Reach for the stars

Stargazing is the practice of observing the night sky and its contents - from constellations through to planets and galaxies. Stars and other night sky objects can be seen with the naked eye, or seen in greater numbers and in more detail with binoculars or a telescope.

"Stargazing For Dummies" offers you the chance to explore the night sky, providing a detailed guide to the main constellations and also offering advice on viewing other night sky objects such as planets and nebulae. It's a great introduction to a fun new hobby, and even provides a fun way to get the kids outside while doing something educational Gives you an introduction to looking at the sky with binoculars or a telescopeOffers advice on photographing the night skyWithout needing to get your head around mind-bending theories, you can take part in some practical physics

If you're looking for easy-to-follow guidance on getting to know the night sky, "Stargazing For Dummies" has you covered.

In this new collection of essays, a range of established and emerging cultural critics re-evaluate Richard Hoggart's contribution to the history of ideas and to the discipline of Cultural Studies. They examine Hoggart's legacy, identifying his widespread influence, tracing continuities and complexities, and affirming his importance.

This "Companion" illustrates the vitality and diversity of dramatic work between 1660 and 1710. Twenty-five essays by leading scholars in the field bring together the best recent insights into the full range of dramatic practice and innovation at the time. Contributors examine well known genres such as Restoration sex comedy in a new light, and explore other genres such as heroic plays, satirical comedy, sentimental 'she-tragedy', tragi-comedy and political tragedy. The three sections of the volume address the diverse aspects of Restoration Drama. The first situates the drama in its theatrical and social contexts and examines changing responses to Restoration drama from the eighteenth century to date, the second explores the wide range of dramatic genres, and the final section offers an introduction to the playwrights, including the first women dramatists. Coverage of the best known dramatists is balanced by attention to lesser known authors and plays.

This edited volume focuses on the funerary archaeology of the Pan-Andean area in the pre-Hispanic period. The contributors examine the treatment of the dead and provide an understanding of how these ancient groups coped with mortality, as well as the ways in which they strove to overcome the effects of death. The contributors also present previously unpublished discoveries and employ a range of academic and analytical approaches that have rarely - if ever - been utilised in South America before. The book covers the Formative Period to the end of the Inca Empire, and the chapters together comprise a state-of-the-art summary of all the best research on Andean funerary archaeology currently being carried out around the globe.

Richard Owen, F.R.S. (1804-92) was a controversial and influential palaeontologist and anatomist. Originally from Lancaster, he studied medicine at the University of Edinburgh and at London's St Bartholomew's Hospital. He grew interested in anatomical research and, after qualifying as a surgeon, became assistant conservator in the museum of the Royal College of Surgeons, and then superintendent of natural history in the British Museum. He became an authority on comparative anatomy and palaeontology, coining the term 'dinosaur' and founding the Natural History Museum. He was also a fierce critic of Darwin's theory of evolution by natural selection, and engaged in a long and bitter argument with Thomas Huxley, known as 'Darwin's bulldog' for his belligerent support of the theory. Published in 1894, this two-volume biography draws on Owen's diaries and a wealth of correspondence. Volume 1 covers Owen's life up to 1854, just before his appointment to the British Museum.

Richard Owen, F.R.S. (1804-92) was a controversial and influential palaeontologist and anatomist. Originally from Lancaster, he studied medicine at the University of Edinburgh and at London's St Bartholomew's Hospital. He grew interested in anatomical research and, after qualifying as a surgeon, became assistant conservator in the museum of the Royal College of Surgeons, and then superintendent of natural history in the British Museum. He became an authority on comparative anatomy and palaeontology, coining the term 'dinosaur' and founding the Natural History Museum. He was also a fierce critic of Darwin's theory of evolution by natural selection, and engaged in a long and bitter argument with Thomas Huxley, known as 'Darwin's bulldog' for his belligerent support of the theory. Published in 1894, this two-volume biography draws on Owen's diaries and a wealth of correspondence. Volume 2 includes an essay on Owen's contributions to anatomical science written, surprisingly, by Huxley.

In this new collection of essays, a range of established and emerging cultural critics re-evaluate Richard Hoggart's contribution to the history of ideas and to the discipline of Cultural Studies. They examine Hoggart's legacy, identifying his widespread influence, tracing continuities and complexities, and affirming his importance.

The interaction between philosophy and clinical psychopathology in the form of the 'phenomenological movement' was one of the most significant events to occur in mental health over the course of the last century. As the gulf between 'analytical' and 'continential' philosophy reduces, and as clinical psychiatry looks beyond DSM-IV and ICD-10, there is renewed enthusiasm for phenomenological thinking. This unique book brings together and interprets previously hard to find texts, new translations and passages detailing the interplay between philosophy and psychopathology, making them accessible to a new generation of mental health researchers, practitioners and policy makers. The content charts both the influence of key philosophers on ways of thinking and describes the impact and influence of phenomenological approaches to clinical work and understanding in a variety of mental disorders.

In Niyha "Duchess of Wordplay" Owens' second published collection of poetry, she sticks to her characteristic rhythmic flair to bring awareness and optimism to socio-economic issues in a relatable way.

In the third volume of the "Pocket Full of Poems" series, Niyha focuses on the more anguishing, emotion-provoking aspects of life including heartbreak, death, loneliness, and unrequited love.