the women's autobiography of the twentieth century. Of particular importance are the ways in which the life stories of Irish women writers both affirm and contradict intercultural theories of women's autobiography, how these writers manifest their autobiographical "I" as a deflected entity, and the relevance of class and religious background to the autobiographical voices of women in Ireland. The core discussion of the study focuses on the self-narratives of Lady Augusta Gregory, Katharine Tynan, Mary Colum, Elizabeth Bowen, Kate O'Brien, and Eavan Boland.

Anime and Manga are hot - the popularity of these media is only increasing. What is it about anime that is so appealing to a trans-national fan base? This book looks at anime fans and the place they occupy, both in terms of subculture in Japan and the West, and in relation to Western perceptions of Japan since the late 1800s.

With the popularity of Pokémon still far from waning, Japanese animation, known as anime to its fans, has a firm hold on American pop culture. However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues such as alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.

This collection of nineteen early English charters, in Old English and Latin, was formed in the eighteenth century, lost from sight for one hundred years in Ireland, and sent for auction in the early 1890s, when it was purchased by the Bodleian Library, Oxford. It includes original charters of Anglo-Saxon kings including Aethelstan and Aethelred, and refers to estates as far apart as Cornwall and St Albans. The documents were edited by A. S. Napier (1853 1916) and W. H. Stevenson (1858 1924), and published in 1895. The book contains thorough notes on historical and philological aspects of the texts, and a detailed index. The editors set new standards, voicing stern criticism of the pioneering works of Kemble and Birch (also reissued in this series) as regards authenticity and dating. Their work inspired new editions of the Anglo-Saxon charters, one in the first half of the twentieth century, the other still ongoing.

The Old English Version, With The Latin Original Of The Enlarged Rule Of Chrodegang; An Old English Version, With The Latin Original, Of The Capitula Of Theodulf; An Interlinear Old English Rendering Of The Epitome Of Benedict Of Aniane.

The Old English Version, With The Latin Original Of The Enlarged Rule Of Chrodegang; An Old English Version, With The Latin Original, Of The Capitula Of Theodulf; An Interlinear Old English Rendering Of The Epitome Of Benedict Of Aniane.

The Old English Version, With The Latin Original Of The Enlarged Rule Of Chrodegang; An Old English Version, With The Latin Original, Of The Capitula Of Theodulf; An Interlinear Old English Rendering Of The Epitome Of Benedict Of Aniane.